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      <image:caption>We thrive where sciences and arts collide. It’s our mission to enable and to capture those collisions. We aim to stimulate arts with science and science with arts, encourage public engagement with both fields, and provide an international platform for innovation and creativity.</image:caption>
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      <image:caption>‘Everything interesting happens because one field has crashed into another’ — TOM KNIGHT</image:caption>
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      <image:title>Visual Fine Arts</image:title>
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    <loc>https://seismamag.com/visual-fine-art/mary-yacoob-reimagining-scientific-imagery</loc>
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    <lastmod>2026-02-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f0317b33-9f5e-4928-8538-01299dbbc4e4/Yacoob_Mary_Gene_Reg_Network_cyanotype_52x70cm_2025.jpg</image:loc>
      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>Gene Reg Network — cyanotype print.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7d603266-dab0-4dad-b84a-2820cb65e350/Yacoob_Mary_Honeybee+Waggle+Dance+Map_cyanotype_52x70cm_2025_Smooth_Cloudy.jpg</image:loc>
      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>Honeybee waggle dance map — in dialogue with Prof Elli Leadbeater, Professor of Ecosystems and Biodiversity Research, UCL People and Nature Lab</image:caption>
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      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>Image from ‘Dancing bees evaluate central urban forage resources as superior to agricultural land’ by Ash E. Samuelson, Roger Schürch and Ellouise Leadbeater.</image:caption>
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      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>Self-organisation: spiral waves that shape cell motion — in dialogue with Dr Hugh Ford, Research Fellow, Laboratory for Molecular Cell Biology, UCL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0fe683cc-2673-4dc9-aa2a-7a2c8c703a88/Yacoob_Mary_Electrospun+Fibres+in+Drugs+for+Spinal+Cord+Regeneration+_cyanotype_52x70cm_2025.jpg</image:loc>
      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>Electrospun fibres in drugs for spinal cord regeneration — in dialogue with Dr Karolina Dziemidowicz, Lecturer, UCL School of Pharmacy</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e52f16ad-473c-4bed-892f-0cb742c67153/Dziemidowicz%2C+Karolina+Picture+1.jpg</image:loc>
      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>‘A confocal micrograph showing the migration of fibroblasts seeded on drug-loaded implants for spinal cord injury’. Image taken by Mathilde Ullrich and Karolina Dziemidowicz</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d19cb65c-e1e9-4622-8302-6c9c4cdd6833/Yacoob_Mary_Wave+and+Ray+Optics_cyanotype_52x70cm_2025.jpg</image:loc>
      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>Wave and ray optics — in dialogue with Dr Isabell Whiteley, In Vivo Imaging Specialist, Sainsbury Wellcome Centre.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e980d3a6-3fe1-40f4-959a-996d57ecb159/Mary+Yacoob+with+some+additions+by+Dr+Isabell+Whiteley.jpg</image:loc>
      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>Working sketch by Mary Yacoob with some additions by Dr Isabell Whiteley.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0119f443-4eb6-4fbf-a6c9-86f37107e820/Yacoob_Wood_Wide_Web_cyanotype_52x70cm_2025.jpg</image:loc>
      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>Wood-wide web — in dialogue with Prof Stephen Price, Professor of Developmental Neurobiology, Department of Cell and Developmental Biology, UCL</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/82035741-2080-46be-a0cd-a1ddca857d41/Mary_sketchwood_wide_web2+copy.jpg</image:loc>
      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>Working sketch by Mary Yacoob.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ef317be3-d82a-4345-85cc-f590f794c6b3/Yacoob_Mary_Unifying+Representations+in+Biological+and+Artificial+Systems_cyanotype_52x70_2025.jpg</image:loc>
      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>Unifying representations in biological and artificial systems — in dialogue with Clémentine Dominé, PhD Student, Gatsby Computational Neuroscience Unit, UCL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0904414a-60fd-437e-ac4d-ec4960c9c24e/Domine_Clementine_final_image_Picture+1.png</image:loc>
      <image:title>Visual Fine Arts - MARY YACOOB: REIMAGINING SCIENTIFIC IMAGERY - Make it stand out</image:title>
      <image:caption>‘Neurograph: Emergence Across Systems’, AI-generated image by Clémentine Dominé.</image:caption>
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  <url>
    <loc>https://seismamag.com/visual-fine-art/015-spotlight-torus-torus-studio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0e959d4b-fb7d-4222-ba49-e60a58e61c12/IMG_5706.jpeg</image:loc>
      <image:title>Visual Fine Arts - 015 SPOTLIGHT: TORUS TORUS STUDIO</image:title>
      <image:caption>Only Breath, 2024. Stainless steel, mild steel, windblown wood, motorised mechanism. 5m diameter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d603a80f-974f-4a97-a62d-14542e8e6c8d/IMG_5709.jpeg</image:loc>
      <image:title>Visual Fine Arts - 015 SPOTLIGHT: TORUS TORUS STUDIO</image:title>
      <image:caption>Only Breath, 2024. Stainless steel, mild steel, windblown wood, motorised mechanism. 5m diameter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/488ff50e-19d7-406e-b432-6b7820f876ef/IMG_5708.jpeg</image:loc>
      <image:title>Visual Fine Arts - 015 SPOTLIGHT: TORUS TORUS STUDIO</image:title>
      <image:caption>Only Breath, 2024, installation shot at the Science Museum, London. Stainless steel, mild steel, windblown wood, motorised mechanism. 5m diameter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1b7cf1a4-bd2f-4da8-9d9e-04445fc88448/IMG_5703.jpeg</image:loc>
      <image:title>Visual Fine Arts - 015 SPOTLIGHT: TORUS TORUS STUDIO</image:title>
      <image:caption>Only Breath, 2024. Stainless steel, mild steel, windblown wood, motorised mechanism. 5m diameter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2acea8e0-29a9-471f-8e69-69ce0309be06/IMG_5704.jpeg</image:loc>
      <image:title>Visual Fine Arts - 015 SPOTLIGHT: TORUS TORUS STUDIO</image:title>
      <image:caption>Only Breath, 2024. Stainless steel, mild steel, windblown wood, motorised mechanism. 5m diameter.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/six-legs-good-insects-in-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7dd4dda6-b60f-4409-bc1d-810662690990/IMG_5574.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Ruba Salameh: Carmel, 2021. Acrylic on linen, 128 x 183 cm. Courtesy the artist and Gazelli Art House.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9299a2b3-8a33-44a5-935a-4e029e8a56d5/IMG_8362.webp</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Egyptian Blue Winged Scarab Amulet. Museum of Fine Arts, Boston. 72.3019a-c.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/87048f96-6d85-4798-941e-2abb5c802592/IMG_5538.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Jan van Kessel the Elder: Insects with Creeping Thistle and Borage, 1654. National Gallery London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/130f3f20-3baa-4f48-9edc-74bece0e4fa1/IMG_5539.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Maria Sibylla Merian: Pomegranate Tree with Caterpillar &amp; Butterfly, 1679.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9d720e64-8580-4cb6-9124-54a94b8f87b0/IMG_5547.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Salvador Dali: The Great Masturbator, (detail), 1929. Photo: Paul Carey-Kent.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/06e5b6db-2990-4aa3-be42-0e26ead3ecbf/IMG_5550.png</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Ruba Salameh: Carmel, 2021, (detail). Acrylic on linen, 128 x 183 cm. Courtesy the artist and Gazelli Art House.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7f8b62cb-2ebe-4da3-972b-e6d65d63ed09/IMG_5540.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>The Praying Mantis, a surrealist favourite.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7216196d-cb57-4f8e-bbee-c8a125cf4f39/IMG_5541.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Peppered Moth, mezzotint engraving, 2021 © SarahGillespie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4cb16794-9cc1-4cb5-9c13-c7624ce72250/IMG_5542.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Doug and Mike Starn: Attracted to Light #1, 1999-2004 – toned gelatin silver print on Thai mulberry paper, framed size 51 cm x 91.4 cm x 6.4 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f4056735-3064-444d-bbc4-ebf64d721676/IMG_5543.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Petrit Halilaj, Do you realise there is a rainbow even if it’s night!? Installation view, Hammer Projects, Hammer Museum, Los Angeles, September 15, 2018-January 20, 2019. Photo: Brian Forrest.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/09e28230-6903-45c1-9d0f-c7c7243468e7/IMG_5544.png</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Alison Turnbull: Butterfly Barcode, 2018. Watercolour on paper, 56 x 76 cm. Copyright the artist. Courtesy the artist and Matt's Gallery, London. Photo: Jonathan Bassett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7e4413f5-9de5-4143-a08c-5b3949551514/IMG_5545.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Anna Hulačova : Alienbees, 2021. Installation view from the exhibition Anna Hulačová, Alienbees, save us, please!, curated by Katarzyna Rozniak, Arsenal Gallery in Bialystok, Poland (2021). Photo by Tytus Szabelski. Courtesy of the artist and hunt kastner, Prague.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/39e9c24f-1596-4e07-b849-a75f9152dc7d/IMG_5546.png</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Heather Phillipson: The End, 2020 © Heather Phillipson. Shown courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/941fb6ab-2cbd-4864-8186-30dcb24c3289/IMG_5576.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>American Cockroach. Photo: chaipanya.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/32095c93-ab38-4a06-ab20-f4f0d8c8cee4/IMG_5575.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Fruit Fly or Vinegar Fly (Drosophila Melanogaster) on banana fruit surface. Photo: Arif.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9a3b8a36-ba97-4d3d-ac07-79c5f5cdd444/W5857R.jpg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Melchior d'Hondecoeter: Still life with small birds, butterflies and a lizard, c. 1668, canvas, oil paint (paint), h 66 cm × w 52.5 cm d 7.3 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d337a8bb-0559-47d8-a7f5-4196c99128d6/IMG_5554.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Jan Fabre, Skull with Magpie, (2001). Mixture of jewel beetle wing-cases, polymers, stuffed bird, 39x23x34 cm. © Jan Fabre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/87b0e8cf-84f7-41ff-9744-bfb7a3b28d91/%5BEDIT%5D+the+beauty+and+the+beast+from+IMG_5026.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART - Make it stand out</image:title>
      <image:caption>Claire Morgan: the beauty and the beast, 2012 © Claire Morgan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/45baf4d0-e161-4764-9da6-b9988cc68e6b/IMG_5429+22-12-2025+18_06_58_837.jpg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART - Make it stand out</image:title>
      <image:caption>Tessa Farmer: Swarming Fever, 2021. Bones, wormshells, crab claws, taxidermied birds, Portuguese man 'o' war polyps, hedgehog spines, insects, plant roots.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d932296f-eae9-49cc-ab78-652a81295331/finc180014_001.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Spencer Finch: Following a Bee (Zinnias), 2018. Pastel and pencil on paper, 97.8 x 127 cm, 38 1/2 x 50 in © Spencer Finch, Courtesy Lisson Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/8fbaec88-b5be-40fc-9119-38a7f6325dc0/IMG_5427.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Ren Ri: Yuansu Chain I BG-1, Yuansu Chain Series, 2014-2016. Natural beeswax, natural pigments, acrylic, 80cm  40cm  40cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ac0f5955-2116-411f-973b-e2bb05afecd1/IMG_5568.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Yukinori Yanagi: Pacific -The Ant Farm Project, 1996, 1996 ants, colored sand, plastic boxes, plastic tubes and plastic pipes ©️YANAGI STUDIO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/8e9c2065-88b1-4ab4-9ffa-60f16bedb521/ba0023.jpg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Steve Kutcher: Chrysanthemum, 1990s © Steve Kutcher. Shown courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/30825608-8990-4eea-bddb-d131ec115607/IMG_5548.jpeg</image:loc>
      <image:title>Visual Fine Arts - SIX LEGS GOOD: INSECTS IN ART</image:title>
      <image:caption>Salvador Dali: The Great Masturbator, 1929. Photo: Paul Carey-Kent.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/doug-and-mike-starn-scientific-analogies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/01515d62-83a2-4f45-90fb-b99aefd0b9bf/IMG_5286.JPEG</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn with their work ‘Under the Sky’, 2025. Photo by Doug and Mike Starn ©️ Starn Studios. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9896b4f0-e89f-4dc7-8c97-17b6a8b8faf7/IMG_4110.jpeg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn: Attracted to Light #1, 1999-2004 – toned gelatin silver print on Thai mulberry paper, framed size 51 cm x 91.4 cm x 6.4 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/204151c2-e9d7-43a8-acf9-79f3d2a336a2/IMG_4111.jpeg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn, Structure of Thought 27, 2001-2013 – MIS and lysonic inkjet prints on Thai mulberry, gampi and tissue papers with wax, encaustic and varnish, Framed size: 97.2 cm x 130.8 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c381c5b6-3abc-4611-a8f7-f49bf3c8a51a/black+pulse.jpg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn: Black Pulse 4, 2000-08 – Epson K3 ultrachrome inkjet print with Albumen and encaustic on Gampi paper, Scotch tape and glue (6 panels), Framed size: 102.9 cm x 127 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/01c63062-2f63-4be4-8601-0377d11b903b/IMG_4113.jpeg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn: Sno6_034, 2006-2007 – photographs, aluminium mounted plexi-laminated digital C-Print, 254 cm x 254 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/8f2b0435-8b43-4373-a78b-2ccfb3d5fa9d/IMG_4114.jpeg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn: 1000 Arms to Hold, 2015-2020 – Epson K3 Ultrachrome inkjet print on gelatin hand-coated Zerkall paper, Scotch tape, Framed size: 37.5 cm x 82.5 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c18c7b19-d72f-484e-bc0c-9fd4d6eb0408/IMG_4115.jpeg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn: Bullet Holes in the Cemetery Walls, 2024 – Ultrachrome K3 Epson ink jet prints on gelatin hand-coated Zerkall paper, acrylic paint, varnish and wax. Framed size: 61 cm x 91.4 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9759afbc-da41-4894-90fc-819e6e338fe4/IMG_4116.jpeg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn: you are my flower, you are my power, 2025 – Ultrachrome K3 Epson ink jet prints on gelatin hand-coated Zerkall paper, acrylic paint, varnish and wax. Framed size: 144 cm x 255.3 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1f1595ec-df56-40e7-8f91-477d9b883026/IMG_4117.jpeg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn: Everything is Liquid 10, 2021-22 – acrylic paint on Epson K3 Ultrachrome inkjet print on gelatin hand-coated Zerkall paper, Scotch tape, Frame size: 104.1 cm x 165.1 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/bf639902-dac1-4d05-bcba-e71d9fb10202/IMG_4118.jpeg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn: MTN 648 crop 2, 2025 – acrylic paint on Epson K3 Ultrachrome inkjet print on gelatin hand-coated Zerkall paper, Scotch tape. Framed size: 156.2 cm x 250.2 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/622464c7-dc08-4390-ad8c-eea0ceabfa78/be+a+friend+to+the+weak+and+love+justice.jpg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn: be a friend to the weak and love justice, 2025 – Ultrachrome K3 Epson ink jet prints on gelatin hand-coated Zerkall paper, acrylic paint, varnish and wax. Framed size: 144 cm x 255.3 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9a4f6700-994a-4504-89cc-ff77da23e552/IMG_4122.jpeg</image:loc>
      <image:title>Visual Fine Arts - DOUG AND MIKE STARN: SCIENTIFIC ANALOGIES</image:title>
      <image:caption>Doug and Mike Starn: Seascape 5, 2010 — archival inkjet print on gelatin coated Zerkall paper. Art Size: 37.5 cm x 90.5 cm. Frame size: 46 x 99.5 cm. Courtesy of HackelBury Fine Art, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/014-spotlight-nastplas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/05f8639a-846e-47c0-a1fc-7a938694d1c2/IMG_4069.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Still image from Abylon by NastPlas, 2025. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0f57374f-8e55-456a-836b-3497eba35d33/IMG_4068.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Still image from Abylon by NastPlas, 2025. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/153f84c5-f304-4079-8649-f3e7953efabb/IMG_4079.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS - Make it stand out</image:title>
      <image:caption>Noctis by NastPlas, 2024. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/517dc630-8757-4a85-98d1-7293eb44e003/IMG_4074.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Sprendo by NastPlas, 2024. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e5203a29-4e76-4389-816d-38e3f5600082/IMG_4075.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Sprendo by NastPlas, 2024. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/714c89c6-af68-4d09-bfdc-f3210a5299f9/IMG_4076.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Sprendo by NastPlas, 2024. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/b624019f-648a-469c-9ae1-421a4383ccce/20.jpg</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS - Make it stand out</image:title>
      <image:caption>VeriXam by NastPlas, 2023. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/54a671e5-24b3-4278-985e-11d228b931c4/IMG_3996.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Orva by NastPlas, 2025. Shown courtesy the artists ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4d90530f-b36b-452b-b2eb-c1259d491934/IMG_4002.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Orva by NastPlas, 2025. Shown courtesy the artists ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4e041801-1488-443d-b25a-179b75793ed7/IMG_3998.jpg</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Orva by NastPlas, 2025. Shown courtesy the artists ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/198c3a4b-0cf5-4a2e-8739-6f624d0938d1/Orva+NastPlas15.jpg</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS - Make it stand out</image:title>
      <image:caption>Orva by NastPlas, 2025. Shown courtesy the artists ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1701650f-0b44-4669-9624-7df90dc7fc14/IMG_4008.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Still image from Vossil by NastPlas, 2024. Shown courtesy the artists ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f922b178-480f-45e0-9659-a6eda8d28d49/7.jpg+fish+cropped.jpg</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Still image from Vossil by NastPlas, 2024. Shown courtesy the artists ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/a6507a41-5478-426d-8bdc-a3bf415c323f/IMG_4009.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Still image from Vossil by NastPlas, 2024. Shown courtesy the artists ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/775d6dec-7227-4fbd-bd45-590253c5b87f/6+%281%29.jpg+lizard+crop2.jpg</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS - Make it stand out</image:title>
      <image:caption>Still image from Vossil by NastPlas, 2024. Shown courtesy the artists ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/53367b13-66a5-4a2e-86c0-4acb4057e036/IMG_4004.png</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Still image from Kyronis by NastPlas, 2024. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/3961658f-a786-464f-91f1-3a25c57b521e/14+%281%29.jpg</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Still image from Kyronis by NastPlas, 2024. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2761d0dc-e573-4787-9061-04c420a25e5e/19.jpg</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS - Make it stand out</image:title>
      <image:caption>Still image from Kyronis by NastPlas, 2024. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/8948c15e-70cd-498c-a322-aa1f2eca0ee0/IMG_4081.jpg</image:loc>
      <image:title>Visual Fine Arts - 014 SPOTLIGHT: NASTPLAS</image:title>
      <image:caption>Noctis by NastPlas, 2024. Shown courtesy the artist ©️ NastPlas.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/hamad-butt-familiars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/21935144-7f35-4a5b-824b-5d79a9eb88f9/_DSC5597LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS</image:title>
      <image:caption>Installation view of ‘Familiars’, 1992, by Hamad Butt, shown at ‘Hamad Butt: Apprehensions’, 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d670abf0-6ae2-4fc5-a259-d44ee5183970/17.+Hamad+Butt+Portrait+1+copy.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS</image:title>
      <image:caption>Hamad Butt with unidentified sculptural works c. 1985–87. Image © Jamal Butt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1756483253571-SI9Z2TZDV6JRLVVJBU30/_DSC5614LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS - Hamad Butt 'Familiars 1: Substance Sublimation Unit', 1992.  Iodine under vacuum, glass, steel, infrared lamps, timing device, wiring. Display dimensions variable.</image:title>
      <image:caption>Shown at 'Hamad Butt: Apprehensions', 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths. Tate Collection. Presented by Jamal Butt, 2015. Image © Jamal Butt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1756482695302-JOKLD4WDNYAVVBXP8PFY/_DSC5633LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS - Hamad Butt 'Familiars 1: Substance Sublimation Unit' (detail), 1992.  Iodine under vacuum, glass, steel, infrared lamps, timing device, wiring. Display dimensions variable.</image:title>
      <image:caption>Shown at 'Hamad Butt: Apprehensions', 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths. Tate Collection. Presented by Jamal Butt, 2015. Image © Jamal Butt.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1756482695420-ME3Z5F5AH07S2EY81VGW/_DSC5631LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS - Hamad Butt 'Familiars 1: Substance Sublimation Unit' (detail), 1992.  Iodine under vacuum, glass, steel, infrared lamps, timing device, wiring. Display dimensions variable.</image:title>
      <image:caption>Shown at 'Hamad Butt: Apprehensions', 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths. Tate Collection. Presented by Jamal Butt, 2015. Image © Jamal Butt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1756482697170-T7QGP4CTVDIS6UTH84IP/_DSC5632LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS - Hamad Butt 'Familiars 1: Substance Sublimation Unit' (detail), 1992.  Iodine under vacuum, glass, steel, infrared lamps, timing device, wiring. Display dimensions variable.</image:title>
      <image:caption>Shown at 'Hamad Butt: Apprehensions', 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths. Tate Collection. Presented by Jamal Butt, 2015. Image © Jamal Butt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1756482697463-N9732U2C3A2R3WZ4KZUY/_DSC5630LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS - Hamad Butt 'Familiars 1: Substance Sublimation Unit' (detail), 1992.  Iodine under vacuum, glass, steel, infrared lamps, timing device, wiring. Display dimensions variable.</image:title>
      <image:caption>Shown at 'Hamad Butt: Apprehensions', 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths. Tate Collection. Presented by Jamal Butt, 2015. Image © Jamal Butt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1756483446405-UOFTDP0MHT79ODB9L9FB/_DSC5641LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS - Hamad Butt 'Familiars 2: Hypostasis', 1992. Liquid bromine, glass, steel, steel wire. Overall display dimensions variable.</image:title>
      <image:caption>Shown at 'Hamad Butt: Apprehensions', 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths. Tate Collection. Presented by Jamal Butt, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1756483446224-MGFTVJA71CKGHRHWLA5O/_DSC5628LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS - Hamad Butt 'Familiars 2: Hypostasis', 1992 (detail). Liquid bromine, glass, steel, steel wire.</image:title>
      <image:caption>Shown at 'Hamad Butt: Apprehensions', 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths. Tate Collection. Presented by Jamal Butt, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5eafbc99-7f03-4803-89cf-475bded7882a/_DSC5655LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS - Make it stand out</image:title>
      <image:caption>Installation view of ‘Familiars 3: Cradle’, 1992, by Hamad Butt, shown at ‘Hamad Butt: Apprehensions’, 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e2a59b4d-e948-4ea2-b314-289368a0ab05/_DSC5612LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS - Make it stand out</image:title>
      <image:caption>Installation view of ‘Familiars 3: Cradle’ (detail), 1992, by Hamad Butt, shown at ‘Hamad Butt: Apprehensions’, 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1d25f3ec-ccd9-4852-9694-21a8c24207a6/_DSC5607LR.jpg</image:loc>
      <image:title>Visual Fine Arts - HAMAD BUTT: FAMILIARS - Make it stand out</image:title>
      <image:caption>Installation view of ‘Familiars’, 1992, by Hamad Butt, shown at ‘Hamad Butt: Apprehensions’, 4 June - 7 September 2025, Whitechapel Gallery, London. Photo: Damian Griffiths.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/seisma-in-berlin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0fb0552e-6763-4887-beef-f57877d00c2f/IMG_3906.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>‘Alfredo Jaar: The End of the World’ – installation view at KINDL. Photo: Jens Ziehe, 2024 © Alfredo Jaar / VG Bild-Kunst, Bonn, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5258a8ea-1673-40e9-92ba-52e9d72d3e51/IMG_3938.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Kathrin Linkersdorff: Wabi Sabi II / 5, 2017 (Courtesy the artist)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2cf03101-78c4-4523-8324-ddb4fbaecb29/IMG_3930.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Kathrin Linkersdorff: Floriszenzen 4, 2019 (Courtesy the artist)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/dff77127-e93c-4970-a0d2-e9e5a6dfe21c/IMG_3929.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Kathrin Linkersdorff: Fairies I / 1, 2020 (Courtesy the artist)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/778a94bb-6b38-4264-9a54-d648b005e511/IMG_3922.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Kathrin Linkersdorff: Fairies VII / 4, 2023 (Courtesy the artist)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0da5ae10-8e2d-41d9-8ac6-fb3f5d8221e9/IMG_3931.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Kathrin Linkersdorff: Microverse III / 2, 2025 (Courtesy the artist)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2965cdba-e4d0-40ce-b005-f96dff68969d/IMG_3907.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Exhibition view: Jimmie Durham: ‘Art and science are the same thing.’ Courtesy Galerie Barbara Wien, Berlin. Photo by Nick Ash © Jimmie Durham Estate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/dd7e8c7b-3bb4-4949-840e-76c79fd69445/IMG_3908.jpeg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Jimmie Durham, Particle Word/Theory, Wiens Verlag and Edition Hansjörg Mayer, Berlin and London, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5997bca4-5edf-4a62-a78c-114c52f461ec/IMG_3936.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Jimmie Durham: Heisenberg’s Principle, 1989 – wood, paint, paper, 85 x 65 x 69 cm. Image courtesy of the artist, kurimanzutto, Mexico City/New York and Barbara Wien, Berlin. Photo by Nick Ash. © Jimmie Durham Estate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/535a01f2-f7c6-46b1-b119-ce887f9ee1de/IMG_3918.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Jimmie Durham: Heisenberg’s Principle, 1989 (detail) – wood, paint, paper, 85 x 65 x 69 cm. Image courtesy of the artist, kurimanzutto, Mexico City/New York and Barbara Wien, Berlin © Jimmie Durham Estate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/30a93d60-e135-4903-9d4d-19e65f8276f1/IMG_3909.jpeg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Jimmie Durham: The Aharonov-Bohm Effect, 1989 – wood, paint, leather, 88 x 66 x 7.5 cm. Image courtesy of the artist, kurimanzutto, Mexico City/New York and Barbara Wien, Berlin. Photo by Enza Monetti. © Jimmie Durham Estate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7f32174d-073c-4a8f-9041-bfbc6613ece6/IMG_3928.jpeg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Jimmie Durham: The Aharonov-Bohm Effect (Detail), 1989 – wood, paint, leather, 88 x 66 x 7.5 cm. Courtesy of the artist, kurimanzutto, Mexico City/New York and Barbara Wien, Berlin © Jimmie Durham Estate. Photo by Paul Carey-Kent.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5db41342-b1bc-4962-a3e7-71d7d2f24e84/IMG_3912.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Jimmie Durham: Untitled, 2013 – set of 11 drawings. Image courtesy of the artist, kurimanzutto, Mexico City/New York and Barbara Wien, Berlin. Photo by Nicolas Bergerot. © Jimmie Durham Estate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f17c20b6-f26f-483c-ab5e-d8d8aca6de9a/IMG_3910.jpeg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Jimmie Durham: Untitled, 2013 – (Detail - Recalcitrant Trends). Image courtesy of the artist, kurimanzutto, Mexico City/New York and Barbara Wien, Berlin. Photo by Nicolas Bergerot. © Jimmie Durham Estate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6916703b-7b6a-4b76-82e8-3c9059da8a9c/IMG_3911.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Jimmie Durham: Untitled, 2013 – (Detail - On a Scale of One Through Ten). Image courtesy of the artist, kurimanzutto, Mexico City/New York and Barbara Wien, Berlin. Photo by Nicolas Bergerot. © Jimmie Durham Estate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6b2d1d18-9e43-431e-8445-8cf6368019d7/IMG_3933.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Portrait of Numero Cromatico, 2024. Photo by Numero Cromatico.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/23550249-28f2-42be-af49-8af0252df854/IMG_3920.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>View of Numero Cromatico’s work at AOA;87, Berlin. Photo by Numero Cromatico.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e7aa0717-a3b2-44ef-9fa5-97cb32f712c1/IMG_3932.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Numero Cromatico: I am not here, as you see, 2025 - wool tapestry on wooden panel, 110 x 150 cm. Photo by Numero Cromatico, AOA87, Berlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/690a8ad7-ee3d-479e-9ec6-350af1a855b2/IMG_3926.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>View of Numero Cromatico’s work at Paper Position fair. Photo by Paul Carey-Kent.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e1e796c3-05ba-4e4d-9a11-1137f0221a61/IMG_3924.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Numero Cromatico: Flowers move in the wind, 2025 – Risograph print, 42 x 30 cm. Photo by Paul Carey-Kent.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/26a54507-6afb-4933-a8c8-9716168b2324/IMG_3935.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>Numero Cromatico: When you move around me, 2025 - wool tapestry on wooden panel, 110 x 150 cm. Photo by Numero Cromatico, AOA87, Berlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f7ab9d07-be6f-42ed-b3ce-a453a6694b91/IMG_3914.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>‘Alfredo Jaar: The End of the World’ – installation view at KINDL. Photo: Jens Ziehe, 2024 © Alfredo Jaar / VG Bild-Kunst, Bonn, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/56a7ad58-553b-4bf4-b768-e1226ef56c6c/IMG_3915.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>‘Alfredo Jaar: The End of the World’ – installation view at KINDL. Photo: Jens Ziehe, 2024 © Alfredo Jaar / VG Bild-Kunst, Bonn, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2a99ef0d-d45d-4f5b-89bc-9119e43e93c5/IMG_3919.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>‘Alfredo Jaar: The End of the World’ – installation view at KINDL. Photo: Jens Ziehe, 2024 © Alfredo Jaar / VG Bild-Kunst, Bonn, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/eead4217-3468-4b3e-9c28-f279901237a3/IMG_3917.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>‘Alfredo Jaar: The End of the World’ – installation view at KINDL. Photo: Jens Ziehe, 2024 © Alfredo Jaar / VG Bild-Kunst, Bonn, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/69ee759d-2778-460f-a50e-c1566aa984f5/IMG_3921.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA IN BERLIN</image:title>
      <image:caption>‘Alfredo Jaar: The End of the World’ – installation view at KINDL. Photo: Jens Ziehe, 2024 © Alfredo Jaar / VG Bild-Kunst, Bonn, 2025</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/janne-schimmel-gaming-in-the-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d6b57cd1-60e4-47ca-80f2-2feecfb44f5e/IMG_2464.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: Phantasmic Gateways and their Housings, 2021. Courtesy of the artist and Super Dakota, Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5164bc94-d2ba-4291-8179-576365192b0f/IMG_2465.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: ‘But Can It Run Doom’ – installation view. Photo © Adriaan Hauwaert. Courtesy of the artist and Super Dakota, Brussels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4abcb3ec-9c7b-45bb-8073-d6d45e17943b/IMG_2463.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Portrait of the artist in his studio. Photo © Adriaan Hauwaert. Courtesy of the artist and Super Dakota, Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ec644e42-129e-430b-87a0-0458c8031029/IMG_2473.png</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: Phantasmic Gateways and their Housings, 2021. Courtesy of the artist and Super Dakota, Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/17891c8a-b588-44fc-a79a-cbbe1c1de9c6/IMG_2474.png</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: Phantasmic Gateways and their Housings, 2021. Courtesy of the artist and Super Dakota, Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/57929b50-2f22-4145-af27-70e59b41d894/IMG_2470.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: Strange Loop (Disgust, Fear, Happy, Sad, Snarl), 2024. 3D printed resin, acrylic paint, 14 x 7 x 22 cm’. Photo © Adriaan Hauwaert. Courtesy of the artist and Super Dakota, Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f5a1e8fd-5850-4394-beed-73326d22cd2d/fragment+but+can+it+run+doom+glossary+2.png</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Glossary provided at  ‘But Can It Run Doom’ exhibition for: Janne Schimmel: Strange Loop (Disgust, Fear, Happy, Sad, Snarl), 2024. 3D printed resin, acrylic paint, 14 x 7 x 22 cm’. Photo © Adriaan Hauwaert. Courtesy of the artist and Super Dakota, Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d1f4cc44-a3ca-4c48-83af-564858a1a713/IMG_2466.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: Homebrew Baby 2. Cast aluminium, cast tin, 3D printed resin, Gameboy hardware, various hardware, 28 x 31 x 108 cm. Photo © Adriaan Hauwaert. Courtesy of the artist and Super Dakota, Brussels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/18d6546b-017c-44cd-b053-22ae6ea128c7/IMG_2469.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: Saying Yes – details. Photos © Adriaan Hauwaert. Courtesy of the artist and Super Dakota, Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6fa38bc0-6a62-4c79-a76f-db56e962756d/IMG_2468.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: Saying Yes – details. Photos © Adriaan Hauwaert. Courtesy of the artist and Super Dakota, Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0d8b2ce2-233c-4844-80ff-443b08a6817f/IMG_2467.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Exhibition view with Saying Yes, 2024 - Cast aluminium, wooden stick, various stones, second hand desk chair, second hand desk chair, 3D printed resin, keyboard switches, various hardware. Photo © Adriaan Hauwaert. Courtesy of the artist and Super Dakota, Brussels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/02f223c4-8517-46b4-8f6d-f837620ea3af/IMG_2476.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>The artist working on Strange Loop (Disgust, Fear, Happy, Sad, Snarl), 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f2263fa8-872c-42e6-94f9-32bd888de181/IMG_2471.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: Strange Loop (Disgust, Fear, Happy, Sad, Snarl), 2024. 3D printed resin, acrylic paint, 14 x 7 x 22 cm’. Photo © Adriaan Hauwaert. Courtesy of the artist and Super Dakota, Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/535b8914-a2a8-4f7d-a7d5-bfdd37c97e9b/IMG_2472.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: Wall Flower, 2024 - Cast aluminium, cast tin, 3D printed resin, various computer hardware, LCD screen, 28 x 31 x 108 cm. Photo © Adriaan Hauwaert. Courtesy of the artist and Super Dakota, Brussels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0107922e-7b85-4f21-be53-f63f9c09c98a/IMG_2475.jpg</image:loc>
      <image:title>Visual Fine Arts - JANNE SCHIMMEL: GAMING IN THE GALLERY</image:title>
      <image:caption>Janne Schimmel: Phantasmic Gateways and their Housings, 2021. Courtesy of the artist and Super Dakota, Brussels.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/seisma-at-tate-modern-electric-dreams</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/3650d38f-9914-4da4-ba61-a737019d2d3a/Installation+view+of+Samia+Halaby+After+the+Green+and+After+the+Black+Dune+2024+at+Outernet+London+%282%29.png</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>Installation view of Samia Halaby After the Green and After the Black Dune 2024 at Outernet London, 14 November 2024 – 2 February 2025 © Samia Halaby. Photo © Tate. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/cbbdd7e3-b664-4dc1-90fd-670862234cd3/Harold+Cohen%2C+AARON+%231+Drawing%2C+1979.+Tate.+Purchased+2015.+%C2%A9+Harold+Cohen.+Photo+courtesy+of+Harold+Cohen+Trust.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>Harold Cohen, AARON #1 Drawing, 1979. Tate, Purchased 2015. Photo courtesy of Harold Cohen Trust © Harold Cohen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/85ffd16f-ff70-4d26-ba48-146527d708a5/IMG_3858.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>Katsuhiro Yamaguchi: Fujitsubo (Barnacle), 1966 - acrylic, light, 84.5 x 84.5 x 21 cm. Courtesy Annely Juda Fine Art, London © Katsuhiro Yamaguchi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/bfcc711b-4302-494e-afb2-5441e65abee4/Electric+Dreams+Art+and+Technology+Before+the+Internet+Installation+view+at+Tate+Modern.+Photo+%C2%A9+Tate+%28Lucy+Green%29_6.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>Tatsuo Miyajima, Lattice B, 1990 and Opposite Circle, 1991 installation view in Electric Dreams, Tate Modern, 2024. Opposite Circle, 1991 - 30 light emitting diodes units, 3 transformers and aluminium panel, displayed: 3.5 × 350 × 885 cm © Tatsuo Miyajima. Photo © Tate (Lucy Green)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/bb4810a6-8915-4a18-91c6-f7ed3e343c29/IMG_3859.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>Robert Mallary: Quad III, 1969 – Plywood, metal and resin on a plywood base, 213 × 37 × 34 cm. Shown courtesy the artist © Robert Mallary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/64a64c65-12b7-4ab5-bf4c-ead68a5ecef1/IMG_3880.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>STEPS (1982) by Rebecca Allen. Still from video. Courtesy of the artist. © Rebecca Allen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f78b300e-09b7-49dc-8cb3-fb30f70814f4/STEPS+%281982%29+by+Rebecca+Allen.+Still+from+video.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>STEPS (1982) by Rebecca Allen. Still from video. Courtesy of the artist. © Rebecca Allen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/3ae69bea-8c69-4983-a460-2a11f5f5c183/Samia+Halaby%2C+fold+2%2C+%281%29+1988.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>Samia Halaby, Fold 2 1988, still from kinetic painting coded on an Amiga computer. Tate © Courtesy the artist and Sfeir-Semler Gallery, Beirut / Hamburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6b84d091-1b85-4668-91fe-c9e7862c415e/Samia+Halaby%2C+Spooling+Up+4%2C+1988.+Tate+%C2%A9+Courtesy+the+artist+and+Sfeir-Semler+Gallery%2C+Beirut++Hamburg.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>Samia Halaby, Spooling Up 4, 1988, still from kinetic painting coded on an Amiga computer. Tate © Courtesy the artist and Sfeir-Semler Gallery,  Beirut / Hamburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/a17f3fea-4ff8-4997-a49d-582d732ef57a/Installation+view+of+Samia+Halaby%2C+Tottenham+Court+Road+2024+at+Outernet+London+%28smaller%29.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>Installation view of Samia Halaby Tottenham Court Road 2024 at Outernet London, 14 November 2024 – 2 February 2025 © Samia Halaby. Photo © Tate. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0f702b23-4b24-463a-81fe-2458c701af9a/IMG_3861.png</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>Vladimir Bonačić: GF.E 16 – NS, 1969. Custom-made hardware (Galois field generator), aluminium, analogue and digital electronics, 256 glow lamps — object: 36 x 36 x 12 cm. © Vladimir Bonačić. Photo © Paul Carey-Kent. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6fea47c2-ed1e-4996-9ea8-ccd2bbd8c030/Electric+Dreams+Art+and+Technology+Before+the+Internet+Installation+view+at+Tate+Modern.+Photo+%C2%A9+Tate+%28Lucy+Green%29_2.jpg</image:loc>
      <image:title>Visual Fine Arts - SEISMA AT TATE MODERN: ELECTRIC DREAMS</image:title>
      <image:caption>Carlos Cruz-Diez, Environnement Chromointerférent, Paris, 1974/2018, installation view in Electric Dreams, Tate Modern, 2024. © Carlos Cruz-Diez / Bridgeman Images, Paris 2024. Photo © Tate (Lucy Green)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/sarah-derat</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/121da24e-1a31-44a5-b6bc-d8cd67f4e3c8/IMG_3471.jpg</image:loc>
      <image:title>Visual Fine Arts - SARAH DERAT’S ‘RƎTRO/GRADƎ’: THE CORE OF EVERYTHING</image:title>
      <image:caption>RƎTRO/GRADƎ 360° sound installation, six speakers in front of IDLE NERVE (2023), set up for RƎTRO/GRADƎ performance (2023) at Super Dakota (Brussels) , November 9th 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c2a0fbd5-0204-42d1-84da-8ac99effd8b3/retrograde_performance_stills_2.jpg</image:loc>
      <image:title>Visual Fine Arts - SARAH DERAT’S ‘RƎTRO/GRADƎ’: THE CORE OF EVERYTHING</image:title>
      <image:caption>Dancer Synne Maria Lundesgaard performing choreography by Georgia Tegou for RƎTRO/GRADƎ performance (2023) 15 min, by Sarah Derat. Filmed at Super Dakota (Brussels) , November 9th 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ed9b54e3-3a24-4945-81f0-5f389d182908/IMG_6791.JPG</image:loc>
      <image:title>Visual Fine Arts - SARAH DERAT’S ‘RƎTRO/GRADƎ’: THE CORE OF EVERYTHING</image:title>
      <image:caption>Dancer Synne Maria Lundesgaard performing choreography by Georgia Tegou for RƎTRO/GRADƎ performance (2023) 15 min, by Sarah Derat. Filmed at Super Dakota (Brussels) , November 9th 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/8a233811-2467-43f8-909a-5a9febe8b6f1/_N3I9266-1.jpg</image:loc>
      <image:title>Visual Fine Arts - SARAH DERAT’S ‘RƎTRO/GRADƎ’: THE CORE OF EVERYTHING</image:title>
      <image:caption>HEARTFELT (2023). Silicone rubber, mylar. Worn by dancer Synne Maria Lundesgaard performing choreography by Georgia Tegou for RƎTRO/GRADƎ performance (2023) 15 min, by Sarah Derat. Filmed at Super Dakota (Brussels) , November 9th 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/421e19cc-e0b9-4030-8cf4-84586828ffc6/Timeline+1_01_05_06_08.jpg</image:loc>
      <image:title>Visual Fine Arts - SARAH DERAT’S ‘RƎTRO/GRADƎ’: THE CORE OF EVERYTHING - Make it stand out</image:title>
      <image:caption>Still from video of a segment of the United States Geological Survey 24/7 livestream, shot at the summit of Kilauea volcano. One of two video screens for TURN HEART, TURN MY HEART (2023), multi-channel video, 5:14min loop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f92602c2-d4ca-4022-86fe-39fc649f6fa0/TURN+HEART%2C+TURN+MY+HEART_01_01_46_22.jpg</image:loc>
      <image:title>Visual Fine Arts - SARAH DERAT’S ‘RƎTRO/GRADƎ’: THE CORE OF EVERYTHING</image:title>
      <image:caption>Still from video of sculptural choreographic movements from RƎTRO/GRADƎ performance choreographed by Georgia Tegou, danced by Synne Maria Lundesgaard. One of two video screens for TURN HEART, TURN MY HEART (2023), multi-channel video, 5:14min loop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/cccb7b3f-c522-4959-8072-54cc9e89f4d1/_N3I9178-1-v3.jpg</image:loc>
      <image:title>Visual Fine Arts - SARAH DERAT’S ‘RƎTRO/GRADƎ’: THE CORE OF EVERYTHING</image:title>
      <image:caption>Left: THE CORE (2023) silicone rubber, zip, snaps, aluminium, 176x178cm. Right: TURN HEART, TURN MY HEART (2023) multi-channel video, 5:14 min loop. As shown at Super Dakota (Brussels) , November 9th 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5d81db3c-a299-4124-b657-36b284da5324/_N3I9196-1.jpg</image:loc>
      <image:title>Visual Fine Arts - SARAH DERAT’S ‘RƎTRO/GRADƎ’: THE CORE OF EVERYTHING - Make it stand out</image:title>
      <image:caption>Front left: Section of IDLE NERVE (2023). Mylar, silicone rubber, zips, snaps, aluminium. 267x200cm. Front centre: RƎTRO/GRADƎ 360° sound installation. Centre back: THE CORE (2023) silicone rubber, zip, snaps, aluminium, 176x178cm. Right: TURN HEART, TURN MY HEART (2023) multi-channel video, 5:14 min loop. As shown at Super Dakota (Brussels) , November 9th 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5144bdca-4754-4256-9882-ea6e7daa636e/_N3I9205-3-V2a.jpg</image:loc>
      <image:title>Visual Fine Arts - SARAH DERAT’S ‘RƎTRO/GRADƎ’: THE CORE OF EVERYTHING</image:title>
      <image:caption>IDLE NERVE (2023). Mylar, silicone rubber, zips, snaps, aluminium. 267x200cm. The red LED light shining on the reflective surface of IDLE NERVE was switched on for the live performance of RƎTRO/GRADƎ and remains on for the duration of the exhibition as trace of this transformative action.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f6045e7f-0b8a-43a7-928d-23dff77e14c6/_N3I9253-1.jpg</image:loc>
      <image:title>Visual Fine Arts - SARAH DERAT’S ‘RƎTRO/GRADƎ’: THE CORE OF EVERYTHING</image:title>
      <image:caption>RƎTRO/GRADƎ at Super Dakota, Brussels, 9 November – 16 December, 2023.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/how-radioactive-is-the-green-glass-chair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e25498d5-17ea-43e6-900f-a69d6d0d63ad/IMG_3349.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
      <image:caption>Chair from Half-Life (2017) by Elliot Walker. Hot sculpted uranium glass. Pictured above at Two Temple Place, London in the exhibition 'The Glass Heart: Art, Industry &amp; Collaboration', 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7ad141a1-4425-4979-8f92-ec5a3b159970/IMG_3343.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
      <image:caption>Deserted high street, Chuo district, Tomioka, Fukushima, 9km south of Fukushima Daiichi nuclear power plant, Lis Fields, 2016 [3]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/995af4d4-c4e1-43b7-9fcb-3163e1cdace0/IMG_6757.png</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d97a63bd-8280-4d1b-8ad8-d2555e62aa2a/IMG_3345.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/965bbfbb-e926-49a5-931f-813b2925ed0a/IMG_3346.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5f016482-507c-4ee4-85eb-d037f8cb8bee/IMG_3347.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
      <image:caption>Uranium glass grapefruit dish seems to glow in evening light</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7ad377bf-3616-44e2-a821-023122595e38/IMG_3348.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
      <image:caption>Victorian uranium glass vase, on exhibit at Two Temple Place</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e4373b30-5e8c-465a-ae43-5e4ebe042a3f/IMG_3350.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
      <image:caption>Victorian uranium glass beads with tiny, nearly microscopic chips</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/17074725-dae2-469f-868d-25cd6f7f7e30/IMG_3351.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5aab2e40-952f-415e-9247-0734fd20a457/IMG_3352.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
      <image:caption>Measuring 5-minute average radiation dose rate emitted by the chair in mSv/h (microsieverts per hour).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/73759692-e730-49ba-87d0-0d9f1d4dd4cd/IMG_3353.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
      <image:caption>Total count after 5 minutes = 887</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6386aa49-6523-4d38-800e-a99a8ed814b1/IMG_3354.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7490530f-2e34-43d8-868c-2550c6eab9ca/IMG_3355.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f66c4ea2-6b38-42cd-9ddc-afe1f06d57d3/IMG_3356.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/b02e2a7c-7ac1-404f-a982-66c1ab41bab2/IMG_3357.jpg</image:loc>
      <image:title>Visual Fine Arts - HOW RADIOACTIVE IS THE GREEN GLASS CHAIR?</image:title>
      <image:caption>Cesium-137 vs potassium-40: some radionuclides are more harmful inside your body than others, Lis Fields, 2016 [14]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/inner-cosmos-outer-universe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/a3f797bd-bb4e-4396-a8a3-f4751654fb17/69412.01_villareal.jpg</image:loc>
      <image:title>Visual Fine Arts - INNER COSMOS, OUTER UNIVERSE</image:title>
      <image:caption>Cloud Drawing (Large) 2 (2018) by Leo Villareal. LEDs, custom software, electrical hardware, and metal, 68" × 68" (172.7 cm × 172.7 cm) © Leo Villareal, courtesy Pace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4781bcd6-91f6-43b0-8859-d57c88331a84/54328.07_smith.jpg</image:loc>
      <image:title>Visual Fine Arts - INNER COSMOS, OUTER UNIVERSE</image:title>
      <image:caption>Sky (2012) by Kiki Smith. Cotton Jacquard tapestry, 9' 5" × 6' 3" (287 cm × 190.5 cm) © Kiki Smith, courtesy Pace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e66b4aca-9c43-46e7-9c6e-613c81ac2930/58305_smith.jpg</image:loc>
      <image:title>Visual Fine Arts - INNER COSMOS, OUTER UNIVERSE</image:title>
      <image:caption>Standing Stars II (2013) by Kiki Smith. Bronze, 39-1/4" x 27-1/2" (99.7 cm x 69.9 cm) © Kiki Smith, courtesy Pace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/dd91ce88-4736-474d-bf28-5cf1a4759bb3/82458_echakhch.jpg</image:loc>
      <image:title>Visual Fine Arts - INNER COSMOS, OUTER UNIVERSE</image:title>
      <image:caption>Sun Set Down (2022) by Latifa Echakhch. Acrylic paint and concrete, vinyl and fibre on canvas mounted on aluminium, 200 cm × 150 cm (78-3/4" × 59-1/16") © Latifa Echakhch, courtesy Pace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9cb16568-3463-4354-a6fd-3b815e644a65/87591_echakhch.jpg</image:loc>
      <image:title>Visual Fine Arts - INNER COSMOS, OUTER UNIVERSE</image:title>
      <image:caption>The All (2023) by Latifa Echakhch. Acrylic and concrete on canvas, 202.2 cm × 150.2 cm × 2.6 cm (79-5/8" × 59-1/8" × 1") © Latifa Echakhch, courtesy Pace Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9782734f-9124-414a-8206-d3a9fa80fafb/75924_rpd.jpg</image:loc>
      <image:title>Visual Fine Arts - INNER COSMOS, OUTER UNIVERSE</image:title>
      <image:caption>Cosmos IX (1990-92) by Richard Pousette-Dart. Acrylic on board, 16-1/8" × 16-1/8" × 3/8" (41 cm × 41 cm × 1 cm), diameter © Estate of Richard Pousette–Dart / Artists Rights Society (ARS), New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4da1a779-d220-4559-9ec2-badf1bc39857/58516_rpd.jpg</image:loc>
      <image:title>Visual Fine Arts - INNER COSMOS, OUTER UNIVERSE</image:title>
      <image:caption>Imploding Black (1985-86) by Richard Pousette-Dart. Acrylic on linen, 72" x 72" (182.9 cm x 182.9 cm) © Richard Pousette-Dart /Artist Rights Society (ARS), New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d2095eca-4897-4fde-a1e7-bfc6c44ff305/79297_rpd.jpg</image:loc>
      <image:title>Visual Fine Arts - INNER COSMOS, OUTER UNIVERSE</image:title>
      <image:caption>Space Continuum, Part II (1989) by Richard Pousette-Dart. Oil on linen 72" × 72" (182.9 cm × 182.9 cm) © Estate of Richard Pousette–Dart / Artists Rights Society (ARS), New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/94eb6bac-b336-449a-8312-180e38c7cd99/77864.02_koons.jpg</image:loc>
      <image:title>Visual Fine Arts - INNER COSMOS, OUTER UNIVERSE</image:title>
      <image:caption>Gazing Ball (Bottlerack) (2016) by Jeff Koons. Galvanized steel and glass, 36" × 15-15/16" × 15-15/16" (91.4 cm× 40.5 cm × 40.5 cm) © Jeff Koons</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/conrad-shawcross</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c2ca36c4-48d6-4ca0-afc6-67d6606f9d04/IMG_3253.jpg</image:loc>
      <image:title>Visual Fine Arts - CONRAD SHAWCROSS: ART IN THE SPIRIT OF SCIENCE</image:title>
      <image:caption>Chord, 2009. Aluminium, steel, mechanical system, multicoloured anorak cord. Dimensions variable © Conrad Shawcross. Courtesy the artist and Victoria Miro. Photography by Alex Delfanne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/cbc68bcc-0adc-4840-92b0-144da8fd67b7/IMG_3250.jpg</image:loc>
      <image:title>Visual Fine Arts - CONRAD SHAWCROSS: ART IN THE SPIRIT OF SCIENCE</image:title>
      <image:caption>The Nervous System (Umbilical), 2023. Artwork Render by Richard Forbes-Hamilton © Conrad Shawcross. Courtesy the artist and Victoria Miro</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d9272141-3b0f-4a43-921c-8e0444eef17f/IMG_3249.jpg</image:loc>
      <image:title>Visual Fine Arts - CONRAD SHAWCROSS: ART IN THE SPIRIT OF SCIENCE</image:title>
      <image:caption>Timepiece, 2013. Aluminium, steel, mechanical system, lights. Dimensions variable © Conrad Shawcross. Courtesy the artist and Victoria Miro. Photo by Stephen White.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/21df1b23-a320-4f43-b84c-803d2ff3ccda/IMG_3252.jpg</image:loc>
      <image:title>Visual Fine Arts - CONRAD SHAWCROSS: ART IN THE SPIRIT OF SCIENCE</image:title>
      <image:caption>Paradigm, 2016. Francis Crick Institute, London. Permanent installation © Conrad Shawcross. Courtesy the artist and Victoria Miro. Photo by Marc Wilmot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0aaf5f2e-e135-4962-b856-6702b7c880df/IMG_3251.jpg</image:loc>
      <image:title>Visual Fine Arts - CONRAD SHAWCROSS: ART IN THE SPIRIT OF SCIENCE</image:title>
      <image:caption>Schism (Château La Coste), 2020. Weathered Steel, 650 x 650 x 650 cm, 255 7/8 x 255 7/8 x 255 7/8 in © Conrad Shawcross. Courtesy the artist and Victoria Miro. Photo by Rachel Taylor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/947911d5-d48f-4cf0-b994-22fb202bb137/IMG_3254.jpg</image:loc>
      <image:title>Visual Fine Arts - CONRAD SHAWCROSS: ART IN THE SPIRIT OF SCIENCE</image:title>
      <image:caption>The nervous systems, 2003. Mixed media. Dimensions variable © Conrad Shawcross. Courtesy the artist and Victoria Miro. Photo by Saatchi Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/carter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9d465592-d248-4df6-b033-4cf3626513b0/4x3grid-email.jpg</image:loc>
      <image:title>Visual Fine Arts - ROB AND NICK CARTER: HISTORY AT THE CUTTING EDGE OF TECHNOLOGY - Make it stand out</image:title>
      <image:caption>12 Robot Paintings, Birth of Venus, after Botticelli, after Warhol. Painting time: 10:04:03, Stroke count: 1,902, 23 September - 8 October 2021. Acrylic on wooden board, 12 parts, each 53 × 53 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4e2a1c0c-0858-4b67-915b-d70e7fdc0f88/Credit+Greg+Williams.JPG</image:loc>
      <image:title>Visual Fine Arts - ROB AND NICK CARTER: HISTORY AT THE CUTTING EDGE OF TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Portrait of Rob and Nick Carter. Photography by Greg Williams.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/dc53b240-0804-4c4b-b887-664a501e9a39/30317AC8-C01C-4892-A5B2-A7723355D6E1.jpeg</image:loc>
      <image:title>Visual Fine Arts - ROB AND NICK CARTER: HISTORY AT THE CUTTING EDGE OF TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Still from Transforming Flowers in a Vase, 2016 - 70-minute looped film, monitor with player, framed, 67 × 61 × 10 cm, after Rachel Ruysch (1664–1750) Flowers in a Glass Vase, 1704 - oil on canvas, 108 × 90 × 7 cm, Detroit Institute of Arts, Michigan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/b0ac9ee0-8d3b-4bbc-8879-bcfed28dd282/Sunflowers.jpg</image:loc>
      <image:title>Visual Fine Arts - ROB AND NICK CARTER: HISTORY AT THE CUTTING EDGE OF TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Sunflowers, 2012-2013 – bronze, 58 cm high, after Vincent van Gogh (1853-90) Sunflowers, 1888 –oil on canvas, 91 × 74 cm,  © The National Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9fddb283-6417-431f-9f69-1cf6e3f782e6/sunflowers4.jpg</image:loc>
      <image:title>Visual Fine Arts - ROB AND NICK CARTER: HISTORY AT THE CUTTING EDGE OF TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Sunflowers, (detail), 2012-2013 – bronze, 58 cm high, after Vincent van Gogh (1853-90) Sunflowers, 1888 –oil on canvas, 91 × 74 cm,  © The National Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6a2abf70-c21f-439f-8ae9-b835e10f5782/RN1255_Yoko+Ono_Finished+Painting.jpg</image:loc>
      <image:title>Visual Fine Arts - ROB AND NICK CARTER: HISTORY AT THE CUTTING EDGE OF TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Dark Factory Portraits. Yoko Ono. Robot Painting. Painting time: 17:24:45. Stroke count: 7,048. 20–22 October 2019. Acrylic on wooden board. 24 × 24 in | 61 × 61 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/fa27b513-da43-483c-92e3-d174c8621c5b/RN1268_Yinka+Shonibare.jpg</image:loc>
      <image:title>Visual Fine Arts - ROB AND NICK CARTER: HISTORY AT THE CUTTING EDGE OF TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Dark Factory Portraits. Yinka Shonibare- Robot Painting. Painting time: 46:27:30. Stroke count: 11,404. 8-10 January 2020. Acrylic on wooden board. 48 × 48 in | 122 × 122 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ba15d9eb-f691-40b6-a40e-2215fda13d10/RN1460-Orange+Tree.jpg</image:loc>
      <image:title>Visual Fine Arts - ROB AND NICK CARTER: HISTORY AT THE CUTTING EDGE OF TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Orange Tree, Saint-Paul de Vence - Robot Painting. Painting Time: 27:46:00, Stroke Count: 10,274 (Diptych), 2022. Acrylic on wooden board, Framed: 54 x 44 x 3 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1310e75a-49d6-4131-b8df-8c4a4b13e7c0/Screenshot+2023-12-21+at+10.36.48.png</image:loc>
      <image:title>Visual Fine Arts - ROB AND NICK CARTER: HISTORY AT THE CUTTING EDGE OF TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Robot Light Portrait, Björk, 2023. Supergloss print, framed, 43 × 42·5 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4986b20d-a544-4c05-947f-dc8ef852eb36/Credit+James+Kelly.jpg</image:loc>
      <image:title>Visual Fine Arts - ROB AND NICK CARTER: HISTORY AT THE CUTTING EDGE OF TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Portrait of Heidi with Rob and Nick Carter. Photography by James Kelly.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/alexander-james-hamilton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/86ebe5cb-3274-4a5e-8877-aebba366f225/Cymatic+%C2%A9+1990-2023+Distil+Ennui+Studio+%E2%84%A2+-+0825.jpg</image:loc>
      <image:title>Visual Fine Arts - ALEXANDER JAMES HAMILTON: FROM WATER TO THE UNIVERSE - Make it stand out</image:title>
      <image:caption>Cymatic Plate No 0825 © 1990-2023 Alexander James Hamilton, Distil Ennui Studio™.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/90a8936c-c137-4ab5-a8ba-d8880570ef5a/Cymatic+%C2%A9+1990-2023+Distil+Ennui+Studio+%E2%84%A2+-+0864.jpg</image:loc>
      <image:title>Visual Fine Arts - ALEXANDER JAMES HAMILTON: FROM WATER TO THE UNIVERSE - Make it stand out</image:title>
      <image:caption>Cymatic Plate No 0864 © 1990-2023 Alexander James Hamilton, Distil Ennui Studio™.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/308d4364-eba5-440e-b4ae-4729fa7891be/Cymatic+%C2%A9+1990-2023+Distil+Ennui+Studio+%E2%84%A2+-+0166.jpg</image:loc>
      <image:title>Visual Fine Arts - ALEXANDER JAMES HAMILTON: FROM WATER TO THE UNIVERSE - Make it stand out</image:title>
      <image:caption>Cymatic Plate No 0166 © 1990-2023 Alexander James Hamilton, Distil Ennui Studio™.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5aec63a7-b1e4-4488-8f02-608c3e4373c8/Cymatic+%C2%A9+1990-2023+Distil+Ennui+Studio+%E2%84%A2+-+0152.jpg</image:loc>
      <image:title>Visual Fine Arts - ALEXANDER JAMES HAMILTON: FROM WATER TO THE UNIVERSE - Make it stand out</image:title>
      <image:caption>Cymatic Plate No 0152 © 1990-2023 Alexander James Hamilton, Distil Ennui Studio™.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ac7575df-e13a-4e52-b9cd-99f0df0d00f4/ajh+4+unnamed+%2866%29.jpg</image:loc>
      <image:title>Visual Fine Arts - ALEXANDER JAMES HAMILTON: FROM WATER TO THE UNIVERSE - Make it stand out</image:title>
      <image:caption>Volkswagen, 2010 from the series ‘Rosae’ © 1990-2023 Alexander James Hamilton, Distil Ennui Studio™.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/72ac8e6d-8927-4096-b7aa-93cd9f13f0ba/ajh+3+unnamed+%2866%29.jpg</image:loc>
      <image:title>Visual Fine Arts - ALEXANDER JAMES HAMILTON: FROM WATER TO THE UNIVERSE - Make it stand out</image:title>
      <image:caption>Lament in free fall, 2014 from the series ‘Dissolved Sadness’ © 1990-2023 Alexander James Hamilton, Distil Ennui Studio™.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9f26d051-735c-436b-af9c-7b61ce090c8b/ajh+unnamed+%2866%29.jpg</image:loc>
      <image:title>Visual Fine Arts - ALEXANDER JAMES HAMILTON: FROM WATER TO THE UNIVERSE - Make it stand out</image:title>
      <image:caption>Untitled Plate 003-8.2, 2016 from the series ‘All icons are false’ © 1990-2023 Alexander James Hamilton, Distil Ennui Studio™.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/827735f4-1237-4099-a966-a4e00910c3de/Cymatic+%C2%A9+1990-2023+Distil+Ennui+Studio+%E2%84%A2+-+0701.jpg</image:loc>
      <image:title>Visual Fine Arts - ALEXANDER JAMES HAMILTON: FROM WATER TO THE UNIVERSE - Make it stand out</image:title>
      <image:caption>Cymatic Plate No 0701 © 1990-2023 Alexander James Hamilton, Distil Ennui Studio™.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/teamlab</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d1df366d-4cf8-4f0b-bd7f-91fc0f383870/1212EB36-BE68-4D30-999B-99A33D8F808E.jpeg</image:loc>
      <image:title>Visual Fine Arts - 12 SPOTLIGHT: teamLab - Make it stand out</image:title>
      <image:caption>teamLab, Living Crystallized Light, teamLab, 2022, Interactive Installation, Sound: teamLab ©️ teamLab, courtesy Pace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d0ba863f-b3a7-4cd4-8b0b-d6de17b9640d/AE6555EB-2CDC-44FB-8221-29EAD8D209DB.jpeg</image:loc>
      <image:title>Visual Fine Arts - 12 SPOTLIGHT: teamLab - Make it stand out</image:title>
      <image:caption>teamLab, Living Crystallized Light, teamLab, 2022, Interactive Installation, Sound: teamLab ©️ teamLab, courtesy Pace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/bc210669-4b9b-45c3-be6c-b960716a4ab2/C8E9D2E7-B0DA-47DE-9BA6-1D7374D26A35.jpeg</image:loc>
      <image:title>Visual Fine Arts - 12 SPOTLIGHT: teamLab - Make it stand out</image:title>
      <image:caption>teamLab, Flowers Bloom When the Waves Rise - Sea of Shikoku, teamLab, 2021, Digitized Nature, Sound: Hideaki Takahashi, Surfer: Hironori Ichiraku, Cooperation: Atsushi Izumi, Kei Nakanishi, Reki Nagahara ©️ teamLab, courtesy Pace Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/52a631b5-2313-45fb-acd9-0cc544d08783/45E9ABA8-089A-49FA-8862-2F639F311AAC.jpeg</image:loc>
      <image:title>Visual Fine Arts - 12 SPOTLIGHT: teamLab - Make it stand out</image:title>
      <image:caption>teamLab, Flowers Bloom When the Waves Rise - Sea of Shikoku, teamLab, 2021, Digitized Nature, Sound: Hideaki Takahashi, Surfer: Hironori Ichiraku, Cooperation: Atsushi Izumi, Kei Nakanishi, Reki Nagahara ©️ teamLab, courtesy Pace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d7d7d382-950c-40d8-97b2-106f75b7f9bf/8F0333AF-3F7F-416D-B37A-AAE051203228.jpeg</image:loc>
      <image:title>Visual Fine Arts - 12 SPOTLIGHT: teamLab - Make it stand out</image:title>
      <image:caption>teamLab, Existence in the Flow Creates Vortices, teamLab, 2022, Interactive Digital Installation, Endless, Sound: teamLab ©️ teamLab, courtesy Pace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5ca3620e-c278-45ff-bed2-c7b0d07bc6c2/94949EDF-5DC6-4EFE-82A4-B209FFE58989.jpeg</image:loc>
      <image:title>Visual Fine Arts - 12 SPOTLIGHT: teamLab - Make it stand out</image:title>
      <image:caption>teamLab, Flowers Bloom When the Waves Rise - Sea of Shikoku, teamLab, 2021, Digitized Nature, Sound: Hideaki Takahashi, Surfer: Hironori Ichiraku, Cooperation: Atsushi Izumi, Kei Nakanishi, Reki Nagahara ©️ teamLab, courtesy Pace Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/prima-materia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d8ff5c66-0d50-4205-8f9e-f44645c774af/C3DD3067-72AD-420D-AD15-205B4482D2FC.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Edward Burtynsky, Nickel Tailings, Sudbury, Ontario, 1996 . Shown courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c390ca7f-1aaf-4e8e-a242-236610f934dd/33BA42B7-F89A-4B3C-BFAA-D0DB5E5BB4E8.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Dove Bradshaw: Lucifer, 2018 – Sulphur,  Courtesy of the artist and Galerie Hubert Winter, Vienna</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f3be097b-e541-4108-a59f-8327cbcc549e/Dove+Bradshaw.jpg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Dove Bradshaw, Self Interest, 1999. Courtesy of Sandra Gering, Inc. Photo: Jason Mandella.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6322264a-6831-4635-b80a-853fdce30266/60A0DD9C-1D07-4EC2-A3B4-8E13744205E0.png</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Compound Interest (Andy Brunning): Elements of a Smartphone, 2014. Adopted from an infographic by Compound Interest (www.compoundchem.com) © Compound Interest (Andy Brunning)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4decadb1-6204-413a-8d20-c7038cb9ff5f/EF78A3CF-8E5F-4334-82D9-70E15DC91348.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>The Dufala Brothers, Steven Dufala and Billy Dufala: Anvil, 2020. Courtesy of the artists and Fleisher-Ollman Gallery, Philadelphia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c9ace52a-c0af-44c4-8dec-41bdbb234119/F8C5F7A6-8B3C-4A04-BB4A-4BFF33612919.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>The Dufala Brothers, Steven Dufala and Billy Dufala: Coal iPhone, 2021. Shown courtesy of the artists and Fleisher-Ollman Gallery, Philadelphia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2feb437a-ce66-434c-b75d-16794b9e4836/25CC7155-13C8-4801-B1EB-9D8453625313.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Edward Burtynsky, Nickel Tailings #33, Sudbury, Ontario, 1996 . Courtesy of the artist and Howard Greenberg Gallery, NY. Photo credit: © Edward Burtynsky; Courtesy Nicholas Metivier Gallery, Toronto/Howard Greenberg Gallery, NYC.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/eb22fa07-6b8f-4eb2-b523-28064f6ca51a/ED65F64F-6CAC-4228-A805-E26E5BE0F01A.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Edward Burtynsky: Lithium Mines #2, Salt Flats, Atacama Desert, Chile, 2017 Courtesy of the artist and Howard Greenberg Gallery, NY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/90f87d24-8507-4d21-8c9a-18dc4d87fa77/2D9D7C91-7B54-4915-BBF0-C720D7088A86.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Eleanor White: All That Glitters (is not gold), 2022. Shown courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/b521222a-9fb0-44a7-a224-fdaffd7188a3/0044C580-4044-4F50-9454-25050B835EC9.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Winston Roeth: Cadmium, 2022. Courtesy of the artist &amp; Ingleby Gallery, Edinburgh. Photo: Tom Moore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/416ba0ad-f266-441e-831e-aee19b0bfb2b/9FD44521-EA97-416A-9380-6C2E4317BEBB.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Simon Patterson: Rhodes Reason, 1995 - Screenprint on paper Edition #19 of 60, 38 x 50 x 1¾ inches. Shown courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/da4ab242-b486-4242-827d-129d224f2e0d/8CB34F90-04F4-46E3-80B0-A66D7C4EA55A.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Peter Selgin: Mendeleev as Moses, 2000 - Acrylic on panel, 12 3/4 x 15 15/16 (framed). The Oliver Sacks Foundation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/20c9a06b-7c5a-496a-8c05-9d9cb6011a7a/235EF85C-3FDE-4FE9-8818-BB8E4041A6AE.jpeg</image:loc>
      <image:title>Visual Fine Arts - PRIMA MATERIA: ELEMENTAL ART - Make it stand out</image:title>
      <image:caption>Robert Williams: Theatrum Chemicum Britannicum – The Alchemist’s Shack, 1998–2023. Mixed media installation based on a permanent installation at Mildred’s Lane, Beach Lake, PA, Collection of Mildred’s Lane, Beach Lake, PA</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/alicja-kwade</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680093133888-PH6ZJTFUK8S65MJE6QJU/54890929-874D-4449-AF08-839FC837ED57.jpeg</image:loc>
      <image:title>Visual Fine Arts - ALICJA KWADE: QUESTIONING THE WORLD - Make it stand out</image:title>
      <image:caption>Installation view of ‘Silent Matter’ Courtesy of Alicja Kwade. Photo by Roman März © 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680093353641-9JCSLKZTDAXJUDVR9DMY/AK+spec+props+1279.jpg</image:loc>
      <image:title>Visual Fine Arts - ALICJA KWADE: QUESTIONING THE WORLD - Make it stand out</image:title>
      <image:caption>‘Adoption of specific properties’, 2022 - Wood, copper, bronze, 121 × 307 × 36.5 cm Courtesy of Alicja Kwade. Photo by Roman März © 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680207112949-9QY4M89NSIG3MY9LGNY2/5AlicjaKwade_by_ChristianWerner.jpg</image:loc>
      <image:title>Visual Fine Arts - ALICJA KWADE: QUESTIONING THE WORLD - Make it stand out</image:title>
      <image:caption>Portrait of Alicja Kwade by Christian Werner</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680207339268-2E829HSAWWXWWHVFRS28/ak+0E4A0326.jpg</image:loc>
      <image:title>Visual Fine Arts - ALICJA KWADE: QUESTIONING THE WORLD - Make it stand out</image:title>
      <image:caption>Impact (series I – V), brass watch hands on cardboard, 218 x 152 x 5,5 cm Courtesy of the artist and OMR, Mexico City. Photograph by Ramiro Chaves.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680207538364-DNUYMIIE67FWYG6FIGWJ/AKP+trpo+year+696.jpg</image:loc>
      <image:title>Visual Fine Arts - ALICJA KWADE: QUESTIONING THE WORLD - Make it stand out</image:title>
      <image:caption>‘Tropisches Jahr (2022) , watch hands on cardboard, 254 × 184.2 × 7 cm Courtesy of Alicja Kwade. Photo by Roman März © 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680208018441-WNJVE5D93UQWXPRYQECP/AKP+696---.jpg</image:loc>
      <image:title>Visual Fine Arts - ALICJA KWADE: QUESTIONING THE WORLD - Make it stand out</image:title>
      <image:caption>Tropisches Jahr’ (detail), shown courtesy of Alicja Kwade. Photo by Roman März © 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680208199195-9S2EUN657674TH44L4BG/web_AKW_S_949_Si_C3_A8ge_du_Monde__2022_Photo_Roman_Maerz_281_29_6280120c-f24f-4ee0-a045-71376249af4a_1400x.jpg</image:loc>
      <image:title>Visual Fine Arts - ALICJA KWADE: QUESTIONING THE WORLD - Make it stand out</image:title>
      <image:caption>Siège du Monde, (2022), wood, marble, 91.5 x 44 x 48 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680208236783-XYSR4B0NXHFEVQUMPJRZ/kwade+AAIvkaV0.jpeg</image:loc>
      <image:title>Visual Fine Arts - ALICJA KWADE: QUESTIONING THE WORLD - Make it stand out</image:title>
      <image:caption>L’ordre des mondes (Totem),, (2022) – 325 x 58 x 58 cm Courtesy of the artist and OMR, Mexico City. Photograph by Ramiro Chaves.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680208559966-4LG7E8DPLEKGCNLI65E1/AK+IMG_3263.JPG</image:loc>
      <image:title>Visual Fine Arts - ALICJA KWADE: QUESTIONING THE WORLD - Make it stand out</image:title>
      <image:caption>Silent Matter, obsidian, lamp, shown courtesy of the artist and OMR, Mexico City. Photograph by Ramiro Chaves.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680208763689-58X4QPX7Y3NXFITKYJ3N/ak+0E4A0259.jpg</image:loc>
      <image:title>Visual Fine Arts - ALICJA KWADE: QUESTIONING THE WORLD - Make it stand out</image:title>
      <image:caption>Installation view of ‘Silent Matter’ Courtesy of Alicja Kwade. Photo by Roman März © 2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/sougwen-chung</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e84475e5-f4aa-41ef-967d-c8888539b14a/Sougwen+Chung%2C+drawing+in+Virtual+Reality.jpeg</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Sougwen Chung, drawing in Virtual Reality.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/42ab1397-8c56-4f38-8d52-f0d17beb662e/SougwenChung_StudioScilicet_2022_PhotoCredit_DanWilton-02+%281%29.jpg</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Sougwen Chung – Studio Scilicet, 2022 – Photo Dan Wilton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f01d7aa4-9056-47ad-84ae-d3b9af8f7ed3/Sougwen+Chung%2C+Drawing+Operations+Unit_+Generation+1+%28MIMICRY%29%2C+New+Museum+Sky+Room+Performance+in+New+York%2C+2014+%E2%80%93+2015.+.png</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Sougwen Chung, Drawing Operations Unit: Generation 1 (MIMICRY), New Museum Sky Room Performance in New York, 2014 – 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7cc48af9-d9ec-4916-9dcd-5583f6227b01/SougwenChung_StudioScilicet_2022_PhotoCredit_DanWilton-03.jpg</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Sougwen Chung – Studio Scilicet, 2022 – Photo Dan Wilton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f94c0def-1e05-46cc-a762-95af800bc937/Sougwen+Chung%2C+Velocity+Study%2C+Omnia+per+Omnia%2C+Drawing+Operations+Unit_+Generation+3+Live+Autonomous+System%2C+acrylic+on+canvas%2C+48+x+28in%2C+2018..png</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Velocity Study - Omnia per Omnia, 2018 - work on canvas, 41 x 74 cm. Drawing Operations (robotic) Unit, Generation 3, Live Autonomous System.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/024742ee-fe4e-428d-b2aa-4739b2614500/Sougwen+Chung_+Assembly+Lines%2C+2022.+%C2%A9+Paula+Virta+_+EMMA+%E2%80%93+Espoo+Museum+of+Modern+Art..jpg</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Assembly Lines, 2022. © Paula Virta _ EMMA – Espoo Museum of Modern Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5b72d291-3598-4dba-9502-6e114181d12a/%E4%B7%A4+daydreaming+co-naturality+%28Virtual+Ink%29%2C+Sougwen+Chung%2C+archival+pigment+print+on+Hahnem%C3%BChle+Museum+paper+edition+of+3%2C+51+x+71+cm%2C+2022+%281%29.jpg</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>daydreaming co-naturality (Virtual Ink), 2022, archival pigment print on Hahnemühle Museum paper edition of 3, 51 x 71 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/57e40db2-77b2-4f16-8324-bbdd64efbea6/136BC73E-B5D2-47A1-879C-EB69D549D0CC.jpeg</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>a gift of the disaster, 2022, print on hanging silk, 209 x 106 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/316bed85-a935-4274-ae4b-bcb9c286e387/%E4%B7%A6+vespula+subject+%28Virtual+Ink%29%2C+Sougwen+Chung%2C+archival+pigment+print+on+Hahnem%C3%BChle+Museum+paper+edition+of+3%2C+61+x+61+cm%2C+2022.jpg</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>vespula subject, 2022: archival pigment print on Hahnemühle Museum paper, edition of 3, 61 x 61 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/10599ffb-6ae4-4b8a-b7bb-bfe52382787d/%E4%B7%B5+us+without+a+world+%28Virtual+Ink%29%2C+Sougwen+Chung%2C+archival+pigment+print+on+Hahnem%C3%BChle+Museum+paper+edition+of+3%2C+51+x+71+cm%2C+2022.jpg</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>us without a world, 2022: archival pigment print on Hahnemühle Museum paper, edition of 3, 51 x 71 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c6d4fc0a-9fd1-424a-8772-c8d66dbe0a51/Sougwen+Chung%2C+Photo+Credit_+Aki+Akiwumi.jpg</image:loc>
      <image:title>Visual Fine Arts - SOUGWEN CHUNG: COLLABORATING WITH TECHNOLOGY - Make it stand out</image:title>
      <image:caption>Sougwen Chung. Photographed by Aki Akiwumi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/lisa-pettibone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1b56e1b3-3c29-40f9-9157-bba4a0cd7f94/5+Days+of+Falling_52_Pettibone+FW.jpg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Make it stand out</image:title>
      <image:caption>5 Days of Falling, glass, cord, painted wooden box</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ab37db2f-215d-4cda-b6c3-248276888401/Pressed+for+Time_1_Pettibone+lo.jpg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Make it stand out</image:title>
      <image:caption>Pressed for Time. Digitally printed on the front and screen printed pink fluorescent ink on reverse, manipulated, volcanic rock, 50 x 60 x 8cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d97f922d-25af-449b-94a0-91dc279c6cca/A866B8BE-C57D-44A9-ADCA-B8D354717513.jpeg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Make it stand out</image:title>
      <image:caption>Entropy. Digitally printed on the front and screen printed pink fluorescent ink on reverse, cut and manipulated, 50 x 60 x 8cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1aebdec4-6557-4bd3-adf2-21fc2e77080f/80E22F52-F700-419F-98C0-30174E2404AD.jpeg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Make it stand out</image:title>
      <image:caption>Detail from Share the Wire, screen print, 60 x 40 cm, exhibited at CSM x CMS Entangled, Four Corners Gallery, London 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/22ab4e2f-54e8-46bc-801d-64396475ccc0/638F6A7B-387D-4004-A29A-6F9AE34D9D6B.jpeg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Make it stand out</image:title>
      <image:caption>Share the Wire, screen print, 60 x 40 cm, exhibited at CSM x CMS Entangled, Four Corners Gallery, London 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/b8bec897-64d5-4891-905c-dd51436e9da4/Undercurrent_new+CERN+print_Pettibone.jpg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Make it stand out</image:title>
      <image:caption>Undercurrent, screenprint, 60 x 40cm, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9ffffa82-9019-466a-ad02-6e6e78ffe704/A2E212AC-4C67-40E1-92B4-4DE2BED64F39.jpeg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Make it stand out</image:title>
      <image:caption>The Caged Bird Sings, screen print, 60 x 40cm, exhibited at CSM x CMS Entangled, Four Corners Gallery, London 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1671028484714-48909H2OJV4VNUW1EVKY/Zebra+2_Pettibone+lo.jpeg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Zebra fish collage 1</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1671028477932-NXWWC1XDCNEHSOU2YAH5/Zebra+1_%C2%A9Pettibone_mri+scan_photcopies_paint_paper_2022.jpeg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Zebra fish collage 2</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/024cadff-815d-4b4c-823d-fc1ebc71895c/5B7B5079-DB64-48BB-B5C6-5063AE7DF49A.jpeg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Make it stand out</image:title>
      <image:caption>Left: Verdant., 2022, glass and thread microgravity sculpture, 15 x 8 mm Right: March 2022 Moon Gallery/Nanoracks unit on the ISS with 64, 1cm square artwork compartments. Verdant is in the second row up from the bottom, 3rd from the left.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/3a839d48-77e5-45a8-b58b-a88773c7c5fb/Plemum_5_Ppettibone+lo.jpg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Make it stand out</image:title>
      <image:caption>Plenum, eleven part wall installation of platinum lustred and slumped black glass discs (27 to 16cm each), approximate size 75 x 120cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/52060a0e-505c-4720-b0dc-5a29da97b8bd/6DF3B2CC-98A7-45D2-B36B-959F34072B9E.jpeg</image:loc>
      <image:title>Visual Fine Arts - 11 SPOTLIGHT: LISA PETTIBONE - Make it stand out</image:title>
      <image:caption>Silicon Wafer, Iceland No.1, glicée digital print 20 x 27cm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/anna-dumitriu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1668039138493-1SAP2LI132HKVS3Z93NS/523645D9-F5CD-47CE-AD49-5E0E255A5706.jpeg</image:loc>
      <image:title>Visual Fine Arts - ANNA DUMITRIU: THE ART OF DISEASE - Make it stand out</image:title>
      <image:caption>Anna Dumitriu with Fermenting Futures by Anna Dumitriu and Alex May. Photo credit: the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1668039191023-0EV3O4GBPGUPNHHDTC4H/753549BC-B89C-4D67-A197-6949390199EF.jpeg</image:loc>
      <image:title>Visual Fine Arts - ANNA DUMITRIU: THE ART OF DISEASE - Make it stand out</image:title>
      <image:caption>Susceptible, installation view by Anna Dumitriu and Alex May. Photo credit the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1668039066518-L83TG5W6BRHZYGPRIDJ4/BDE8BB14-DC74-48BB-A3DB-88DBE8FBB7AD.jpeg</image:loc>
      <image:title>Visual Fine Arts - ANNA DUMITRIU: THE ART OF DISEASE - Make it stand out</image:title>
      <image:caption>aDNA 1 by Anna Dumitriu. Photo credit: Anna Dumitriu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1668038947827-TDYSO5F2DK1CGQIV6SJ5/BCBD71DE-AF7B-406D-82F0-8BCE31641709.jpeg</image:loc>
      <image:title>Visual Fine Arts - ANNA DUMITRIU: THE ART OF DISEASE - Make it stand out</image:title>
      <image:caption>Zenextron PLA version holder image by Anna Dumitriu. Photo credit: Anna Dumitriu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1668088760707-CDR58YNATP1LGUN3K3LH/culture+1+by+anna+dumitriu+and+alex+may+photo+credit+the+artists+.jpeg</image:loc>
      <image:title>Visual Fine Arts - ANNA DUMITRIU: THE ART OF DISEASE - 'Culture 1' by Anna Dumitriu and Alex May. Photo credit: the artists</image:title>
      <image:caption>'Culture 1' by Anna Dumitriu and Alex May. Photo credit: the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1668088785284-HS10VSWRV98X8TEUOTNM/culture+2+by+anna+dumitriu+and+alex+may+photo+credit+the+artists.jpeg</image:loc>
      <image:title>Visual Fine Arts - ANNA DUMITRIU: THE ART OF DISEASE</image:title>
      <image:caption>'Culture 1' by Anna Dumitriu and Alex May. Photo credit: the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1668039022327-8BB2A6MTDOPFR8SUDBU9/8C1972AE-2C01-435D-8D5B-8940F488A88A.jpeg</image:loc>
      <image:title>Visual Fine Arts - ANNA DUMITRIU: THE ART OF DISEASE - Make it stand out</image:title>
      <image:caption>Fermenting Futures by Anna Dumitriu and Alex May. Photo credit: the artists</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/harold-cohen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666882058799-EJJAQH8Y0AWJFBOW98DI/0E813B15-F1DE-47F9-BC6C-AD75E9F9C396.jpeg</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>Silent Canyon 2, 2008. Pigment ink on panel, 117 x 191 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666915187654-9KQSRWYAPA1GBGA9DC8R/HC0074-16.jpg</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>Drawing Machine (Arm), 1980.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666913546479-R988QAW0OA30985Q7L2J/GPS_0263+copy.jpg</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>Installation view at Gazelli Art House with drawings from 1983 and printing table.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666915608012-Y612VW23UB3KI1W54GJB/HC0024-image.jpg</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>Untitled Amsterdam Suite 11, 1977. Coloured pencil over ink on paper 56.4 × 72.7 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666916390450-05F5QNCVDX42PKWWD6MB/D3B6551A-EE46-440F-8E8F-64C97C78D970.jpeg</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>Installation view at Gazelli Art House with First Athletes, Athlete Series, 1986 (Acrylic on canvas 246.5 × 305 cm) and Untitled, 1981 (Acrylic on canvas 273 × 553 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666915298401-FNQ6P1ONJSBC2B4989ND/HC0046-image.jpg</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>Jerry, 1992. Oil on canvas, 61 × 86.4 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666915489016-B9X3A326O5JMWVWNZNUL/HC0037-image+%281%29.jpg</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>From the Suite for Discovery Channel Online, 1995. Dye on paper, 133 × 173 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666915824367-USE5IKP4JDBID42T4XBQ/HC0008-all+panels+copy.jpg</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>Another Spring (for R.C.), 2011. Oil over pigment ink on canvas, triptych, 213 x 366 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666915387493-0ZBFA7XFIFNB43XC0QKJ/HC0045-image.jpg</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>First Sighting, 2012. Oil over pigment ink on canvas, 122 × 220 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666916569767-H3CFTROU5M9GZOFTJWQ4/43C426AF-7805-4B0B-9457-64B19D8423C4.jpeg</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>The Last Machine Age, 2015. Pigment ink on canvas, 36 ×66 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1666916258466-BI9NCP3HXJKQOV7NXAPX/6A30D525-EF70-42CD-BBC3-F184E54505D5.png</image:loc>
      <image:title>Visual Fine Arts - HAROLD COHEN: COMPUTER COLLABORATIONS - Make it stand out</image:title>
      <image:caption>Cohen in finger-painting action.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/noemie-goudal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1664387549535-QORGNXK9CYYHIVUTNDCU/No%C3%A9mie+Goudal+_+Post+Atlantica_installation+view_Edel+Assanti+%281%29.jpeg</image:loc>
      <image:title>Visual Fine Arts - NOÉMIE GOUDAL: DEEP TIME EXPLORER - Make it stand out</image:title>
      <image:caption>Noémie Goudal, Post Atlantica, installation view, Edel Assanti, London, 2022. © Noémie Goudal. Courtesy Edel Assanti. Photo: Will Amlot.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1664284001062-OAUZWZTCI4BOGOCKD8DT/No%C3%A9mie+Goudal_Untitled+%28Waves%29_Edel+Assanti.jpeg</image:loc>
      <image:title>Visual Fine Arts - NOÉMIE GOUDAL: DEEP TIME EXPLORER - Make it stand out</image:title>
      <image:caption>Noémie Goudal, Untitled (Waves), 2022. Inkjet print on photographic paper and triple-channel HD video. 2:45 min, silent, 161 x 112 cm (each), 63 3/8 x 44 1/8 in., 161 x 356 cm (total), 63 3/8 x 140 1/8 in Edition of 5 plus 2 artist's proofs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1664386886470-X4ZZX0293TRSTK8CFDNP/No%C3%A9mie+Goudal_Untitled+%28Giant+Phoenix%29_Edel+Assanti.jpeg</image:loc>
      <image:title>Visual Fine Arts - NOÉMIE GOUDAL: DEEP TIME EXPLORER - Make it stand out</image:title>
      <image:caption>Noémie Goudal, Untitled (Giant Phoenix), 2022. Inkjet print on aluminium and steel, 345 x 389.8 x 352.8 cm, 135 7/8 x 153 1/2 x 138 7/8 in. Edition of 3 plus 2 artist's proofs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1664387314688-94AVJE0AU2H1DBPX4IO2/No%C3%A9mie+Goudal_Inhale%2C+Exhale_Edel+Assanti+%281%29.jpeg</image:loc>
      <image:title>Visual Fine Arts - NOÉMIE GOUDAL: DEEP TIME EXPLORER - Make it stand out</image:title>
      <image:caption>Noémie Goudal, Inhale, Exhale, 2021. Single-Channel HD Video, 8:16min, sound. Edition of 5 plus 2 artist's proofs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1664387031254-UGF2XTMGWXOZ8Q6ZUMS5/No%C3%A9mie+Goudal_Inhale%2C+Exhale_Edel+Assanti.jpeg</image:loc>
      <image:title>Visual Fine Arts - NOÉMIE GOUDAL: DEEP TIME EXPLORER - Make it stand out</image:title>
      <image:caption>Noémie Goudal, Inhale, Exhale, 2021. Single-Channel HD Video, 8:16min, sound. Edition of 5 plus 2 artist's proofs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1664387434191-PW6808SLITDMEBP4346U/No%C3%A9mie+Goudal+_+Post+Atlantica_installation+view_Edel+Assanti.jpeg</image:loc>
      <image:title>Visual Fine Arts - NOÉMIE GOUDAL: DEEP TIME EXPLORER - Make it stand out</image:title>
      <image:caption>Noémie Goudal Terrella, 2021.Porcelain, brass, bronze, wood. Variable dimensions. On loan from the Manufacture Nationale de Sèvres, France.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/mariele-neudecker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1651779362928-0B31XAAT1XQXW18FV0TE/4A78E6DF-ECF1-4D21-9B74-1A0BE04E7A36.jpeg</image:loc>
      <image:title>Visual Fine Arts - MARIELE NEUDECKER: THE CONTEMPORARY SUBLIME - Make it stand out</image:title>
      <image:caption>400 Thousand Generations, 2009. Installation: ‘GSK Contemporary: eARTh: art in a changing world”, Royal Academy of Arts, London. Mixed media incl. steel, fibre-glass, water, salt. 55 x 113 x 153 cm (h). Courtesy the artist and Thomas Rehbein Galerie. Photo: the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1651779818983-W6WETJN06G9TYBTE5K1G/IMG_1835.jpeg</image:loc>
      <image:title>Visual Fine Arts - MARIELE NEUDECKER: THE CONTEMPORARY SUBLIME</image:title>
      <image:caption>There is Always Something More Important, 2012. Fibre glass, pigment, plywood. Two channel video on monitors, looped, 65cm x 207cm x length variable, approximately 420cm. Echo Chamber, 2018, Mariele Neudecker, solo-exhibition, GALERIA PEDRO CERA, Lisbon, Portugal. Photo: Bruno Lopes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1651779824809-VP8VMYPAWU79U70ENH0X/IMG_1834.jpeg</image:loc>
      <image:title>Visual Fine Arts - MARIELE NEUDECKER: THE CONTEMPORARY SUBLIME</image:title>
      <image:caption>There is Always Something More Important, 2012. Fibre glass, pigment, plywood. Two channel video on monitors, looped, 65cm x 207cm x length variable, approximately 420cm. Echo Chamber, 2018, Mariele Neudecker, solo-exhibition, GALERIA PEDRO CERA, Lisbon, Portugal. Photo: Bruno Lopes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1651779830586-KS149756NOUOQQ7D966R/IMG_1832.jpeg</image:loc>
      <image:title>Visual Fine Arts - MARIELE NEUDECKER: THE CONTEMPORARY SUBLIME</image:title>
      <image:caption>There is Always Something More Important, 2012. Fibre glass, pigment, plywood. Two channel video on monitors, looped, 65cm x 207cm x length variable, approximately 420cm. Echo Chamber, 2018, Mariele Neudecker, solo-exhibition, GALERIA PEDRO CERA, Lisbon, Portugal. Photo: Bruno Lopes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1651780201366-6R4LITAW55UZB3C7UH27/35B2D5C0-A1CA-4DED-B36C-97D7D83836A9.jpeg</image:loc>
      <image:title>Visual Fine Arts - MARIELE NEUDECKER: THE CONTEMPORARY SUBLIME - Make it stand out</image:title>
      <image:caption>And Then The World Changed Colour: Breathing Yellow, 2019. Mixed media incl. glass, water, salt, plastic, 63.6 X 56.6 X 168.5 cm (plus plinth). Commissioned by Dulwich Picture Gallery. Courtesy: Galeria Pedro Cera, Lisbon. Photo: Benjamin Jones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1651780062759-GPJ4UVR5KSCZS2SUI727/DACF12AB-7532-4E2A-840C-A51CDE52BAF9.jpeg</image:loc>
      <image:title>Visual Fine Arts - MARIELE NEUDECKER: THE CONTEMPORARY SUBLIME - Make it stand out</image:title>
      <image:caption>The Sunken Village / Das Versunkene Dorf , 2001. Two domestic houses and one church drowned in the Tiggelsee, Steinfurt, Münster, Germany. Commissioned by Skulpturen Biennale Münsterland. Photo: the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1651779398355-UPX2ZZSN5Q30HTN3BV8E/BBBB7972-BF02-4027-893A-387BDDEEB755.jpeg</image:loc>
      <image:title>Visual Fine Arts - MARIELE NEUDECKER: THE CONTEMPORARY SUBLIME - Make it stand out</image:title>
      <image:caption>After Life, 2016. Mixed materials, Euro-pallet, corrugated cardboard, video on 3 monitors (duration: 42 min, 22 min, 15:10 min), giclée prints on archive paper. © Mariele Neudecker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1651779546988-9M3ME1TVQD6EKLL0PO84/EC1E7B9C-3A12-49FD-BE69-CB7413418E90.png</image:loc>
      <image:title>Visual Fine Arts - MARIELE NEUDECKER: THE CONTEMPORARY SUBLIME - Make it stand out</image:title>
      <image:caption>Still from The Eye [A.L.I.C.E. | A Large Ion Collider Experiment | V1], 2021. Made for the exhibition ‘Alice: Curiouserand Curiouser’, V&amp;A London and touring. Filmed in CERN January 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1651780116636-CIKP8AVTOUM6PCR63C76/D54801D7-AA88-4F1B-A2AE-61AE1629B8B4.jpeg</image:loc>
      <image:title>Visual Fine Arts - MARIELE NEUDECKER: THE CONTEMPORARY SUBLIME - Make it stand out</image:title>
      <image:caption>Heart of Darkness, 2021. Image 37.3cm x 28.5cm. (H) 39cm (W) 48cm (D) 2cm framed. Giclée print on archival paper. Edition: 24 plus 3 a/p</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/troika</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649343514035-7RLD6U5UEA4LJH3A9OTR/AD0F146C-F389-47F4-9E02-E1E74AA679E3.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - Make it stand out</image:title>
      <image:caption>Portrait of Eva Rucki</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649343465764-IRGTDFJ8721PKJVBH4CI/B199F501-150F-4C0C-BD45-7B0067050379.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - Make it stand out</image:title>
      <image:caption>Portrait of Conny Freyer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649343999602-347T3CFFUAQ41J31NW2B/33878A54-C769-4EF0-9E36-D392D4CE0245.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - Make it stand out</image:title>
      <image:caption>Portrait of Sebastien Noel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649357316690-IFWJUNVSNAIGK5B81IWB/A54FE977-7E4D-4CC1-9371-4D9EED91E8E7.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - Make it stand out</image:title>
      <image:caption>‘Evolutionary Composite’, flint hand-axe, production silicone wafer, 30 cm diameter x 8 cm, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649389061977-D9BSREI5XDYB1QODT25M/8FA449C5-435C-4988-A631-FEC0AF95A582.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - Make it stand out</image:title>
      <image:caption>‘No Sound of Water’ (Entrance), Arte Abierto, Mexico, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649389126216-8ZWT2SGP4ZGPCQINWCMU/03560099-2C80-4965-9E64-256C23928779.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - Make it stand out</image:title>
      <image:caption>‘No Sound of Water’ (Landscape), Arte Abierto, Mexico, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649389190531-UWGE9HB7RELW939XX67I/8EE294DA-ED8A-43B2-B352-F13364C69420.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - Make it stand out</image:title>
      <image:caption>‘Terminal Beach’, Computer animation, custom motion capture, 4:00 min, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649352772497-6STPWY5P4Q121JUI7UUQ/IMG_1775.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘No Sound of Water’</image:title>
      <image:caption>Custom designed mechanical components, powder processing conveyor, motors, controls, 6.5m (l) x 2m (w) x 4m (h), 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649352758441-J58HKV5JI62T22ASQG3G/troika_no_sound_of_water_010_1x1.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘No Sound of Water’</image:title>
      <image:caption>Custom designed mechanical components, powder processing conveyor, motors, controls, 6.5m (l) x 2m (w) x 4m (h), 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649352780442-VUZWC8M7RWEKA3C08GJ2/troika_no_sound_of_water_017.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘No Sound of Water’</image:title>
      <image:caption>Custom designed mechanical components, powder processing conveyor, motors, controls, 6.5m (l) x 2m (w) x 4m (h), 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649352798801-7SRTJ1CC7EUZB8JSC2TF/troika_no_sound_of_water_020_1x1.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘No Sound of Water’</image:title>
      <image:caption>Custom designed mechanical components, powder processing conveyor, motors, controls, 6.5m (l) x 2m (w) x 4m (h), 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649352808194-SVGTL76UUMH5C107UJOA/troika_no_sound_of_water_018.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘No Sound of Water’</image:title>
      <image:caption>Custom designed mechanical components, powder processing conveyor, motors, controls, 6.5m (l) x 2m (w) x 4m (h), 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649390017611-LLA5P1OVWB85E3E90VNB/troika_to_see_a_world_omr_005.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘Solid State Fiction’</image:title>
      <image:caption>Variable dimensions, printed veils, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649355862236-8QHSNBN3VMHFUCXPOZUX/troika_to_see_a_world_omr_011.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘Solid State Fiction’</image:title>
      <image:caption>Variable dimensions, printed veils, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649355892267-DQ49EJBCP54UP190XS8O/troika_to_see_a_world_omr_016.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘Irma Watched Over By Machines’</image:title>
      <image:caption>Variable dimensions, acrylic paint on canvas, 16 shades of Red, Green and Blue, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649355909556-AC7ILEQUTJ2X7X0115R3/troika_to_see_a_world_omr_013.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘Irma Watched Over By Machines’</image:title>
      <image:caption>Variable dimensions, acrylic paint on canvas, 16 shades of Red, Green and Blue, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649355921170-25UMLV72KDZEE6BZZAQQ/troika_to_see_a_world_omr_009.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘Solid State Fiction’</image:title>
      <image:caption>Variable dimensions, printed veils, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649390023362-E33F1652IAZGWGSVT8ZJ/troika_to_see_a_world_omr_007.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - ‘Solid State Fiction’</image:title>
      <image:caption>Variable dimensions, printed veils, 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1649388016111-56PM5BK3VDLBH96F7PIW/87191F60-D6AF-4237-ACF8-D3AF63601D52.jpeg</image:loc>
      <image:title>Visual Fine Arts - TROIKA: SALT OF THE WORLD - Make it stand out</image:title>
      <image:caption>Portrait of the artists. Troika with ‘No Sound of Water’, 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/destienne-dorves</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643741788314-7HBK5U5BHINXZAAMQGP9/ACF5F3DF-3430-4F0E-A59A-30E19A89E9B3.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Sun (~8 mn), Paris Photo © Q Chevrier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643721867382-3UEK321M38AV6N36K2JB/3EEA1E59-703B-4B4F-BFE9-D96423845A23.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>The artist with her work, Eclipse, 2012 … and Yoda. Photo © Gerald Knights.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643760578902-T8DGYUY4L4LE1QEBO0HI/13EF0355-9FF4-4FCF-B6FD-6B95F1B06832.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Martian Sun Series, 2019. Photo © Cibrian Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643760664341-HOUJNPKXS6Q96M7VRC1N/3E23B616-B0D1-401D-956D-AAA5D9E21BC6.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Martian Sun Series, 2019. Photo © Cibrian Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643814838794-Q968X5E1G1SL6DET0S1L/3D55B368-6B9D-4F9A-96AB-C40AF4F0D7E3.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Martian Sun Series : Sol 24 h 39 mins © Félicie d'Estienne d'Orves, ADAGP Paris 2020. Produced by Le FRESNOY. Photo © ReneBade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643734637975-SW630SJT8UHBMUXT4DV9/5325BBB0-7BC4-4CC4-987F-5EACA85CD1F8.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Martian Sun Series : Sol 24 h 39 mins © Félicie d'Estienne d'Orves, ADAGP Paris 2020. Produced by Le FRESNOY. Photo © EricFlogny</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643820384139-ACQ4PCPI02QB4IOKV6P0/61E49085-C8EA-4E03-9CF7-4401558C4EF0.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Deep Fields, 2019. Cibrian Gallery, Spain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643819463203-3H6KZAWSXYPZNAEKVUNM/AE02E79A-5DE4-4AE8-B8CC-D9510BAE1E8A.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Deep Fields, 2019. Cibrian Gallery, Spain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643819327929-1SE58E2WV2I3A851A3VE/E018D477-4702-492C-9886-E7DB163CA10D.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Deep Fields, 2019. Cibrian Gallery, Spain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643739187415-ADVBPLO5VDFVX51GVOM0/A4C18874-9CB6-4A73-8365-48323314347F.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Light DNA Series, 2019. Photo © Cibrian Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643751396467-47AFK4O7SDMGE3N0B4LO/7D8A8F5A-E173-45F7-8FAF-4AEDD2AF7A48.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Cosmographies, Black Hole Series, Utah, Sagittarius A. Photo ©</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643760775092-OAJO6SMWJ2NWVMWEOYRR/124038B1-E103-403C-B191-7857D14F0C97.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Light Standard Series, Photo © Cibrian Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643814596035-BUOPRM0VDZJ98WJFGVPD/C4129E12-4EE9-4F21-BAA3-46AC92013FB4.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Venus and Mars, 2015. Le Havre, France. Photo © D Huguenin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643746423867-6BCRC09A9LRHFS4RJ0H5/A9F00D3E-0E4E-40DC-8A17-5A6673899075.jpeg</image:loc>
      <image:title>Visual Fine Arts - 10 SPOTLIGHT (EXTENDED): FÉLICIE D’ESTIENNE D’ORVES - Make it stand out</image:title>
      <image:caption>Cosmographies, Atacama Desert 23°08’14”S 68°14’6”W : PLEIADES (STAR CLUSTER 444 LIGHT-YEARS)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/takis-magnetic-attractions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626266850090-3W1795OAMLJG9H28IHTL/F4870A3C-B47A-4525-A703-645B59171EAE.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS</image:title>
      <image:caption>Telepainting (Télé-peinture), 1960. Acrylic on canvas, magnets, threads and steel, 9 1/16 x 11 5/8 x 12 3/16 in. (23 x 29.5 x 31 cm) © Takis Foundation. Photo © White Cube (Theo Christelis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626266854606-EC18A0LGKZWXVW5ZBCNF/8C52672A-3D2E-4978-9C2D-DA268319CD12.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626266646441-SB2T0ADHAS375HTT87W6/DABA3252-69A4-4D19-A057-416CB3C64A01.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS - Make it stand out</image:title>
      <image:caption>The artist with Espace Interieur, 1957. Photo © Takis Foundation. Copyright Martha Rocher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626266317783-HMZKU351MJB1TL6PR91O/D1B23BAD-1710-4722-B2B2-CC49C222A36F.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS - Make it stand out</image:title>
      <image:caption>Magnetic Wall - The 4th Dimension, 2001. Painted canvas,wiresandmagnets, 72 13/16 x 44 7/8 in. (185 x 114 cm) © Takis Foundation. Photo © White Cube (Theo Christelis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626611075266-HWICCP10DCGCKJLO2XJR/58F079F3-E794-4BA2-9A70-EA581EE5BF52.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS - Make it stand out</image:title>
      <image:caption>Electromagnetic Sphere, 1966. Painted w ood, electromagnet and polystyrene sphere, 14 15/16 x 11 x 11 in. (38 x 28 x 28 cm) © Takis Foundation. Photo © White Cube (Theo Christelis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626610948279-5BJ461BWJZ25V0GZA1CZ/06EA550E-2DE0-4392-854B-5D2EBEA2C589.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS - Make it stand out</image:title>
      <image:caption>Kadran light, 1966. Painted w ood, electrical circuit and lights, 49 13/16 x 85 5/8 x 5 1/2 in. (126.5 x 217.5 x 14 cm) © Takis Foundation. Photo © White Cube (Ollie Hammick)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626615820054-SSFHWFJKO1ANZL0W62XW/6AE1B61B-5EB5-4CB7-AB7B-6DDCA50442E1.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS - Make it stand out</image:title>
      <image:caption>Aeolian, 1983. Painted iron, polystyrene sphere, 170 1/16 x 164 9/16 x 164 9/16 in. (432 x 418 x 418 cm) © Takis Foundation. Photo © White Cube (Theo Christelis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626622310074-KXMBVXI3F8JBMODJTABW/35545175-7E1B-4FEC-8713-6C110CD74F79.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS</image:title>
      <image:caption>Signal, 1964. Painted iron, electrical circuit and light 993/16x1415/16 x1415/16 in.(252x38 x 38 cm) © Takis Foundation. Photo © White Cube (Theo Christelis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626622378814-UHSK6FVL5FYF6DUEXRZP/AEB4662E-6176-405A-BBBB-A7F964E01846.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS</image:title>
      <image:caption>Signal, 1964. Painted iron, electrical circuit and light 993/16x1415/16 x1415/16 in.(252x38 x 38 cm) © Takis Foundation. Photo © White Cube (Theo Christelis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626623400697-JO6I81KX2SDI5EZCHG9U/1E2F8DEE-F9E2-4958-B3E4-59108CA7127C.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS</image:title>
      <image:caption>Signal, 1974. Painted iron and found objects, 1935/16 x337/16x337/16in. (491x85 x 85 cm) © Takis Foundation. Photo © White Cube (Theo Christelis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626623472283-YLNFV2JM7QRXR0PDRF5E/45F84099-8D4B-4249-A0F3-6F78A0B92E83.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS</image:title>
      <image:caption>Signal, c.1979. Painted iron and found objects, 209 13/16 x 57 11/16 x 43 11/16 in. (533 x 146.5 x 111 cm) © Takis Foundation. Photo © White Cube (Theo Christelis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626614229565-87UFIETVI8SL4MZWIR1H/84C460B7-E152-4EC1-86D3-07007BF8CA1F.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS</image:title>
      <image:caption>Takis, White Cube Bermondsey 12 May - 27 June 2021 © Takis Foundation. Photo © White Cube (Theo Christelis)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1626623727718-YNMAZTPQKYJ80XM9JY2K/356B0D7D-5172-4E67-89F6-17CCFF25F9DB.jpeg</image:loc>
      <image:title>Visual Fine Arts - TAKIS AT WHITE CUBE: MAGNETIC ATTRACTIONS</image:title>
      <image:caption>Takis, White Cube Bermondsey 12 May - 27 June 2021 © Takis Foundation. Photo © White Cube (Theo Christelis)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/09-spotlight-semiconductor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1623773132832-L1X1QCKHLGAHBUM10YNO/3C34BDF3-3166-4908-B0A6-2B59F349D6EE.jpeg</image:loc>
      <image:title>Visual Fine Arts - 09 SPOTLIGHT: SEMICONDUCTOR - Make it stand out</image:title>
      <image:caption>Picture of Semiconductor Image credit: Courtesy of the artist and Audemars Piguet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1623695934594-Q9IDD0HCUIY1RTP59IA9/30FFB0F8-8094-400D-8CF9-13C074509136.jpeg</image:loc>
      <image:title>Visual Fine Arts - 09 SPOTLIGHT: SEMICONDUCTOR</image:title>
      <image:caption>Semiconductor: HALO, Art Basel, 2018. Image credit: Claudia Marcelloni/CERN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1623695941199-02ZC2L1MR8RDZCQIK7DQ/7C63E4FF-8C53-494C-83A4-E37C366260B3.jpeg</image:loc>
      <image:title>Visual Fine Arts - 09 SPOTLIGHT: SEMICONDUCTOR</image:title>
      <image:caption>Semiconductor: HALO, Art Basel, 2018. Image credit: Claudia Marcelloni/CERN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1623695999838-RNTOBE56TEUZXIJ3W09R/E4B94207-85E9-4BA6-9AEA-1D417D089F9E.jpeg</image:loc>
      <image:title>Visual Fine Arts - 09 SPOTLIGHT: SEMICONDUCTOR</image:title>
      <image:caption>Semiconductor: HALO, Art Basel, 2018. Image credit: Claudia Marcelloni/CERN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1623696066883-2LZ06IMG3C6IKQGQPC1Y/349D78A4-57AC-4F3A-B819-4B93BB47FB8F.jpeg</image:loc>
      <image:title>Visual Fine Arts - 09 SPOTLIGHT: SEMICONDUCTOR - Make it stand out</image:title>
      <image:caption>Semiconductor: The Technological Sublime, City Gallery, Wellington, 2019. Image credit: Semiconductor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1623696293027-0O70YT7XLLP9LFBX6O99/9D85A1C7-1DF3-44C7-AA0B-4DDE43998C9D.jpeg</image:loc>
      <image:title>Visual Fine Arts - 09 SPOTLIGHT: SEMICONDUCTOR - Make it stand out</image:title>
      <image:caption>Semiconductor: Earthworks, Fabrica, Brighton, UK. 2020 Image credit: Fabrica/Tom Thistlethwaite</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1623696521143-IKR068JJKDZ2NNAZUBFW/A58E3D07-5062-46AE-844F-9E8DC2314617.jpeg</image:loc>
      <image:title>Visual Fine Arts - 09 SPOTLIGHT: SEMICONDUCTOR - Make it stand out</image:title>
      <image:caption>Semiconductor, CERN, 2015. Image credit: Julian Calo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/david-rickard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1621528930617-U2V670P1D2X3AINGOW3U/18567B70-3C76-45EB-87B6-AD538E84DC91.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Make it stand out</image:title>
      <image:caption>Studio portrait of the artist (2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1621510247419-ZSCCUJ7FELK8PH9CVHT2/0C5AD2F4-D0C1-45F3-803D-414C7754F46D.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Make it stand out</image:title>
      <image:caption>A Roomful of Air (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1623256278282-5NMXWHZ36EK4YDLFSK9H/8FD22309-D05A-4B8F-BFB2-A22400BDCCED.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Exhaust (2011) 24 hour performance  Image credit: Manuel Vason</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1623256364949-CH18DN6W17SNKXX48H8D/BD575E2A-4A55-4F4F-9091-CEC5B0504FF7.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Exhaust (2011) 24 hours of exhaled air and foil balloons. Image credit: Manuel Vason</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1621510714965-FDPPMVCPOO50M7E1I7EC/255220DB-4153-413A-8D9E-B016B0E0ED50.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Make it stand out</image:title>
      <image:caption>International Airspace (2019-20) International postal boxes. Image credit: Eva Herzog</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1621511527814-0X4ANJD7B3Y1GSF0BM9T/17CC7A75-7CF9-40D3-9C80-F4110CEB9EAD.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Make it stand out</image:title>
      <image:caption>International Airspace (2019-20) International air and Pyrex glass.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1621511907916-14D8VDQDETKBRJTU7JAB/1B56481C-D470-441B-B267-66A83ECA564C.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Make it stand out</image:title>
      <image:caption>Beyond sight within grasp (red, yellow and blue) (2019) Image credit: Eva Herzog</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1621512179230-OE2F5U0E8MBTNC0D2OVE/081D1288-B01C-420C-8AF7-2E63E61F8F59.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Make it stand out</image:title>
      <image:caption>A day at the speed of sound (2019), found stones and string.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1621530426392-VY1G04VH4DWHL04TZ4B4/CADE48C1-AC69-496B-906B-C6A28ADF3E69.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Make it stand out</image:title>
      <image:caption>The End (2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1621530731743-PO6HWSHZNNE20F8022E9/D4D54B5E-1785-40BD-8E45-BA004A559277.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Make it stand out</image:title>
      <image:caption>Star Gazer (2014)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1621530800877-G7YIS5QE3I81MDKL1FSA/340E112E-FA79-4DC7-A53C-FE1248220D81.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Make it stand out</image:title>
      <image:caption>C60 (2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1621531337522-5XHY36IIEVOA9AN695U0/4BCFE863-7308-4EB2-9BAD-76334E0E0945.jpeg</image:loc>
      <image:title>Visual Fine Arts - DAVID RICKARD: ART AT THE THRESHOLDS - Make it stand out</image:title>
      <image:caption>Exhaust (2011), 24 hours of exhaled air and foil balloons. Image credit: Manuel Vason</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/elpida-hadzi-vasileva-inside-beauty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617383106221-NI1B14NXNLVEYVRNJV1U/3A2EE979-5DFD-42F1-9BC0-0A1BB720A5A0.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>Witness of Virility, 2011. Pied à Terre, London, UK. 80 sheep testes light bulbs mounted on black board. 16cm, 220cm x 12cm. Image credit: Sean Gibson + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617383162888-PH73TAOW4BON84YQDJPT/2B947A4D-6785-480A-B38F-1FA1D03174F6.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>Ladies Purses IV, 2011. Sheep testicle purse lined with silk, antique frame and chain, mounted in perspex box, 25cm x 25cm x 25cm, 1/1. Image credit: Bernard G Mills + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617383405185-FXGCL8JYG5JFEL40TWL2/B890086E-EF26-401F-9FC4-5F3E0DE3A09C.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>Witness of Virility, 2011. Pied à Terre, London, UK. 80 sheep testes light bulbs mounted on black board. 16cm, 220cm x 12cm. Image credit: Sean Gibson + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617473612235-8IV835A7OXT7571IJJWC/0F17EB3F-316C-4485-974B-114BD3FC8FB2.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>Beauty Exposed II, 2016. Danielle Arnaud Gallery, London, UK Sheep stomach, pig intestine, and turned wood, 52cm x 30cm x 32cm, 1/1. Image credit: Oscar Proctor + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617473747977-MXP66MFJA46OQN82961N/E246138A-96F8-474A-8292-7B6CE4D43603.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>Beauty Exposed I, 2016. Djanogly Gallery, Nottingham, UK. Sheep stomach, pig intestine, and turned wood, 45cm x 30cm x 50cm, 1/1 Image credit: Nick Dunmur + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617473865616-NR2U55XYAD8L2QN313QB/FDF5D272-A671-4F63-8A4F-B1038C82A876.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>Prototypes for Making a Machine to Reveal Beauty, 2016 3D nylon prints mounted in perspex boxes, 80mm diameter, 3/10. Image credit: Bernard G Mills + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617473990629-XTPOA27XXH918DA7Y5LM/D8F3AAF4-7544-46FD-8CD1-B46BE5194142.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>Bos III, 2016. Unique print using cow rectum framed in a white box frame, 60.5cm x 85cm x 4cm, 1/1. Image credit: Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617474279790-BYLGKNT5B21QDSJY09T1/DF113FB5-FB30-4DA8-95FF-F4437529C4D1.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>Haruspex, 2015. Pavilion of the Holy See, 56th International Art Exhibition, La Biennale di Venezia, Italy,, 2015. Installation view, pig’s caul fat, lamb intestines, cow’s stomach (omasum), plastic + metal, 8.5m x 9m x 5.5m. Image credit: Bernard G Mills + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617690926534-DFW9DJAUGF24NY25CR1G/53076342-38CD-4C8A-829A-6247D83521BA.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY - Blood flowing through my heart 15, 2020</image:title>
      <image:caption>Acrylic paint, pig’s heart, blood, pencil, on Sidney Nolan paper, 250mm x 305mm (unframed), 1/1 Image credit: Bernard G Mills + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617691099300-PVDRG3UH6LQDPRZS9LX9/5A9EBA2D-FA59-4A8F-AA62-93CE8EF8D4D4.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY - Blood flowing through my heart 1, 2020</image:title>
      <image:caption>Acrylic paint, pig’s heart, blood, pencil, on Sidney Nolan paper, 250mm x 305mm (unframed), 1/1 Image credit: Bernard G Mills + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617484745587-YX3ISJW6OXKSBNISSO6G/07C16B23-2A31-4574-83D7-46F2CFEC34F4.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>Butterflies in the Stomach, 2008. L’H du Siège, Valenciennes, France. Pig’s caul fat (crépine de porc), plastic. 110kg of pig’s caul fat (crépine de porc), 250 sqm. Sound: Elsa Pierry- Grammare. Image credit: Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617546651744-RMJSVWKLC5QS466G1U66/B2C8F329-DB0A-478B-9CED-828EA68628A8.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>Fragility, 2015. Fabrica Gallery, Brighton, UK. Installation view, pig’s caul fat, plastic + metal, 22m x 10m x 8m. Image credit: Bernard G Mills + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1617690794156-O0QTG5GD0LIJZHHJ8PVL/08DC5A41-A24F-4902-BA6A-FCC01012FEFB.jpeg</image:loc>
      <image:title>Visual Fine Arts - ELPIDA HADZI-VASILEVA: INSIDE BEAUTY</image:title>
      <image:caption>The artist installing Making Beauty at Djanogly Gallery, Nottingham, UK (2016) Image credit: Nick Dunmur + Elpida Hadzi-Vasileva</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/peter-matthews</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-24</lastmod>
    <image:image>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>Summer Sequoia (2019) Image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY - Installation view of Grounded at the Glynn Vivian Gallery, Swansea, 2020</image:title>
      <image:caption>Image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>9 Islands, 2020. Image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>Entrance to Another Side, 2020 Image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>Swansea Bay Is A Little Darker Tonight (2020) Image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY - Research Findings (2020) by Dr Ruth Callaway</image:title>
      <image:caption>Image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>Contact, 2020. Working process of making Contact on Swansea Bay. Image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>Duality, 2020. Marine biologist, Dr Ruth Callaway of Swansea University (right) and the artist throwing raw clay at two pieces of paper on the wall of the Glynn Vivian Gallery, Swansea. Image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>6 Hours In and With the Pacific Ocean (2019) image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>12 Hours In and With the Pacific Ocean (Chile), 2017. Image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>13 Hours In and With the Pacific Ocean (2017) Image credit: Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>Film still from Rewind (2020) by Peter Matthews</image:caption>
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      <image:title>Visual Fine Arts - PETER MATTHEWS: A PAINTER SHIFTED BY MARINE BIOLOGY</image:title>
      <image:caption>Porphyra, 2020. Image credit: Peter Matthews</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/orphan-drift</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613230387391-QOZV6ROY69QUT7P9J2ET/9F3C5B91-FCAA-4752-8CAF-A296B00931A0.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD?</image:title>
      <image:caption>The artist filming octopus habitats in the kelp forest coastal waters of Capetown, South Africa, 2019. Image credit: Maggie Roberts</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613229380300-URXB23O50VSVWYU2VHG9/2C0CB9CD-A7A3-4723-8C5C-94BD3B479DC4.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD? - BECOMING OCTOPUS MEDITATION 7, 2020</image:title>
      <image:caption>The nine-brained consciousness of the octopus visualised as a 3D animated ‘headset’ with eight different simultaneous viewpoints Image credit: Maggie Roberts with VFX supervision by Megan Bagshaw</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613229387123-CXSGX2OU75TH77LSD7CK/B14524BA-BED6-4CD1-86B4-DEFE709CB0FB.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD? - BECOMING OCTOPUS MEDITATION 3, 2020</image:title>
      <image:caption>3D animated octopus arms with polarised colour skin exploring the underwater environment Image credit: Maggie Roberts with VFX supervision by Megan Bagshaw</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613230047393-5GD56NA89F3L2OUNN6ZK/D00FCF44-32BF-4FAB-8F1C-846E7BF8CF49.png</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD? - BECOMING OCTOPUS MEDITATION 1, 2020</image:title>
      <image:caption>Imagined octopus sentience floating in LIDAR scanned cave Image credit: Maggie Roberts, with LIDAR scan by Jason Stapleton and computational art by Duncan Paterson</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613230088984-L12W6ELUXKA9CL7QDGM5/46D7FF6F-B7B3-446D-AAE9-9D8C4FBBEC0B.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD? - BECOMING OCTOPUS MEDITATION 4, 2020</image:title>
      <image:caption>Imagining octopus vision part-polarised / part-blurred, with animated skin and rock camouflage Image credit: Maggie Roberts, with VFX supervision by Megan Bagshaw</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613230141446-AGYD9L5TAAFZ6NOBO16L/CE7F9A1D-95CD-42CF-A427-B7978AF2D9A2.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD? - BECOMING OCTOPUS MEDITATION 2, 2020</image:title>
      <image:caption>Imagined octopus sentience with LIDAR cave wall in polarised light (chroma effect) Image credit: Maggie Roberts, with LIDAR scan by Jason Stapleton and computational art by Duncan Paterson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613236447612-1F8GREOOJCQWOTZSBL5L/5E490A9D-2E26-4B9C-8BBF-20AB9A65CFC8.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD?</image:title>
      <image:caption>If AI were Cephalopod, 2019. Documentation still with two overlapping projection screens and two flat screen TVs inside the projection frame. Image credit: Orphan Drift (Maggie Roberts and Ranu Mukherjee)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613236489821-LSVNED5VF6D5IHANK4EY/2E6E9731-8843-4ECE-B4E9-337AB1EA9753.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD?</image:title>
      <image:caption>If AI were Cephalopod, 2019. Documentation still with two overlapping projection screens and two flat screen TVs inside the projection frame. Image credit: Orphan Drift (Maggie Roberts and Ranu Mukherjee)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613236748771-JEGW1671P18DQ0F2U1YL/B99FE0F8-7672-4B45-8DE9-E299417FDFBC.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD?</image:title>
      <image:caption>Spectrum Diagram showing the small section of frequencies and wavelengths registered by the human sensory apparatus.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613236829687-7CE5MUBEEX8PH7DUVQI5/4BA2B87B-2728-4453-B2BE-88E5ECCD1772.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD?</image:title>
      <image:caption>If AI were Cephalopod, 2019. Storyboard Diagram for assembling the video narrative in relation to the most common colour changes in an octopus skin (determined by emotional state). Image credit: Orphan Drift (Maggie Roberts and Ranu Mukherjee)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613228635736-6E2M6YCIQCU80QJRRN26/CAEF3AE2-8B48-418B-9E35-A37E158AB6FF.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD? - POLARISED LIGHT RIBBONS ANIMATION, 2020</image:title>
      <image:caption>Using Blender 3D animation software to create polarised light effects on kelp frond shapes. Experiments for the ISCRI project mecocosm Image credit: Maggie Roberts, with VFX supervision by Megan Bagshaw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613228635000-Z4RI35649CUUMYBH5FEF/4C804A78-5AD6-4B45-BF6A-7FC31775404C.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD? - LIGHT WAVE PATTERNS ON THE SEA FLOOR, 2019</image:title>
      <image:caption>Filming light wave patterns on the sea floor near Capetown, South Africa. Studies for simulating light patterns in the ISCRI project mecocosm Image credit: Maggie Roberts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613228640205-H1QJZHEQ5HETI7W0YWKR/E0612EF7-641E-4000-89C7-E9E56180F074.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD? - OCTOPUS SKIN PATTERN SIMULATION, 2020</image:title>
      <image:caption>Layering chroma filters and abstract shapes onto a coded pattern animation, experimenting with synthetic camouflage ideas for the ISCRI project mecocosm Image credit: Maggie Roberts, with computational art by Duncan Paterson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613228639073-N6AIO85QTBZ0FPEFUUZ0/29446A07-334C-4B07-B98A-6DA8A726DD84.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD? - CORAL SKIN ANIMATION, 2020</image:title>
      <image:caption>Using Blender 3D animation software to create a coral texture that morphs into a camouflaged octopus. Experiments for the ISCRI project mecocosm Image credit: Maggie Roberts, with VFX supervision by Megan Bagshaw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1613236377825-KNUCWJ3VQ0QW156XU2X6/2225B271-BDCF-4718-9DC4-BBCAF5EB527C.jpeg</image:loc>
      <image:title>Visual Fine Arts - 0RPHAN DRIFT: CAN OCTOPUSES CHANGE OUR WORLD?</image:title>
      <image:caption>If AI were Cephalopod, 2019. Documentation still with two overlapping projection screens and two flat screen TVs inside the projection frame. Image credit: Orphan Drift (Maggie Roberts and Ranu Mukherjee)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/07-spotlight-ryochi-kurokawa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-04</lastmod>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA - Detail of production notes for installation ad/ab Atom, 2017</image:title>
      <image:caption>Image credit: © 2017 INL International Iberian Nanotechnology Laboratory, © 2017 RYOICHI KUROKAWA</image:caption>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA - Production note from installation, unfold, 2016</image:title>
      <image:caption>Data: © 2016 CEA-IRFU, © 2016 BLAST Experiment, © 2016 SuperCOSMOS H-alpha Survey Image: © 2016 CEA-IRFU, © 2016 ESA, © NASA, © 2016 BLAST Experiment, © 2016 SuperCOSMOS H-alpha Survey, © 2016 RYOICHI KUROKAWA</image:caption>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA - Production note from installation ad/ab Atom, 2017</image:title>
      <image:caption>© 2017 INL International Iberian Nanotechnology Laboratory © 2017 RYOICHI KUROKAWA</image:caption>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
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      <image:title>Visual Fine Arts - 07 SPOTLIGHT: RYOICHI KUROKAWA</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/blumenfeld</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1610299548787-PVMWSPSPRDLNX1BEGJJT/128097E4-665D-4EEA-9CCD-E54EA3200953.jpeg</image:loc>
      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>Erika Blumenfeld at The Robert Rauschenberg Foundation Artist-in-Residence No. 29 in 2018. Image credit: Mark Poucher</image:caption>
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      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>Erika Blumenfeld, Bioluminescence Vol. 1 (Pyrocystis Fusiformis), 2011. From a suite of 8 digital pigment prints housed in an embossed handmade portfolio box, 17” x 22”, Edition of 20. Image credit: Erika Blumenfeld</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1610285550436-100WQWXQRDP6K263BB1B/2146E6D3-A3F9-45A1-8005-E723DD234B46.png</image:loc>
      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>Erika Blumenfeld, Bioluminescence Vol. 1 (Pyrocystis Fusiformis), 2011. From a suite of 8 digital pigment prints housed in an embossed handmade portfolio box, 17” x 22”, Edition of 20. Image credit: Erika Blumenfeld</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1610285527962-SKGWZMJVXZ9WJ20SUQ0O/E557E6DE-9881-468A-99D3-9E50EDD7A63B.png</image:loc>
      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>Erika Blumenfeld, Bioluminescence Vol. 1 (Pyrocystis Fusiformis), 2011. From a suite of 8 digital pigment prints housed in an embossed handmade portfolio box, 17” x 22”, Edition of 20. Image credit: Erika Blumenfeld</image:caption>
    </image:image>
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      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>Living Light No 1 (Pyrocystis Fusiformis) 2001/2004, Image 16” x 44” / Paper 24” x 60”, Edition of 15, Published by Santa Fe Editions.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1610285632456-9D7ZXPYJ6ZXBI4DSV5RI/22FC2295-F339-4785-A4BF-BD6A14682BA8.jpeg</image:loc>
      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>Erika Blumenfeld, Encyclopedia of Trajectories, 2017-2018, Finely ground 23.75 k Gold in Gum Arabic, Arches Aquarelle Watercolor Hot Pressed 140lb Paper, Pushpins, Magnets, 336 drawings, 10.25” x 14.25,” each; 80” x 746,” installed, Installation view: Main Studio at Rauschenberg Residency, Captiva, FL, February 2018. Image credit: Erika Blumenfeld</image:caption>
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      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>Erika Blumenfeld, Encyclopedia of Trajectories (Detail), 2017-2018, Finely ground 23.75 k Gold in Gum Arabic, Arches Aquarelle Watercolor Hot Pressed 140lb Paper, 10.25” x 14.25” Image credit: Erika Blumenfeld</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1610285467802-B6QXH8BOA690W6CHDP2A/0B0FBE3A-B6FE-4B2E-A059-E651FA64E996.png</image:loc>
      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>The Apollo Lunar Collection homepage displays an interactive view of the moon where you can select an Apollo landing site and begin your journey discovering a selection of moon rocks from each of the six surface missions. Image credit: NASA / Astromaterials 3D</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1610285403868-BYWKY91AYZZD9QAV6DDP/3E4673BD-D337-4045-93CF-AB4D36A034AF.png</image:loc>
      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>A view of Lunar Sample 60639,0 in the Astromaterials 3D Explorer application looking into its interior. Image credit: NASA / Astromaterials 3D</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1610285435923-X78AG86810QZW9Y5BTCK/67F13177-5D58-4114-92AC-C6FAABDCBBF6.png</image:loc>
      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>The Antarctic Meteorite Collection homepage displays an interactive view of the view of the inner solar system where you can select an origin, like Vesta or Mars or the Asteroid Belt, and begin your journey discovering a selection of space rocks from each origin. Image credit: NASA / Astromaterials 3D</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1610221787036-D7ZTFG91MR370NPAHJ15/7208D88F-2BDC-4902-BF88-EC800B9C7693.jpeg</image:loc>
      <image:title>Visual Fine Arts - ERIKA BLUMENFELD: THE ROCK FAN WHO LOVES LIGHT SHOWS</image:title>
      <image:caption>Erika Blumenfeld at The Robert Rauschenberg Foundation Artist-in-Residence No. 29 in 2018. Image credit: Mark Poucher</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/edge-neuroscience</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606335581467-QL1VIAEEOF021RM7SANJ/32E0E316-EC82-4378-AC2D-F9EBAD05BA88.jpeg</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>Insula by Ashley Middleton, Anna Mechlińska, Bileam Tschepe, Célia Landry (SomaLab). An immersive installation that integrates biology, light, sound, and BCI technology into an interactive experience of neural networks where viewers are immersed in their mental state as determined through a brain-computer interface and algorithmic design. Photo credit: Ashley Middleton, Anna Mechlińska, Bileam Tschepe, Célia Landry (SomaLab)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606335657971-6IG54G1WKLD86B5A9JE7/CA644D45-8E69-4F87-962D-0C58A11E06E5.jpeg</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>PathsRelit by Tina Ghelani, Josef Lilljegren, Karl Pannek A piece that reflects on the complex modes by which neurons in the brain connect with one another. The piece tackles this topic through different visualizations enacted out in three pieces. Photo credit: Nailya Bikmurzina</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606340593014-3MCACJOT3J8K2W9L7QIO/Paths_re_lit_2.jpg</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>PathsRelit by Tina Ghelani, Josef Lilljegren, Karl Pannek. Photo credit: Sofia Bergmann</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606335794250-W2KBDQGOVDXKJK9BXSZ1/5928C92E-87F7-4A7A-9B9C-E0CF1CDE212A.jpeg</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>PathsRelit by Tina Ghelani, Josef Lilljegren, Karl Pannek. Photo credit: Sofia Bergmann</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606416453276-JLOTDIXE3586I42LFEXP/Edge+2020+trailer+%28posterized%29.gif</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>PathsRelit by Tina Ghelani, Josef Lilljegren, Karl Pannek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606335555221-XKGNQRX0FXSLCBSZYI82/69DC892E-9A9E-411C-9EFB-01F5F7336587.jpeg</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>Necessity Precedes Itself by Andrey Kharitonov. Exploring the link between visual art and neuroscience, asking how slices of scientific data or snapshots depicted in a painting can represent something much larger and complex. Photo credit: Andrey Kharitonov</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606335482331-MRWM7ZK2F3SRFW3RYCUX/A266B1E0-BF54-4708-A84B-4784974453EB.jpeg</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>Fortuitous subterfuge by Andrey Kharitonov. Exploring the link between visual art and neuroscience, asking how slices of scientific data or snapshots depicted in a painting can represent something much larger and complex. Photo credit: Andrey Kharitonov</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606335619044-5YNFPJDWPJZTLKEPWTHT/B9D85B17-336A-484B-AB00-FDFD813C5A78.jpeg</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>Dream Extractor 3000 by Bahar Gözmener. An experimental short film dealing with subconscious processes reality, and how the millennial generation copes with topics such as coming of age, digitalization and mass media culture. Photo credit: Bahar Gözmener</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606335700110-WHKNRQC2UVAIRWCPOOOQ/DC4DDC59-37BA-4AC6-B9B0-020C28690F2C.jpeg</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>Sens(e)scape by Roxana Ardeleanu, Painting and audio multimedia piece exploring how the brain connects colour to sound through synaesthesia. Photo credit: Sofia Bergmann</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606335753300-NCNICNDIIVKXNT5N8WY6/7273FE6C-17B5-4228-8C4C-E470F5DF30BA.jpeg</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>Sens(e)scape by Roxana Ardeleanu, Painting and audio multimedia piece exploring how the brain connects colour to sound through synaesthesia. Photo credit: Roxana Ardeleanu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1606335855055-TPCZF2LWDCGWHQ4A9S1V/68CA926D-4DB1-4A62-88E7-78BD22F393FC.jpeg</image:loc>
      <image:title>Visual Fine Arts - ART AS A GUIDE: ENGAGING WITH NEUROSCIENCE AT ‘EDGE’</image:title>
      <image:caption>Dream by Shahryar Khorasani. Using graphite, charcoal, ink and watercolor, Khorasani’s drawings explore his dreams, emotions and subconscious. Photo credit: Shahryar Khorasani</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/lauren-baker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1605467337466-MIKMYKRSWKWTC0WISOOH/2C430827-4376-4814-9ED8-548629324B73.jpeg</image:loc>
      <image:title>Visual Fine Arts - LAUREN BAKER: LIGHTING UP THE UNIVERSE</image:title>
      <image:caption>Artist with LETTER TO MOTHER EARTH, 2019 Installation Exhibited at Tate Modern London. Photo credit: Lauren Baker Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1605467408427-U1H72JSBGB4R575NB6XI/9526B89A-4BB3-4B96-BADA-62DBF2D3E27F.png</image:loc>
      <image:title>Visual Fine Arts - LAUREN BAKER: LIGHTING UP THE UNIVERSE</image:title>
      <image:caption>The Infinity Trapdoor, 2014 Photo credit: Lauren Baker Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1605467894933-XG3RN203H0O1BI2EGG1B/537448F3-D901-4DA8-94A5-9F7B7D821180.jpeg</image:loc>
      <image:title>Visual Fine Arts - LAUREN BAKER: LIGHTING UP THE UNIVERSE</image:title>
      <image:caption>Galaxy Explosion (Diamond Dust - Purple), 2018 Photo credit: Lauren Baker Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1605540729441-MARP09QXPY6G04JKY21Z/27A568A7-BB5F-427F-A1F7-2F2BE6FB7B27.png</image:loc>
      <image:title>Visual Fine Arts - LAUREN BAKER: LIGHTING UP THE UNIVERSE</image:title>
      <image:caption>Colour of Energy unframed auras 426.7HZ (THIRD-EYE), 2017 The Third Eye represents your connection to insight and wisdom, transmitting at a frequency of 426.7Hz. Photo credit: Lauren Baker Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1605540662133-9JCBQ1W501Y131KVN9T0/A5008580-6D59-496A-8CBD-B37F40A134AC.png</image:loc>
      <image:title>Visual Fine Arts - LAUREN BAKER: LIGHTING UP THE UNIVERSE</image:title>
      <image:caption>Colour of Energy unframed auras 480HZ (CROWN), 2017 The Crown chakra, transferred at a frequency of 480 Hz is situated at the top of your head. Photo credit: Lauren Baker Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1605467766527-62G7QOL5YD06Z3DMIWQ5/FC75E848-4327-42B9-95FF-AC73F3C82DEC.jpeg</image:loc>
      <image:title>Visual Fine Arts - LAUREN BAKER: LIGHTING UP THE UNIVERSE</image:title>
      <image:caption>Dark Matter (Dimensional Flux), 2018. Photo credit: Lauren Baker Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1605471728934-RY9P0GU9OG1X3UY1SZZL/CA7E614A-AC88-45CC-A853-BC24FAD76307.jpeg</image:loc>
      <image:title>Visual Fine Arts - LAUREN BAKER: LIGHTING UP THE UNIVERSE</image:title>
      <image:caption>Frequency of the Sun — Desert Installation, 2020 Commissioned for the UNESCO protected desert in Al-Ula, Saudi Arabia. The surface pattern of the sculpture was formed using experimental software taking a segment of the visual frequency of the Sun which is 126.22Hz and morphing this into a sphere of amorphous shapes to represent the movement of the Sun. Since creating the artwork from mid-2019, new high-resolution images of the sun were released from an advanced solar telescope in Maui in Jan 2020, with astonishing similarity. The Sun’s acoustical waves bounce from one side of the Sun to the other in about two hours, causing the Sun’s surface to oscillate as the Sun vibrates up and down, in and out. An MTArt Agency project. Photo credit: Roman Scott</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1605550070120-86ESO6EQXY657NIU1SD3/98DC198C-1C5F-4EDE-BCD9-E6348ADAE0C5.jpg</image:loc>
      <image:title>Visual Fine Arts - LAUREN BAKER: LIGHTING UP THE UNIVERSE</image:title>
      <image:caption>An Open Dialogue With Nature, 2019 Continuing from ‘Letter to Mother Earth’, Lauren spreads awareness of deforestation holding a strong vision to make a difference. This multi sensory installation involves the sound of a jungle thunder storm, synced with projection mapped light including moving 'frequency waves' and lightning flashes. The lit frequencies represent the 'Letter To Mother Earth' message to nature and the sound and light syncing represents nature communing as a new dialogue and deeper understanding is reciprocated. Accompanying the tree sculpture, people are encouraged to plant trees in the Amazon rainforest with the tap of a card via One Tree Planted charity. The mission is to plant 8888 trees in the Amazon. Lauren is close to reaching this goal. https://laurenbakerart.com/artworks/categories/12/2496-lauren-baker-an-open- dialogue-with-nature-2019/ Photo credit: Lauren Baker Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1605540606064-T5Y3EXSC27K7HDFIEKCY/DCA3412E-7EED-4CE0-B246-05D11B7A33CF.png</image:loc>
      <image:title>Visual Fine Arts - LAUREN BAKER: LIGHTING UP THE UNIVERSE</image:title>
      <image:caption>Letter To Mother Earth Installation. 26-28 Jul 2019, Exhibited at Tate Modern London Photo credit: Lauren Baker Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1605467378584-2WLSD3W09AVEBF84T3QH/1461EAB2-2403-4682-AEF3-77DC9768EC66.jpeg</image:loc>
      <image:title>Visual Fine Arts - LAUREN BAKER: LIGHTING UP THE UNIVERSE</image:title>
      <image:caption>Prospero’s Explosion , 2018 Photo credit: Lauren Baker Studio</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/the-deep-dream-xftg5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603295144999-X44JXQ03SDU06XY25ED0/Silver+banner.png</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603294869870-SRPIW8BBB8I49DBQKU98/silver+banner</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603295688103-78IBVT1KBYOIUE7U4AJW/Figure+1.png</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
      <image:caption>Figure 1: A four-pixel camera</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603298555552-XOSKEL9CTK18KXVEN8AG/Asset+3.png</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
      <image:caption>Figure 2: Brightness levels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603290681352-CS4OHOMOPFVAKRY49QIO/AD2DFBA8-1006-436B-8F7E-26EBE3E3998A.jpg</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
      <image:caption>Figure 3: Brightness Table</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603291028955-JE0UWVLEOCU1D1KM2WEC/6A7F5F49-F737-4332-A4A1-891F5FB1E992.jpg</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
      <image:caption>Figure 4: Neuron input</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603291418478-A1AQD9GP51SQ3JPG2BLZ/4EF0DFB4-9145-4B48-9B37-31FC38DFF07C.png</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
      <image:caption>Figure 5: Layers of Neurons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603297143666-6UJ2OVGH1GL3TESDKQS9/04332A57-6126-4DB1-8AB1-12F1F3BFA716.png</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
      <image:caption>Figure 6: Input layer to first layer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603297188546-VBRD8FDV9V0N60376Z98/A3C03B04-EE28-48F1-82A4-F5350398BD80.png</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
      <image:caption>Figure 7: Inspecting the upper neurons of Layer 1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603297170535-M8W1G2PEE06EUNQVD6DP/72764D0A-267B-4AF4-A796-C62A397BC13B.png</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
      <image:caption>Figure 8: Inspecting the lower neurons of Layer 1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603297123155-SOTEBG85TRVUQJPWWW9R/845255FA-F5E8-47B5-8C0C-43EF29F08EDF.png</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
      <image:caption>Figure 9: Tracing connections between layers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1603297209468-S838AMJG21OY3P9HR4GR/5E7FFC15-8A39-4073-AF7E-F2039914A76A.png</image:loc>
      <image:title>Visual Fine Arts - CAN ARTIFICIAL INTELLIGENCE BE CREATIVE?</image:title>
      <image:caption>Figure 10: A ‘net’.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/04-spotlight-sophie-clements</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601728134535-Z7K9GTZVNIB7V0T6OXNU/273545C2-910B-444D-9207-64765C2A8804.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
      <image:caption>Sophie Clements filming for When The Clouds Clear,. Image credit: Jacob D’Silva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601725214981-92GHBXH5TYO3C3UWEP2W/CEA5AE98-6680-40BD-97C9-A63B658A9D83.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
      <image:caption>Shall I This Time Hold You?, 2017. Installation view, Barbican, London 2017 Image credit: Sophie Clements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601724825309-A8UIYFZ4JIJT0OQGVAX6/0D78F8D5-A676-4F7F-B6FA-F970900CC143.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
      <image:caption>There, After. 2011 Installation view, Seoul Museum of Art, South Korea, 2012. Image credit: Sophie Clements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601725102845-M57I5HH3DKZLN21DBT76/15F647FF-EA87-4242-8AEE-51C762E9915E.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
      <image:caption>How We Fall, 2017. Installation view, FNY Festival, Munich, 2017. Image credit: Till Luz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601737131490-4H3GQA7TSQ3X0RSNEUV0/CB198936-FC3B-4C82-8FE3-A5D0BDD9DEAE.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
      <image:caption>There, After. 2011, Process sketchbook examples. Image credit: Sophie Clements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601737243813-TTUO8TT3KV44GS75CWEW/AF1BFA80-3460-4B1C-A68D-384E29F5BC88.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601729096366-2MTD5FJ6QUM2HPX44SE6/A79FE222-0EBF-46B7-AAE1-40C09F80151C.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
      <image:caption>Production shot, filming setup, Manchester, How We Fall, 2017. Image credit: Sophie Clements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601729056338-T02EEF4YRSF37B8WTT4Y/E7D4C311-725F-404C-A3EB-B2AAF06DE2DC.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
      <image:caption>How We Fall, Production shot, sound recording, Manchester, 2017. Image credit: Sophie Clements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601724853210-ZT9XRJ44EG876FDOZ3GX/25C64E3C-7374-469C-AF25-E02AAD41F3C1.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
      <image:caption>There, After. Production shot, filming setup, London, 2011. Image credit: Katja Kulenkamff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601724965069-VGENLFRTZE9S0SH2L8EM/4826F167-CDF0-4BCF-BDCF-077881809D3F.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
      <image:caption>When The Clouds Clear, Performance Still, World Premiere, Mannheim, 2019. Image credit: Sophie Clements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601723837341-3D7E1K5UH76M306B8K8G/076309FA-FDF0-4B91-9D43-540B7B58E91F.jpeg</image:loc>
      <image:title>Visual Fine Arts - 04 SPOTLIGHT: SOPHIE CLEMENTS</image:title>
      <image:caption>Shall I This Time Hold You?, 2017. Image credit: Sophie Clements</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/luke-jerram</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1600186709277-YW04IIUXYE8CVQD00VTZ/D2ADA635-55CD-4588-BF1B-A97F9EEB9FD5.jpeg</image:loc>
      <image:title>Visual Fine Arts - LUKE JERRAM: SUBLIMELY INFORMATIVE</image:title>
      <image:caption>Portrait of the artist with Museum of the Moon. Photo credit: Luke Jerram</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1600185690715-MNJD6FGXGQCN7VDIZC4B/26EE66C9-E61E-4874-92AC-68371598AF5B.jpeg</image:loc>
      <image:title>Visual Fine Arts - LUKE JERRAM: SUBLIMELY INFORMATIVE</image:title>
      <image:caption>Malaria Glass Microbiology Sculpture by Luke Jerram</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1600187622838-A9NB9X9FN3HWYI97FMGS/AA07CB6C-7D1D-4612-921D-D0522F2504E2.jpeg</image:loc>
      <image:title>Visual Fine Arts - LUKE JERRAM: SUBLIMELY INFORMATIVE</image:title>
      <image:caption>HIV Glass Microbiology Sculpture by Luke Jerram</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1600185398718-XVYFK19PUMTS9HX48TIQ/00BF2FAF-0EFB-499D-AF8E-502249839F80.jpeg</image:loc>
      <image:title>Visual Fine Arts - LUKE JERRAM: SUBLIMELY INFORMATIVE</image:title>
      <image:caption>E.coli Glass Microbiology Sculpture by Luke Jerram</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1600187053753-LA9HU3M45E8OE6HJJWW2/B6404217-C335-45B2-841E-A9AD755D7CFD.jpeg</image:loc>
      <image:title>Visual Fine Arts - LUKE JERRAM: SUBLIMELY INFORMATIVE</image:title>
      <image:caption>In Memoriam artwork by Luke Jerram. Photo credit: Sigrid Spinnox</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1600186909386-RKDABRECO88I5BMB1FCC/F9913EA8-B8FB-4882-A473-0817CE21D6BA.jpeg</image:loc>
      <image:title>Visual Fine Arts - LUKE JERRAM: SUBLIMELY INFORMATIVE</image:title>
      <image:caption>Museum of the Moon artwork by Luke Jerram. Photo credit: James Billings</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1600186581660-OYOZ4ISRRAO5GW8GW34T/334DEED0-FDE4-4C3E-B9E7-150AE76A0101.jpeg</image:loc>
      <image:title>Visual Fine Arts - LUKE JERRAM: SUBLIMELY INFORMATIVE</image:title>
      <image:caption>Museum of the Moon artwork by Luke Jerram. Photo credit: Ed Simmons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1600187564183-AAFYR5HNLRD4X0F724U9/83C2FC1B-732D-4233-8443-D60583448C71.jpeg</image:loc>
      <image:title>Visual Fine Arts - LUKE JERRAM: SUBLIMELY INFORMATIVE</image:title>
      <image:caption>Gaia artwork by Luke Jerram. Photo credit: Ben Foster</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1600186218268-JT1E8T7OUXNPEJNUHW7I/E0575337-C986-445A-AC6C-A1F67FBE845C.jpeg</image:loc>
      <image:title>Visual Fine Arts - LUKE JERRAM: SUBLIMELY INFORMATIVE</image:title>
      <image:caption>Mars by Luke Jerram</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1600187664630-8O863GE6O0YSMV7T16SX/DBB42C76-93DA-49E3-8D42-4FC12DA07418.jpeg</image:loc>
      <image:title>Visual Fine Arts - LUKE JERRAM: SUBLIMELY INFORMATIVE</image:title>
      <image:caption>Swine Flu and artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/shuster-and-moseley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1598269264739-GIN30EJ7FMSR9YZUCD67/7EB7BFB4-7F57-4114-AB25-9BBAA099DE75.jpeg</image:loc>
      <image:title>Visual Fine Arts - 03 SPOTLIGHT: SHUSTER + MOSELEY</image:title>
      <image:caption>WHAT MATTERS (THE SCATTERING), 2300 suspended fragments of hand blown glass bubbles, steel, projectors. 13m x 5m x 4m (2017) Photo credit: Matthew Andrews for Artichoke Trust</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1598265771105-J8FY50SA577DZ50XEXMQ/F93417C2-660F-4E2C-BD13-DF1B0CB5E0A7.jpeg</image:loc>
      <image:title>Visual Fine Arts - 03 SPOTLIGHT: SHUSTER + MOSELEY</image:title>
      <image:caption>QUIETUDE: IN-FINITIES, Hand cut glass, steel, LEDs. 5m x 5m (2018) Photo credit: Katharina Kritzler for Arte Luce</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1598268717167-1DRLGQMEGCXO5ZCQEE6A/zeppelin_gallery.jpg</image:loc>
      <image:title>Visual Fine Arts - 03 SPOTLIGHT: SHUSTER + MOSELEY</image:title>
      <image:caption>ZEPPELIN, Suspended hand blown glass, steel (2017) Image credit: Shuster + Moseley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1598268666686-KZSWVDBGJO5YL91FWM32/_09A7391.jpg</image:loc>
      <image:title>Visual Fine Arts - 03 SPOTLIGHT: SHUSTER + MOSELEY</image:title>
      <image:caption>LIVING LIGHT, Hand blown glass, steel, LED. 200m x 150m x 130m (2020) Photo credit: Vineet Johri for MtArt Agency</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1598273772850-SJBMRD4QGS470OHDWRBO/7BCCA427-C008-4604-95B3-EFEE3350C110.jpeg</image:loc>
      <image:title>Visual Fine Arts - 03 SPOTLIGHT: SHUSTER + MOSELEY</image:title>
      <image:caption>HORIZON OF DAY AND NIGHT, Glass, optical filters, steel, 9 x 150-200cm x 40-50cm x 30-40cm (2020) Photo credit: Roman Scott for MtArt Agency</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1598269353144-I12JL3NJ8KSJCC8K28ZG/B75792A1-F403-414C-983F-AAB568C52F1F.jpeg</image:loc>
      <image:title>Visual Fine Arts - 03 SPOTLIGHT: SHUSTER + MOSELEY</image:title>
      <image:caption>WHAT MATTERS (THE SCATTERING) 2017 Photo credit: Matthew Andrews for Artichoke Trust</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1598269161857-POWJYPG3YNPE2IA01V2E/EE27B24C-1270-4D07-B994-AB36D4BF449F.jpeg</image:loc>
      <image:title>Visual Fine Arts - 03 SPOTLIGHT: SHUSTER + MOSELEY</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1598269131768-EEZP488FXAA7G2QV6XJ4/93531A29-A839-4579-AA1D-712EEF5A3460.jpeg</image:loc>
      <image:title>Visual Fine Arts - 03 SPOTLIGHT: SHUSTER + MOSELEY</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1598268530201-08S2GIMMSUMNPMO87FUV/Microcosmos_Schematic.jpg</image:loc>
      <image:title>Visual Fine Arts - 03 SPOTLIGHT: SHUSTER + MOSELEY</image:title>
      <image:caption>MICROCOSMOS, Virtual environment (2019) Image credit: Shuster + Moseley</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/art-ai-cueva-gallery-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1593193292389-7A2QXNUJVSH8URF6AUM3/Turquoise_2019%E2%80%8B_+diavlex.jpg</image:loc>
      <image:title>Visual Fine Arts - ART + AI: CUEVA GALLERY</image:title>
      <image:caption>Turquoise, from the ‘Ixchel’ collection by diavlex</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1593197142980-IY3TIOEOZ2JSBD5WPQQB/Chucho_2019_diavlex.jpg</image:loc>
      <image:title>Visual Fine Arts - ART + AI: CUEVA GALLERY</image:title>
      <image:caption>Chucho, from the ‘Dia de los Muertos’ collection by diavlex, 2019</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1593195954044-WK9J4R25BBSQKMUB25J4/The_Big_Flock_of_Electric_Sheep_2019_diavlex.jpg</image:loc>
      <image:title>Visual Fine Arts - ART + AI: CUEVA GALLERY</image:title>
      <image:caption>Big Flock of Electric Sheep, from the ‘Dreaming of Electric Sheep’ collection by diavlex</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1593196265548-TNWO8TWZPZ5LTICZTRFP/I_see_you_2019_diavlex.jpg</image:loc>
      <image:title>Visual Fine Arts - ART + AI: CUEVA GALLERY</image:title>
      <image:caption>I See You, from the ‘Residual’ collection by diavlex, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1593197256914-T9ELO7W3VBS8716QALGJ/Happyness_2019_diavlex.jpg</image:loc>
      <image:title>Visual Fine Arts - ART + AI: CUEVA GALLERY</image:title>
      <image:caption>Happyness, from the ‘Ixchel’ collection by diavlex</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/visual-fine-art/generative-art-freedom-to-explore</loc>
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    <priority>0.5</priority>
    <lastmod>2020-06-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1586433462023-TX2YIE5OERBJ5P9LJ4E2/35FEB452-6ABB-4612-A33B-4CB53A170211.jpeg</image:loc>
      <image:title>Visual Fine Arts - GENERATIVE ART: A FREEDOM TO EXPLORE</image:title>
      <image:caption>Bas Relief Cellular Form (detail), Andy Lomas 2017</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1586434994615-NZZ2YUDO0TI41WA5ZP1D/56A91946-226C-4F33-9698-2BEEB0F6B93D.jpeg</image:loc>
      <image:title>Visual Fine Arts - GENERATIVE ART: A FREEDOM TO EXPLORE</image:title>
      <image:caption>Mutant Vase Forms, Andy Lomas 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1586435615114-C56HDBOL7UVBBIMMKMZR/6100ABD7-BCA3-459D-AF1C-291A368081E9.jpeg</image:loc>
      <image:title>Visual Fine Arts - GENERATIVE ART: A FREEDOM TO EXPLORE</image:title>
      <image:caption>Five Vase Forms, Andy Lomas 2018</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1586436390366-HOB0CFZ49UBYKWQFUBV9/0F0A5FDB-D086-41BE-A632-32A7B2D17B57.jpeg</image:loc>
      <image:title>Visual Fine Arts - GENERATIVE ART: A FREEDOM TO EXPLORE</image:title>
      <image:caption>Mycelium Vase Form, Andy Lomas &amp; Blast Studio 2020</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1586521274286-LMU3A72DM2P2D4X1H6TB/6B6EF244-3F91-4734-AB33-580A91111335.jpeg</image:loc>
      <image:title>Visual Fine Arts - GENERATIVE ART: A FREEDOM TO EXPLORE - ‘This is me, doing what I what I like doing. The art context is a good discipline to work in. It's fun, it’s interesting, it's nice getting out there in exhibitions… It’s not real science in some ways, but it does have a science-like approach. There's a freedom to explore wherever you want to explore.’</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/seisma-soundbites</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1588673346533-MDHP07TP2J62L4TNQSU4/hrayr-movsisyan-pfhld_5yQrs-unsplash.jpg</image:loc>
      <image:title>Seisma Soundbites</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1593170608766-YUJI4SHYIP9D30XR5CY9/266C59C3-8585-41D0-9AB6-1CF2F2B74404.jpeg</image:loc>
      <image:title>Seisma Soundbites</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1585757492481-V42Q48V908VHYZVZ24JH/437EF08D-558B-40B3-B352-1A90A16144A4.jpg</image:loc>
      <image:title>Seisma Soundbites</image:title>
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  </url>
  <url>
    <loc>https://seismamag.com/spotlight</loc>
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    <priority>0.75</priority>
    <lastmod>2025-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1671113203180-ZEUOBH5F974SSHWH50W2/IMG_2113.JPG</image:loc>
      <image:title>Spotlight - Spotlight. Scene Illumination.</image:title>
      <image:caption>Spotlight. Scene Illumination. Light Effect.</image:caption>
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      <image:title>Spotlight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9c4d0283-0c8e-4d85-b149-f8ce82ca7aab/9F54A167-8797-4BCD-BC83-C8FB129B1ECC.jpeg</image:loc>
      <image:title>Spotlight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/78353268-e9cb-4914-b669-244e001dbbf5/8B014A02-13F9-4DBF-B086-BE1F661F340D.jpeg</image:loc>
      <image:title>Spotlight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643829422064-G1AJVACDZZ66JQW9245P/96646152-3813-4D89-9B3B-F08021BB9E8B.jpeg</image:loc>
      <image:title>Spotlight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1643830054571-M4QDGUTXLTNC6HGAGA72/F0AA88C8-A97B-44E0-818A-DEC7AAD36EA1.png</image:loc>
      <image:title>Spotlight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615648311494-7YYUOXHE3KCEHFUXTGG1/658441CF-91BE-4CE4-A3F5-A04DA59BD778.jpg</image:loc>
      <image:title>Spotlight</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1612641982697-SXXBUKBIFKR1I0DZ2MW2/FF012A0E-33BB-4B8E-B460-491E9CBBB39D.jpg</image:loc>
      <image:title>Spotlight</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1608730678430-J1A87HLYWR41IUA4TVP3/F5C1B2C5-9FDA-413E-A473-FF4C9B280B59.jpg</image:loc>
      <image:title>Spotlight</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1604415467784-WPJ7A6J6GF49AXWQJFKX/2F2A56AF-1D2C-4D18-A816-160432C7EFBF.jpg</image:loc>
      <image:title>Spotlight</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601907837506-49U3YVVZ0X0MR4GH6TP2/D5933ED1-1F03-4656-A9A4-F70A805FB53B.jpeg</image:loc>
      <image:title>Spotlight</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1598279440056-G2CNDBMDK6SLQEJOU8F1/Shuster+%2B+Moseley</image:loc>
      <image:title>Spotlight</image:title>
      <image:caption>Shuster + Mosely</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1592583859010-10VV5BCPPLL8KJPM7VL7/202006_CA_BompasParr-Aerogel_credit_Bompas_%2526_Parr.jpg</image:loc>
      <image:title>Spotlight</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1587070487836-2IG239KNSEW8IGZC0TL3/202004_B_MichelleCurrie-headshot.jpg</image:loc>
      <image:title>Spotlight</image:title>
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  </url>
  <url>
    <loc>https://seismamag.com/inside-the-mind</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1591118677062-THW13302ACWUTU7OVN7I/irina-iriser-dxk6tMxNkJY-unsplash.jpg</image:loc>
      <image:title>Inside the Mind</image:title>
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  </url>
  <url>
    <loc>https://seismamag.com/inside-the-mind/07-ellie-pritts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c4c891e5-e0d0-4044-a17e-556f5ce656cb/bitforms+gallery_in+the+screen+i+am+everything+2023_2.jpg</image:loc>
      <image:title>Inside the Mind - 07 INSIDE THE MIND: ELLIE PRITTS - Make it stand out</image:title>
      <image:caption>Exhibition image from Pritts’s solo show, ‘In The Screen I Am Everything’ at bitforms gallery NYC in 2023. Photo by bitforms gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/763b2b3d-91f3-4adb-91a1-b5f41d9459b1/ellie_froge_july_10+copy.jpg</image:loc>
      <image:title>Inside the Mind - 07 INSIDE THE MIND: ELLIE PRITTS - Make it stand out</image:title>
      <image:caption>Froge (2024) by Ellie Pritts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/b980c76b-3738-4173-8aa8-128c86d2e560/Photo-Charles_White-jwpictures.com-0X9A8801+2.jpg</image:loc>
      <image:title>Inside the Mind - 07 INSIDE THE MIND: ELLIE PRITTS - Make it stand out</image:title>
      <image:caption>Exhibition image from Interreality, Los Angeles in 2023. Video artwork and giclee print by Ellie Pritts. Photograph by Charles White.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d4f88930-5470-4ccf-88b7-9183dedbb078/absolute+union.jpg</image:loc>
      <image:title>Inside the Mind - 07 INSIDE THE MIND: ELLIE PRITTS - Make it stand out</image:title>
      <image:caption>Absolute Union (2023) by Ellie Pritts, 300 x 168 cm AirTex print.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2c9b442b-4091-4b68-9d3c-d0cd06f25fa9/Chance.jpg</image:loc>
      <image:title>Inside the Mind - 07 INSIDE THE MIND: ELLIE PRITTS</image:title>
      <image:caption>Chance by Ellie Pritts, shown at her solo exhibition ‘Calderúnicae’ at Kunstverein Ludwigsburg Museum in 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1fc97fb0-e538-42a3-a6be-25c82507b826/_macro+articulations.jpg</image:loc>
      <image:title>Inside the Mind - 07 INSIDE THE MIND: ELLIE PRITTS - Make it stand out</image:title>
      <image:caption>Macro Articulations I by Ellie Pritts, shown at her solo exhibition ‘Calderúnicae’ at Kunstverein Ludwigsburg Museum in 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/28526032-23ec-4432-a711-fa76e9680ab0/Credit+Camille+Blake+-+IG+at+camille_blake+-+103.jpg</image:loc>
      <image:title>Inside the Mind - 07 INSIDE THE MIND: ELLIE PRITTS - Make it stand out</image:title>
      <image:caption>Reverse Zoology Series by Ellie Pritts on exhibition at Kraftwerk Berlin, Bright Moments in 2022. Photograph by Camille Blake.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/19a63e19-a5dc-4de9-b72d-8d494205722d/ellie_calder.jpg</image:loc>
      <image:title>Inside the Mind - 07 INSIDE THE MIND: ELLIE PRITTS - Make it stand out</image:title>
      <image:caption>Self portrait by Ellie Pritts at her solo exhibition ‘Calderúnicae’ at Kunstverein Ludwigsburg Museum in 2023. Photograph by Ellie Pritts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/inside-the-mind/norah-zuniga-shaw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4c738713-8ca4-40cc-99d4-a1251e3b4942/NZSSyncOanimated.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Animated expression of choreographic structures in the ballet One Flat Thing, reproduced, part of Synchronous Objects created by William Forsythe, Maria Palazzi, and Norah Zuniga Shaw (2009). Synchronous Objects is a screen-based interactive media installation which is published online, originally in Flash (now available as archive site at synchronousobjects.osu.edu), and which toured internationally to museums as a media installation to venues including Centre Pompidou and Wexner Center for the Arts. Image above taken in 2012.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6815188f-7183-4955-8e57-0ad09ebc3311/NZS_SyncObjectsCues.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Cue animations from Synchronous Objects created by William Forsythe, Maria Palazzi, and Norah Zuniga Shaw (2009). Synchronous Objects is a screen-based interactive media installation, published online, originally in Flash (now available as archive site at synchronousobjects.osu.edu), and toured internationally to museums as a media installation to venues including Centre Pompidou and Wexner Center for the Arts. The video image capture above was taken in 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/85c41260-e3f4-424d-965a-957e41c5eb1c/NZS_PerformancePic2019_SMM.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Image of Norah Zuniga Shaw improvising in December 2019. Photography by Seth Moses Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/a1da45de-3a56-46ca-948c-dfba0e51542a/UPWELLING3upAndre.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Video still from Upwelling (2022). Performer Andre M. Zachery.. Animator Taylor Olsen. Director Norah Zuniga Shaw. Single channel video loop 14 min. Premiered in the Wexner Center for the Arts, The Box video gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/60833bb7-5d04-4fe7-9f00-7920a728d913/IMG_5901.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Video still from Upwelling (2022). Performer Gabri Christa. Animator Taylor Olsen. Director Norah Zuniga Shaw. Single channel video loop 14 min. Premiered in the Wexner Center for the Arts, The Box video gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2fc0eaf3-d9c9-4b94-8340-1bf307cf8e58/NZS_SyncOAlign.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Video image capture of alignment animations from Synchronous Objects created by William Forsythe, Maria Palazzi, and Norah Zuniga Shaw (2009). Synchronous Objects is a screen-based interactive media installation, which was published online, originally in Flash (now available as archive site at synchronousobjects.osu.edu), and which toured internationally to museums as a media installation to venues including Centre Pompidou and Wexner Center for the Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/38b873fc-fea1-4f3d-a101-3238c8256e76/NZS_SyncO_FullDATA.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Data visualization of full choreographic score of the ballet, One Flat Thing, reproduced. From Synchronous Objects created by William Forsythe, Maria Palazzi, and Norah Zuniga Shaw (2009).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/80f25347-0fe0-42e4-9833-f0b883f638dc/NZS_SyncOaudience.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Gallery visitors exploring data visualizations and interactive video interface from Synchronous Objects created by William Forsythe, Maria Palazzi, and Norah Zuniga Shaw (2009). Synchronous Objects is a screen-based interactive media installation published online and as an installation in museums and galleries. The image above was taken from an installation in the Wyoming Gallery by the Goethe Institute in 2012. Photography by Wyoming Gallery, NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/298b3351-7e14-498f-9e9d-7a9637ccf828/OasisNapAudienceInteract.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>OASIS developing through residencies at Wexner Center for the Arts and Movement Lab, Barnard College, NYC (November 2022). Photo by Guy DeLancey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/60b18316-3fc5-4e0a-bf03-51de43450b82/NZS_OasisSingers.png</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>OASIS Singers — from the creation period / artistic residency at The Wexner Center for the Arts in March 2022. Performers Byron Au Yong, Kathryn Nusa Logan, Norah Zuniga Shaw. Photo by Seth Moses Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2b7f8e1e-d668-4855-835d-d0cb3a07c478/NZS_OasisByronAuYong.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>OASIS performer Byron Au Yong. Image from creation period / artistic residency at The Wexner Center for the Arts in March 2022. Photography by Seth Moses Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ae6956c4-f4b2-4d57-8dda-71d9bdb6cc3b/NZS_ClimateBansheeSMM.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Norah Zuniga Shaw performing the Climate Banshee in December 2019. The Climate Banshee is an ongoing series of performance included in Climate Gathering transmedia performance rituals and as a social media installation on IG @climatebanshee. Photography by Seth Moses Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/8f755a88-2742-460a-8119-b55e59abddb7/ClimateGathaudienceinteraction.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Climate Gathering participatory performance installation at the Movement Lab, NYC (January 2020). Performer Byron Au Yong with audience members creating sound together processed live by Fede Camara Halac. Photo by Guy DeLancey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1af034eb-7f58-4a24-b8c7-5868ba218472/ClimateGatheringNYCallthree.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Climate Gathering participatory performance installation at the Movement Lab, NYC (January 2020). Performers Norah Zuniga Shaw, Laura Rodriguez, Tara Burns, and audience members. Photo by Guy DeLancey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ad903e84-dd89-4749-b71f-fad6ca1254dc/NZSBioPic.jpg</image:loc>
      <image:title>Inside the Mind - 06 INSIDE THE MIND: NORAH ZUNIGA SHAW</image:title>
      <image:caption>Portrait of Norah Zuniga Shaw in 2018. Photography by Jessica Cavender.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/inside-the-mind/taline-temizian</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/fdefea28-d14e-4194-a88f-3160db3b5ee4/0F0E95E9-F80C-4385-9581-131600363A93.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>WE ONLY KNOW IN THEORY/ WHAT WE ARE DOING, 2022, Felix Ringel Gallery, Dusseldorf, Germany, part of solo show ‘We Only Know In Theory What We Are Doing,  curated by Azad Asifovich, Algorithm-edited single channel film installation in collaboration with studio Max Seeger, scores by Sven Helbig. Photo Credits: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/633a4d22-a29b-4baa-a04b-83ab31122a3f/35E8DC4A-9031-4FEC-9D4D-1610DB039951.png</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>WE ONLY KNOW IN THEORY/WHAT WE ARE DOING, 2022, Felix Ringel Gallery, Dusseldorf, Germany, part of solo show ‘We Only Know In Theory What We Are Doing,  curated by Azad Asifovich, Algorithm-edited single channel film installation in collaboration with studio Max Seeger. Sound by Sven Helbig Photo Credits: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9b9d26c5-db5b-4378-a517-0aacbeda8379/254FAADE-0BD4-4CED-A7BE-9571D99D47FC.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>WE ONLY KNOW IN THEORY/WHAT WE ARE DOING, 2022, Felix Ringel Gallery, Dusseldorf, Germany, part of solo show ‘We Only Know In Theory What We Are Doing,  curated by Azad Asifovich, Algorithm-edited single channel film installation in collaboration with studio Max Seeger, scores by Sven Helbig. Photo Credits: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f3397e9e-d3ce-4080-9e16-691be07cdfaf/DA3DB342-C0CF-4FF7-A1FC-E8E7B0383699.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>The Artist Is No Longer Present, photo from the second and main performance night with Sven Helbig, 2022, Felix Ringel Gallery, Düsseldorf. Photo credit: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/aca9e0ea-c51e-469f-9b93-5a1173324b40/8811F3A0-C1A3-4CDF-8070-A8A58587181D.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>Installation view during the night of the performance with Sven Helbig, The Artist Is No Longer Present, 2022, Felix Ringel Gallery, Düsseldorf. Photo credit: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c41b663c-3848-402e-bc62-aa3763a77d1d/D68FF53F-AAE9-45B6-9553-1D33FA6AAE50.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>WE ONLY KNOW IN THEORY / WHAT WE ARE DOING, 2022, Felix Ringel Gallery, Dusseldorf, Germany, part of solo show ‘We Only Know In Theory What We Are Doing, curated by Azad Asifovich, AI-edited single channel film installation in collaboration with studio Max Seeger, scores Sven Helbig. Photo Credits: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/118a1703-1013-4cd8-a970-e4b4a647e9da/9C661A65-F15A-4394-B2C1-1B28BD84200C.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>Pavilions of Memory, 2018, CCA Montreal, BOZAR ‘I Love Science’. Photo credit: Printemps Numerique, courtesy Gluon Brussels, Bozar Lab, and Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/18130efb-c2e1-466e-a5f5-42996e35ea8a/CED3E76A-2D8A-4C53-A50B-7543130440D9.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>Pavilions of Memory – Neon Monitor, 2018, CCA Montreal, BOZAR ‘I Love Science’. Photo credit: Printemps Numerique, courtesy Gluon Brussels, Bozar Lab, and Studio Taline Temizian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/3cb93f9a-f487-45b8-9307-5f11fa25cc03/3A71EF87-D6E1-4A74-8210-0FDE547ABAD7.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>Pavilions of Memory – Prince Scene, 2018, CCA Montreal, BOZAR ‘I Love Science’. Photo credit: Printemps Numerique, courtesy Gluon Brussels, Bozar Lab, and Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/57f7e4cd-5d2d-4db0-adf5-35fd4558db28/01E6AE17-3A18-4EDD-B8C2-C97BF408107E.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>Textured Merged Networks, 2016. Photo Credit: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1674726278644-8N7VKKMCNA8KZ67IOMQV/Textured+MErged+Networks-%28Artefact1%29-SideA-Taline_Temizian.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Textured Merged Networks - Side A, 2016. Kinetic sculpture, 125 × 120 × 56cm, base 100 x 100 x 100 cm, light box, and a specially designed travel case. Photo credit: Lewis Ronald – Plastiques.art</image:title>
      <image:caption>Kinetic sculpture, 125 × 120 × 56cm, base 100 x 100 x 100 cm, light box, and a specially designed travel case. Photo credit: Lewis Ronald – Plastiques.art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1674726283086-FC0RV4TQ3NQFQOM50FGW/Kinetic-Back-Full+View-Saatchi-Start.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Textured Merged Networks - Side B, 2016. Kinetic sculpture, 125 × 120 × 56cm, base 100 x 100 x 100 cm, light box, and a specially designed travel case. Photo credit: Lewis Ronald – Plastiques.art.</image:title>
      <image:caption>Kinetic sculpture, 125 × 120 × 56cm, base 100 x 100 x 100 cm, light box, and a specially designed travel case. Photo credit: Lewis Ronald – Plastiques.art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1541e528-0e59-4912-a4f8-d5a902035758/A1CC8D94-6406-4C7E-A478-B791C4D180A9.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>Imaginative Memory Backdrops, 2018 – ongoing/future projects. Photo Credit: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/18bfe9af-1aa9-446b-8b81-5b935a537b33/934D2653-C4A4-456D-BED2-1CA1AA52AB42.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>Imaginative Memory Backdrops, 2018 – ongoing/future projects. Photo Credit: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2faa2017-65ee-42d0-8f8b-35e81a44ae2b/A7F77756-239E-4751-B9FB-18EAFA80F832.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>The Game &amp; The Acrobat, 2016, ongoing (unrealised) research and digital performance project. Image credit: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f0c6732e-6e06-451a-aebe-cf49bfb0204e/CC3B40D5-DB6E-4FEB-A1CA-CB87128B3998.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>Super-Computer Map Brain Concept (The Game &amp; The Acrobat), 2016. Image credit: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e7b4a8f0-12bb-4b0d-9f76-5d373d21f09a/BD6055C6-FED2-4DE8-B883-75F00FFAC5DB.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>Past Tomorrows Project Presentation (still) – Concept development ©️ Taline Temizian x Max Seeger. CGI by Max Seeger. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1674727217148-HVUD2HVBVWYW893NP3EW/WOW+VENICE.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Project WOW, 2022, Hybrid Tower, Mestre, Venice Biennale. Photo credit: Rinaldo Vittorio and Studio Taline Temizian.</image:title>
      <image:caption>Project WOW, 2022, Hybrid Tower, Mestre, Venice Biennale. Photo credit: Rinaldo Vittorio and Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1674727229716-U4UEY93G66SUUJTT6F7F/3.png</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Project WOW, 2022. Photo credit: Rinaldo Vittorio and Studio Taline Temizian.</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1674726647368-Q916X5VN62GGWTI68Q5L/taline_duesseldorf_edited_1.1.30.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - WE ONLY KNOW IN THEORY/WHAT WE ARE DOING, 2022, Felix Ringel Gallery, Dusseldorf, Germany.</image:title>
      <image:caption>Part of solo show ‘We Only Know In Theory What We Are Doing’, curated by Azad Asifovich. Algorithm-edited single channel film installation, collaboration with studio Max Seeger. Photos: Studio Taline Temizian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1674726639972-AXK9ELLEIYJNMAZI1G3B/AI+edited+film+-+still+vvvv.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1674726643087-5Q0U9X4CNW7DDB4WJ1KL/taline_duesseldorf_edited_1.1.98.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/aa39bafa-929b-4f7c-94fd-0cd7218211bb/F44974F8-6CCD-4364-B41C-FDE9677AB813.jpeg</image:loc>
      <image:title>Inside the Mind - 05 INSIDE THE MIND: TALINE TEMIZIAN - Make it stand out</image:title>
      <image:caption>WE ONLY KNOW IN THEORY/WHAT WE ARE DOING, 2022, Felix Ringel Gallery, Dusseldorf, Germany, part of solo show ‘We Only Know In Theory What We Are Doing,  curated by Azad Asifovich, Algorithm-edited single channel film installation in collaboration with studio Max Seeger, scores by Sven Helbig. Photo Credits: Studio Taline Temizian.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/inside-the-mind/paul-armstrong</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1655156036445-SAR0RB5KOCGDJ3B4IS4K/3BDC0C66-EA28-43AE-B556-8D02BEF9122C.jpeg</image:loc>
      <image:title>Inside the Mind - 04 INSIDE THE MIND: PAUL ARMSTRONG - Make it stand out</image:title>
      <image:caption>Paul B Armstrong lecturing on neuroscience and narrative, Oslo, 2011.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1655386589772-W7003A0WYNXSQ1LEP64S/F3830474-24AA-4B2C-952D-F82BCE015354.jpeg</image:loc>
      <image:title>Inside the Mind - 04 INSIDE THE MIND: PAUL ARMSTRONG - Make it stand out</image:title>
      <image:caption>Cover of How Literature Plays with the Brain, 2013. Photo by Julie Burris © Julie Burris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1655242666380-Z6BH834YA3KXD55S96MY/76DB4DEB-6F08-4C9F-9907-BA7C05824A3C.jpeg</image:loc>
      <image:title>Inside the Mind - 04 INSIDE THE MIND: PAUL ARMSTRONG - Make it stand out</image:title>
      <image:caption>Cover of Stories and the Brain, 2020. Photo by Jennifer Corr Paulson © Jennifer Corr Paulson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1655383799863-OTU2DPHH42BRSYDSATYY/5BB4C947-25EA-491A-BF8E-7B9F7F4C16EB.jpeg</image:loc>
      <image:title>Inside the Mind - 04 INSIDE THE MIND: PAUL ARMSTRONG - Make it stand out</image:title>
      <image:caption>Is it a rabbit or a duck?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1655242848568-R17Y504OR7SBM6F1WOKJ/16DFE237-241E-4A64-9930-54DD01EFE290.jpeg</image:loc>
      <image:title>Inside the Mind - 04 INSIDE THE MIND: PAUL ARMSTRONG - Make it stand out</image:title>
      <image:caption>Paul B Armstrong, 2015. Photo by Beverly Haviland © Beverly Haviland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1655242631544-PPV4DISUI70W4RPPWOO1/CCAE46DE-6354-41D8-B6CC-8693057D62B8.jpeg</image:loc>
      <image:title>Inside the Mind - 04 INSIDE THE MIND: PAUL ARMSTRONG - Make it stand out</image:title>
      <image:caption>Cover of The Phenomenology of Henry James, 1983.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1655386868452-BXIOWG4KQIFFH4SHL54L/6B172062-82B1-4A54-A7B9-3F29A8D0F6E7.jpeg</image:loc>
      <image:title>Inside the Mind - 04 INSIDE THE MIND: PAUL ARMSTRONG - Make it stand out</image:title>
      <image:caption>Cover of Play and the Politics of Reading, 2005. Photo by Scott Levine © Scott Levine.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/inside-the-mind/03-inside-the-mind-vass</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1624993118518-2G2TIOU8H96GTQ1PIIMO/A5555737-8988-48CD-8506-2AFD394B9543.jpeg</image:loc>
      <image:title>Inside the Mind - 03 INSIDE THE MIND: FREYA VASS - Make it stand out</image:title>
      <image:caption>Freya Vass and William Forsythe on the set of The Defenders (2007). Image credit: Dominik Mentzos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1624995843057-RRK0XBIR3G3YQILZZH7O/6261DB13-9517-4FEA-B079-F3A7EE26AC76.jpeg</image:loc>
      <image:title>Inside the Mind - 03 INSIDE THE MIND: FREYA VASS - Make it stand out</image:title>
      <image:caption>Yes We Can’t, William Forsythe (2008). Image credit: Dominik Mentzos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1624995910111-OIHAH6BIWQC5I0HFG7XR/60C4C7C9-5A7D-4303-8D0F-6224BAC6F876.jpeg</image:loc>
      <image:title>Inside the Mind - 03 INSIDE THE MIND: FREYA VASS - Make it stand out</image:title>
      <image:caption>Yes We Can’t, William Forsythe (2008). Image credit: Dominik Mentzos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1624995788250-XIII3BT03LRWLW6HH5HO/CAA9B911-4388-42A0-B0E9-9B1C63F806AD.jpeg</image:loc>
      <image:title>Inside the Mind - 03 INSIDE THE MIND: FREYA VASS - Make it stand out</image:title>
      <image:caption>I don’t believe in outer space, William Forsythe (2008) Image credit: Dominik Mentzos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1624995184513-BQX1DPMXW4XS1HAQ6DWO/CCBC2727-14AD-44A8-BC91-A9C623AD3259.jpeg</image:loc>
      <image:title>Inside the Mind - 03 INSIDE THE MIND: FREYA VASS - Make it stand out</image:title>
      <image:caption>I don’t believe in outer space, William Forsythe (2008) Image credit: Dominik Mentzos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1624993203606-H6AT5UU9GCR1YC8THVDH/FCD641F6-1E7B-4AE0-94A4-367AE6213AAB.jpeg</image:loc>
      <image:title>Inside the Mind - 03 INSIDE THE MIND: FREYA VASS - Make it stand out</image:title>
      <image:caption>Yes We Can’t, William Forsythe (2008). Image credit: Dominik Mentzos</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/inside-the-mind/02-inside-the-mind-uli-ap</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609889159429-RH7ILY3ODJX5E81X4O3P/81142C85-E7C6-48C3-8F89-4CA74B95CB13.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Alien Artificial Intelligence, 2020. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609955507685-FHRJUAZSLZUFST2NJEOF/70C18DA5-BC67-4B9B-9B6A-664D559E34FE.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Red Salt Bath, 2014. Work includes text from papers by Joseph E LeDoux: ‘The Slippery Slope of Fear’, Trends in Cognitive Sciences April 2013, Vol. 17, No. 4. and ‘Coming to Terms with Fear’, January 9, 2014, PNAS | February 25, 2014 | vol. 111 | no. 8 | 2871–2878. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609956935929-8VWM5EH2K5NS6YI4XPJV/03150AC1-2C07-47E2-8A9D-A201ADFB4F6C.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Staircase, 2013. Staircase, monofilament. Interactive Installation. Spaces changes itself as you move. View towards the sky. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609955633828-5BHND6MKRV2H214VT1AJ/E1C6FE02-BC7B-4A6D-B5D6-8C17B7CFCFAE.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Staircase, 2013. Staircase, monofilament. Interactive Installation. Spaces changes itself as you move. Detail. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609955481024-EL238RUB02NJDKX7DXMC/46D451B7-7A59-4247-BF40-734E62D13D2E.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Talk to Me, 2013. Five-room immersive environment. Aluminium insulating foil, blue fluorescent lights, windows, space, two-way mirrors. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609955560753-OQ9K93L76Y450MGLG6U4/9127E50A-2586-4F14-9101-D2C4D9FA1A0D.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Talk to Me, 2013. Five-room immersive environment. Aluminium insulating foil, blue fluorescent lights, windows, space. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609955608595-YVAT232990UALT9U68F1/DB5677C8-C001-4F9E-AA8C-653274F57EEF.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>White Light inside the White Cube, Art Licks Weekend, 2015. Live 3-Day Performance inside the immersive disorienting installation White Cube during the Art Licks weekend, 2015. Multichannel video installation with thirteen episodes. Image description: Episode 1: Fear. The cReature in the embryo pose. Hugging. The space is brightly lit so that you feel neither its borders nor its presence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609956888566-QQRA512XE8HIH1JG1GFV/036A0242-EEF7-4991-9AF6-6F2625FBD45A.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Artificial Intelligence of Virtual Reality, Ambika P3, 2019. Two-channel video projection of That Side Where Real Is at Crypt@St Marks’. St Marks’ Church, Kennington. Human element enters alienated space of the cReature. Installation view at the room adjacent to the main floor. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609959885230-85IIOIC4BDKVZ1G5JXFG/50894753-1CA1-4641-96A3-8EBFF541F5CB.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Artificial Intelligence of Virtual Reality, Ambika P3, 2019. Solo exhibition in partnership with The University of Westminster. And London Festival of Architecture. Installation view on the main floor. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609956856022-SU2P0BLRB1A2TQ8XDG6F/302751B8-6594-409E-8025-41D8A008EBDB.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Artificial Intelligence of Virtual Reality, Ambika P3, 2019. Solo exhibition in partnership with The University of Westminster. And London Festival of Architecture. A participant’s interaction with Anti-Gravity Reality: Inside the Black Cube or Brain AI. Installation view on the mezzanine floor Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609955587333-QJFZ2DC3TTP7VOC2ICO2/0C87DC9F-21DD-46BC-A33C-07ED45318F2B.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Anti-Gravity Reality: Inside the Black Cube or Brain AI, 2018. Inside VR. Interventions. Living AI organism consumes human emotions. (anxiety) in order to acquire feeling and construct spaces in physical and virtual domains. Participants create their highly individualised experiences with their own brains. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609889131240-LCW5YWIDMEM0251XP4R0/8B46BF9B-C2F1-4D46-83DA-3E5DC9ED79C5.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Anti-Gravity Reality: Inside the Black Cube or Brain AI, 2018. Inside VR. Interventions. Living AI organism consumes human emotions. (anxiety) in order to acquire feeling and construct spaces in physical and virtual domains. Participants create their highly individualised experiences with their own brains. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609888963640-4U7UAWC7511CAQ6VDY8J/95C63162-4E26-4FE5-9A7D-557E3E7CB950.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Anti-Gravity Reality: Inside the Black Cube or Brain AI, 2018. Inside VR. Interventions. Living AI organism consumes human emotions. (anxiety) in order to acquire feeling and construct spaces in physical and virtual domains. Participants create their highly individualised experiences with their own brains. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609956969852-XI2W4T9X95SQA4KKPDCU/3B8886FE-90E5-469F-A91D-545ACA7434CB.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Anti-Gravity Reality: Inside the Black Cube or Brain AI, 2018. Post-human. Image credit: Uli Ap</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1609956987541-O18579IDN44XJXIC2Q3R/C1A98773-A8C5-4B5E-AEA7-AB6A180690E2.jpeg</image:loc>
      <image:title>Inside the Mind - 02 INSIDE THE MIND: ULI AP</image:title>
      <image:caption>Oxford Street Alienation, 2020. Live Performance. Image credit: Uli Ap</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/inside-the-mind/conversation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1590160731329-2DCM8OAGNJ8UDFK714GW/95E09183-5876-4302-9F80-34FB7986050F.jpeg</image:loc>
      <image:title>Inside the Mind - 01 INSIDE THE MIND: RODRIGO QUIAN QUIROGA</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/culinary-arts</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1592492128889-10BXW56HDXFNZ1CB2S7J/BLACKBAR.png</image:loc>
      <image:title>Culinary Arts</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/culinary-arts/cooking-with-magic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c4ef0628-5f5e-4f10-b0cd-dc8e3532ef93/AdobeStock_556310826.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c9059dbc-3525-4ece-9d66-33747b9136f4/AdobeStock_405943981.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Dried Psilocybin Mushrooms</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/46403927-77c3-422a-ad28-722daf50827b/AdobeStock_402048123.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Molecular structure of psilocin, the active hallucinogenic chemical in magic mushrooms.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ab952c29-4c21-42ed-a67b-d443fbcb5868/AdobeStock_403058539.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Molecular structure of psilocybin, the hallucinogenic chemical in magic mushrooms.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/dc8e3b26-03b1-4fee-9f1c-b4b3a4be1d81/167AF8CC-BB19-420B-891B-B204FFA528A1.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Powdered psilocybin mushrooms</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d4ebcb7b-35f5-469f-8756-fdf9ccf5b995/AdobeStock_397514078.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Tea made with powdered psilocybin mushrooms</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/05882cca-b111-4d31-9a4c-9d07db45203b/AdobeStock_343761047.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Weighing out dried psilocybin mushrooms</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e886dd69-6539-4633-9dce-0e219816bfef/A4EC935A-0017-4105-8345-062092E41428.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Dried psilocybin mushrooms in the laboratory</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ab7163b7-af58-48d1-918b-562a51af986c/AdobeStock_51643870.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Psilocybin mushrooms under a microscope</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5275d1ae-594f-4185-a9e1-e9ef63955a97/AdobeStock_180317165.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Kombu Dashi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c765dff5-0250-45e0-99ba-3e1750435461/AdobeStock_248833271.jpeg</image:loc>
      <image:title>Culinary Arts - COOKING WITH MAGIC - Make it stand out</image:title>
      <image:caption>Ginger (powder, crystalline, sliced, whole).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/culinary-arts/08-spotlight-tereza-stehlikova</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615632767636-V0FFIX1N0J3J87MKXNXV/2D54E3C0-B694-48AA-9CC2-AE8ACF7A1364.jpeg</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Portrait of the Artist. Photograph by © Dora Martinkova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615630336669-49XPSMFL626L31AVMQGD/A5186C23-C5FB-4604-8DA3-741292F5A722.jpeg</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Journey to the Interior performance, 2017. Exploration of the Underworld. Image credit: Tereza Stehlikova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615632634859-O52WN9CL6IADQII0Y45S/CB9C641A-D3F7-4E70-88DC-5679074563C4.jpeg</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Journey to the Interior performance, 2017. Image credit: Tereza Stehlikova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615630430818-B60NBA14K4G7ZAUDJ1Q4/AE97F380-81BF-4EB5-ADDB-C543A569C8DB.jpeg</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Journey to the Interior, 2017. Close up of ‘sugar magma’. Image credit: Tereza Stehlikova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615630278753-C2GBXOBI32BLNFSDY35V/7C46F674-75ED-47AC-A0E4-2827BF141BBB.png</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Still from a short film, Ophelia’s Last Supper, 2018. Image credit: Tereza Stehlikova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615630479631-5LG5R00AXZG37YIP0ZSV/254D844C-1A38-4BAB-8AED-63C3D6059553.png</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Still from a short film, Ophelia’s Last Supper, 2018. Image credit: Tereza Stehlikova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615630376978-NUTUWW6L2BAY63X480TW/36D5EE19-26B9-4B71-BCEC-D9A6F0C3178D.jpeg</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Across the Unseen Sea, 2014. 4th course: The Fish, Unearthed from the Black Chasm. Icelandic Banquet performance, 2013, still from a short film. Video credit: Tereza Stehlikova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615632672534-FZTKULDAJPXIQA1AV56R/09EF9AE0-F597-4223-BBF6-0DBCE54D84BC.jpeg</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Across the Unseen Sea, 2014. Icelandic Banquet performance, 2013, still from a short film. Video credit: Tereza Stehlikova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615632699164-UOFXTM7MROLLA56ZIKQC/51B3CE65-AFF4-4685-BBE4-4827226EFD0F.jpeg</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Across the Unseen Sea, 2014. 2nd course: The Earthly Paradise. Icelandic Banquet performance, 2013, still from a short film. Video credit: Tereza Stehlikova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615632726096-2AL3BDP4RYEMPZJ8S7CF/D1AD9EFF-022B-4799-93D6-0164161A4AFF.jpeg</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Across the Unseen Sea, 2014. 6th course: The Incandescent Volcano. Icelandic Banquet performance, 2013, still from a short film. Video credit: Tereza Stehlikova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615630184188-99VX35C1PUPOTFXIPSPN/4CEE3438-EE45-446A-90DA-8427E04FE667.jpeg</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Illustration for a book of poetry: Adam and Eve, 2012 (unpublished). Image credit: Tereza Stehlikova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615630232193-6T9TEWEBG8BBRA9Y2Y2T/E7DCE95C-CA95-440B-8744-2F5F528C9F16.jpeg</image:loc>
      <image:title>Culinary Arts - 08 SPOTLIGHT: TEREZA STEHLIKOVA</image:title>
      <image:caption>Illustration from a children’s book, The Story of Violet, 2007. Written and illustrated by Tereza Stehlikova</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/culinary-arts/umami-the-science-of-the-fifth-sense</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1602851849859-I6DHRJAVYNTRO0AB5815/B3244CC3-5444-4FD2-8C40-96266FD5BD33.png</image:loc>
      <image:title>Culinary Arts - UMAMI: THE SCIENCE OF THE FIFTH TASTE</image:title>
      <image:caption>Smoked pineapple laksa made with dashi. Photo credit: Eddie Shepherd</image:caption>
    </image:image>
    <image:image>
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    <changefreq>monthly</changefreq>
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    <lastmod>2025-08-20</lastmod>
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      <image:caption>Photo credit: Bompas + Parr</image:caption>
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      <image:caption>Photo credit: Nathan Ceddia</image:caption>
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      <image:caption>Photo credit: Bompas + Parr</image:caption>
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      <image:caption>Photo credit: Nathan Park</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/music-sound-arts</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2022-05-29</lastmod>
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  <url>
    <loc>https://seismamag.com/music-sound-arts/disinformation</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-08-20</lastmod>
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      <image:caption>Disinformation, Fire in the Eye, 2004 (original photograph by Joe Banks)</image:caption>
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      <image:caption>Disinformation, Ammonite, 2009 (installation photograph by Julie Hill, 2018)</image:caption>
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      <image:caption>Disinformation, Fire in the Eye, 2022 (photomontage by Joe Banks)</image:caption>
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    <loc>https://seismamag.com/music-sound-arts/nigel-stanford</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-08-20</lastmod>
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      <image:caption>The artist in Automatica, 2017. Image credit: Nigel Stanford</image:caption>
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      <image:caption>Chladni Plate from Cymatics video shoot, 2014. Image credit: Nigel Stanford</image:caption>
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      <image:caption>Reubens Tube on the Cymatics video set, 2014. Image credit: Nigel Stanford</image:caption>
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      <image:caption>The artist jumping in the air with Tesla Coil on the Cymatics video shoot, 2014. Image credit: Nigel Stanford</image:caption>
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      <image:caption>KUKA robot programming, still from Automatica, 2017. Image credit: Nigel Stanford</image:caption>
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      <image:caption>KUKA robots playing turntables, still from Automatica, 2017. Image credit: Nigel Stanford</image:caption>
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      <image:caption>KUKA robots playing piano in a still from Automatica, 2017. Image credit: Nigel Stanford</image:caption>
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      <image:caption>Laser burns speakers, still from Automatica, 2017.</image:caption>
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      <image:caption>Bass lands, still from Automatica, 2017.</image:caption>
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      <image:caption>The artist in Automatica, 2017. Image credit: Nigel .Stanford</image:caption>
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    <loc>https://seismamag.com/music-sound-arts/06-spotlight-dthed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-20</lastmod>
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      <image:caption>dTHEd, multimedia art trio, 2019. hyperbeatz vol.1. Image credit: dTHEd</image:caption>
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      <image:caption>ჰܒ݂ܳܨܳE, Digital media, 2020. Image credit: dTHEd</image:caption>
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      <image:caption>圕ꝏ圕, , Digital media, 2020. Image credit: dTHEd</image:caption>
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      <image:caption>იเᄃ , Digital media, 2020. Image credit: dTHEd</image:caption>
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      <image:caption>Photo elaboration of Yosuke Fuyama through GANs, for our interview series, digital media, 2020. Image credit: dTHEd</image:caption>
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      <image:title>Music + Sound - 06 SPOTLIGHT: dTHEd</image:title>
      <image:caption>ఆՀϿ, Digital media, 2020 Image credit: dTHEd</image:caption>
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      <image:title>Music + Sound - 06 SPOTLIGHT: dTHEd</image:title>
      <image:caption>ɮϘբ, Digital media, 2020. Image credit: dTHEd</image:caption>
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    <loc>https://seismamag.com/music-sound-arts/02-soundbites-data-sonification</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-20</lastmod>
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      <image:caption>Professor Marcus Buehler (l), Professor Marcus Du Sautoy (r)</image:caption>
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    <loc>https://seismamag.com/literary-arts</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2025-10-18</lastmod>
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    <loc>https://seismamag.com/literary-arts/a-fine-derangement-of-the-senses</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-23</lastmod>
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      <image:title>Literary Arts - REVIEW: A FINE DERANGEMENT OF THE SENSES</image:title>
      <image:caption>Ophelia in Exile (2021a), solo exhibition, Tereza Stehlíková, Vitrínka Gallery, London.</image:caption>
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      <image:caption>  Human AI co-creation workshop (2023), Lenka Hámošová, Tereza Stehlíková.</image:caption>
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      <image:caption>Nameless Wood (2011), Tereza Stehlíková, film still.</image:caption>
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    <loc>https://seismamag.com/literary-arts/kafka-eating-and-health</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-30</lastmod>
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      <image:caption>Kafka Making of an Icon © Jessica Chaundy, Bodleian Libraries.</image:caption>
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      <image:caption>Photograph of Kafka with his sister Ottla at her farm in Zürau, where he spent several weeks after being diagnosed with tuberculosis.  MS. Kafka 55, fol. 7r © The Bodleian Library, University of Oxford.</image:caption>
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      <image:caption>Kafka Making of an Icon © Jessica Chaundy, Bodleian Libraries.</image:caption>
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      <image:title>Literary Arts - KAFKA, EATING, AND HEALTH - Make it stand out</image:title>
      <image:caption>Postcard Kafka sent to his sister Ottla from a sanatorium Schelesen in 1918 captioning his drawings ‘Scenes from my life’. MS. Kafka 49, fol. 79r. Jointly owned by The Bodleian Library and The Deutsches Literaturarchiv Marbach © The Bodleian Library, University of Oxford.</image:caption>
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      <image:title>Literary Arts - KAFKA, EATING, AND HEALTH</image:title>
      <image:caption>Photo-postcard showing Kafka in June 1921 with guests and staff of a sanatorium in Tatranské-Matliare, one of many he visited on the grounds of his pulmonary condition. MS. Kafka 51, fol. 26r © The Bodleian Library, University of Oxford</image:caption>
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  <url>
    <loc>https://seismamag.com/literary-arts/kafka-insects-and-disgust</loc>
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    <lastmod>2024-12-31</lastmod>
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      <image:title>Literary Arts - KAFKA, INSECTS, AND DISGUST - Make it stand out</image:title>
      <image:caption>Insect Enemies (Detail), 2024, by Tessa Farmer for Kafka: Making of an Icon at The Bodleian Library, University of Oxford in 2024 © Jessica Chaundy for Bodleian Libraries and Tessa Farmer</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/eaad6994-96af-48be-9852-685e91787cac/IMG_3743.jpg</image:loc>
      <image:title>Literary Arts - KAFKA, INSECTS, AND DISGUST</image:title>
      <image:caption>The first page of Franz Kafka’s most famous story Die Verwandlung (The Metamorphosis) with its puzzling opening sentence of Gregor Samsa waking up from uneasy dreams and finding himself transformed into an insect. MS. Kafka 18A. fol. 1r © The Bodleian Library, University of Oxford</image:caption>
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    <image:image>
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      <image:title>Literary Arts - KAFKA, INSECTS, AND DISGUST</image:title>
      <image:caption>Insect Enemies (Detail), 2024, by Tessa Farmer for Kafka: Making of an Icon at The Bodleian Library, University of Oxford in 2024 © Jessica Chaundy for Bodleian Libraries and Tessa Farmer</image:caption>
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      <image:title>Literary Arts - KAFKA, INSECTS, AND DISGUST</image:title>
      <image:caption>Insect Enemies (Detail), 2024, by Tessa Farmer for Kafka: Making of an Icon at The Bodleian Library, University of Oxford in 2024 © Jessica Chaundy for Bodleian Libraries and Tessa Farmer</image:caption>
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      <image:title>Literary Arts - KAFKA, INSECTS, AND DISGUST</image:title>
      <image:caption>Insect Enemies (Detail), 2024, by Tessa Farmer for Kafka: Making of an Icon at The Bodleian Library, University of Oxford in 2024 © Jessica Chaundy for Bodleian Libraries and Tessa Farmer</image:caption>
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      <image:title>Literary Arts - KAFKA, INSECTS, AND DISGUST</image:title>
      <image:caption>Insect Enemies (Detail), 2024, by Tessa Farmer shown in amongst entomology texts at Kafka: Making of an Icon at The Bodleian Library, University of Oxford in 2024 © Jessica Chaundy for Bodleian Libraries and Tessa Farmer</image:caption>
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    <image:image>
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      <image:title>Literary Arts - KAFKA, INSECTS, AND DISGUST</image:title>
      <image:caption>Insect Enemies (Detail), 2024, by Tessa Farmer shown in amongst entomology texts at Kafka: Making of an Icon at The Bodleian Library, University of Oxford in 2024 © Jessica Chaundy for Bodleian Libraries and Tessa Farmer</image:caption>
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    <image:image>
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      <image:title>Literary Arts - KAFKA, INSECTS, AND DISGUST</image:title>
      <image:caption>Insect Enemies (Detail), 2024, by Tessa Farmer shown in amongst entomology texts at Kafka: Making of an Icon at The Bodleian Library, University of Oxford in 2024 © Jessica Chaundy for Bodleian Libraries and Tessa Farmer</image:caption>
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      <image:title>Literary Arts - KAFKA, INSECTS, AND DISGUST</image:title>
      <image:caption>Insect Enemies (Detail), 2024, by Tessa Farmer, for Kafka: Making of an Icon at The Bodleian Library, University of Oxford in 2024 © Jessica Chaundy for Bodleian Libraries and Tessa Farmer</image:caption>
    </image:image>
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  <url>
    <loc>https://seismamag.com/literary-arts/alan-buckley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-20</lastmod>
    <image:image>
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      <image:title>Literary Arts - ALAN BUCKLEY: PAUSE, REWIND, PLAY</image:title>
      <image:caption>Alan Buckley. Photo credit: Kate Raworth</image:caption>
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    <image:image>
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      <image:title>Literary Arts - ALAN BUCKLEY: PAUSE, REWIND, PLAY</image:title>
      <image:caption>Rock Ferry Station, 1980. Photo credit: Geoffrey Skelsey</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1595017269900-KJJAXVUQNZRFX6RB8GIS/18AC95EB-8017-4C0E-A3E2-9EAC5BEEE8CD.jpeg</image:loc>
      <image:title>Literary Arts - ALAN BUCKLEY: PAUSE, REWIND, PLAY</image:title>
      <image:caption>Rock Ferry Station, 1983. Photo Credit: Phil Richards</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1595003404794-1DPJ8N0NYZA02V263LMI/1381F4B7-C23D-497C-A1AF-3B081CD0FB34.jpeg</image:loc>
      <image:title>Literary Arts - ALAN BUCKLEY: PAUSE, REWIND, PLAY</image:title>
      <image:caption>Alan Buckley. Photo credit: Kate Raworth</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/science-faction</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-05-11</lastmod>
  </url>
  <url>
    <loc>https://seismamag.com/science-faction/the-sims</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-20</lastmod>
    <image:image>
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      <image:title>Science Faction - THE SIMS: BRAIN ARCHITECTURE - Make it stand out</image:title>
      <image:caption>A man holds a mobile phone with a screensaver of the popular Sim City Build It game, 2021. Contributor: Dmitriy Praizel / Alamy Stock Photo</image:caption>
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      <image:title>Science Faction - THE SIMS: BRAIN ARCHITECTURE - Make it stand out</image:title>
      <image:caption>The Sims - Nintendo Gamecube Videogame. Contributor: ArcadeImages / Alamy Stock Photo</image:caption>
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      <image:title>Science Faction - THE SIMS: BRAIN ARCHITECTURE - Make it stand out</image:title>
      <image:caption>The Sims Bustin' Out - Nintendo Gamecube Videogame. Contributor: ArcadeImages / Alamy Stock Photo</image:caption>
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      <image:caption>The Sims 2 - Sony Playstation 2 PS2. Contributor: ArcadeImages / Alamy Stock Photo</image:caption>
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      <image:caption>Blue lights in Tallinn, Estonia. Photo from Unsplash © Bappie @bappie</image:caption>
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      <image:title>Science Faction - THE SIMS: BRAIN ARCHITECTURE - Make it stand out</image:title>
      <image:caption>‘Baker-Miller Pink’ in a swimming pool.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1652370092638-AK9BBC6349F8T4HFEUUR/F9C34E21-D53F-4671-B828-94AB519342BF.jpeg</image:loc>
      <image:title>Science Faction - THE SIMS: BRAIN ARCHITECTURE - Make it stand out</image:title>
      <image:caption>Faithful reproduction of the New Spirit Pavilion – l'Esprit Nouveau, Bologna, Italy, 2021 – an architectural design by Le Corbusier and Pierre Janneret, 1925. Photo © Giorgio Morara – stock.adobe.com</image:caption>
    </image:image>
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      <image:title>Science Faction - THE SIMS: BRAIN ARCHITECTURE - Make it stand out</image:title>
      <image:caption>Notre-Dame Cathedral Basilica, Ottawa, Canada, 2017. Photo: Marc-Olivier Jodoin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1652364443990-0E4HJGSH2J8G60OO6W84/CE27DE1F-6535-4BC4-9234-BEA34498A4FD.jpeg</image:loc>
      <image:title>Science Faction - THE SIMS: BRAIN ARCHITECTURE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1652446939184-G71VRBQAK2B6KYDDYIK1/282926CD-808E-4395-B09A-9CA2A95ADDDB.jpeg</image:loc>
      <image:title>Science Faction - THE SIMS: BRAIN ARCHITECTURE - Make it stand out</image:title>
      <image:caption>Work area at the Johnson Wax Building, headquarters of the S.C. Johnson and Son Co., Racine, Wisconsin. Color transparency by Carol M. Highsmith, [between 1980 and 2006]</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/science-faction/inside-out-retrospective-pint-sized-neuroscience</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601040883952-DZEQUWGOIBTIO4ASV16G/PMAET2+2.jpg</image:loc>
      <image:title>Science Faction - INSIDE OUT: PINT-SIZED NEUROSCIENCE</image:title>
      <image:caption>Anger, Fear, Joy, Sadness and Disgust look out upon Riley's Islands of Personality in "Inside Out", 2015 Disney Photo credit: PictureLux</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1601040616628-SUAUDX2I2VKCLB3MFPQF/HCEJ4A.jpg</image:loc>
      <image:title>Science Faction - INSIDE OUT: PINT-SIZED NEUROSCIENCE</image:title>
      <image:caption>INSIDE OUT, Riley (voice: Kaitlyn Dias), 2015. © Walt Disney Studios Motion Pictures / courtesy Everett Collection</image:caption>
    </image:image>
    <image:image>
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      <image:title>Science Faction - INSIDE OUT: PINT-SIZED NEUROSCIENCE</image:title>
      <image:caption>INSIDE OUT, 2015. Photo credit: PIXAR ANIMATION STUDIOS/WALT DISNEY PICTURES / Album</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/tba21-academy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-27</lastmod>
  </url>
  <url>
    <loc>https://seismamag.com/tba21-academy/superflex</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1644592317093-RBU4RFI07CIWTHFS1QF5/4952A601-3B98-448D-89F4-975FDABA56BB.jpeg</image:loc>
      <image:title>TBA21–Academy - 05 TBA21–ACADEMY: SUPERFLEX - Make it stand out</image:title>
      <image:caption>Vertical Migration, 2021, UN General Assembly, New York. Vertical Migration was commissioned by ART 2030 and TBA21– Academy, and supported by Avatar Alliance Foundation, Dalio Philanthropies, OceanX, Woods Hole Oceanographic Institute (WHOI), New Carlsberg Foundation, The Obel Family Foundation, Beckett Fonden, and Danish Arts Foundation. Developed in close collaboration with Kollision as part of ‘Interspecies Assembly’ by SUPERFLEX for ART 2030. Photo: Lance Gerber, courtesy of SUPERFLEX.</image:caption>
    </image:image>
    <image:image>
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      <image:title>TBA21–Academy - 05 TBA21–ACADEMY: SUPERFLEX</image:title>
      <image:caption>Interspecies Assembly, SUPERFLEX, 2021. Interspecies Assembly by SUPERFLEX for ART 2030 is generously supported by New Carlsberg Foundation, The Obel Family Foundation, Beckett Fonden and the Danish Arts Foundation. Developed in close collaboration with KWY.studio. Interspecies Assembly is part of ‘Interspecies Assembly’ by SUPERFLEX for ART 2030. Photos: Lance Gerber, courtesy of SUPERFLEX.</image:caption>
    </image:image>
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      <image:title>TBA21–Academy - 05 TBA21–ACADEMY: SUPERFLEX</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1644606621330-VUU58DQES0MOEZFPZ3C8/Interspecies+Assembly+10+Lance+Gerber.jpeg</image:loc>
      <image:title>TBA21–Academy - 05 TBA21–ACADEMY: SUPERFLEX</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1644604226994-809RE0Y9OX2Y0GPZISZQ/F9FCA3EB-B60A-478E-8F33-41A742892C2A.jpeg</image:loc>
      <image:title>TBA21–Academy - 05 TBA21–ACADEMY: SUPERFLEX - Make it stand out</image:title>
      <image:caption>SUPERFLEX, 2020. Photo: Ulrik Jantzen/Büro Jantzen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/tba21-academy/claudia-comte</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635245759172-JCLZSZOV3MSMJMCD7XB3/CD883762-C3E9-4765-AA29-315A882FFE3C.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Make it stand out</image:title>
      <image:caption>Dreaming of Alligator Head (2019), Claudia Comte</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635246743980-J4LCB2IVGWLPJ63F43C5/4A9ECB9C-0D60-425C-8D61-44C6E1F4BA3C.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Make it stand out</image:title>
      <image:caption>Photographs of the artist at work (above and right)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635246770100-NYBNSB8SXN7SUCC1VJUV/33D7FD4B-C627-41F4-A2F8-926A568414C9.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635417306222-JMFIWV0LXLF40NGESLMX/1CC3AFBE-E557-4151-8B4F-C9B0617A6F70.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635417348935-3MUSX16I712CDRY5MIT0/D812FC0B-1BBF-4296-8725-6A685F23FC04.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635417401261-T89D62V7GDCBCQEBKR55/1B1A78BF-88E8-4B80-BA4B-FEAF3A035914.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635246124408-RY0MT70UZFQ1H83RKMZA/21D7A06F-4CAA-40EF-A49E-9F5039E746D9.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Underwater Cacti (2019) Claudia Comte</image:title>
      <image:caption>Photo by F-Stop Movies</image:caption>
    </image:image>
    <image:image>
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      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Underwater Cacti (2019) Claudia Comte.</image:title>
      <image:caption>Photo by F-Stop Movies</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635246301006-N84JLYTKH1VFC7HDHMPU/5230E560-FD17-40AD-B1FF-8391E1A11A73.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Underwater Cacti (2019) Claudia Comte.</image:title>
      <image:caption>Photo by F-Stop Movies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635246339205-EGVNKUY8QMST8AI3EGPX/F44B24D6-C6CA-4D1A-83E3-27F3CF60D697.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Underwater Cacti (2019) Claudia Comte.</image:title>
      <image:caption>Photo by F-Stop Movies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635245915073-A63EYR308X6O36BH0W2G/AA5F224B-2E6F-44A6-AFB8-D8D639207D59.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Make it stand out</image:title>
      <image:caption>Dreaming of Alligator Head (2019) Claudia Comte</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1635245864303-8RTNLCB7WV4HA90W2JZI/D8874BDD-5AD6-4B2A-BC71-E0823A007D7E.jpeg</image:loc>
      <image:title>TBA21–Academy - 04 TBA21–ACADEMY: CLAUDIA COMTE - Make it stand out</image:title>
      <image:caption>Dreaming of Alligator Head (2019) Claudia Comte</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/tba21-academy/tba21academy-taloi-havini</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627305001120-TQG6MKB6BDTR8R6BSHNC/PdT+2017-Taloi+Havini-006.jpg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI</image:title>
      <image:caption>Habitat (2017), Palais de Tokyo, Paris, France. Image credit: Aurélien Mole</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627236707165-5R918VOK1S0754XBCOUI/5AC2408A-F51D-4995-B8AC-5019A6FED971.jpeg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI</image:title>
      <image:caption>Habitat (2018-19), Artspace, Sydney, HD, colour, black + white, 5.1 surround sound, 10:33 mins. Image credit: Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627236981043-21QHGU5IMBBEHPM9WOMK/E0D3E43A-0E16-49CF-8B56-6BAA70D9B545.jpeg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI</image:title>
      <image:caption>Habitat (2018-19), Artspace, Sydney, HD, colour, black + white, 5.1 surround sound, 10:33 mins. Image credit: Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627232367357-CEFM1408V0FZEI0JUSN7/5DCEBD1B-D7F5-4384-9FB2-3E01ED2EB15B.jpeg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI - Make it stand out</image:title>
      <image:caption>Portrait of the Artist. Image credit: Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627238570647-DSJX50YZW7X2P5OEWJIH/5776D87B-B8DF-457D-AA2F-791CF018F4F8.jpeg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI</image:title>
      <image:caption>Taloi Havini on the R/V Falkor during her residency at Artist-At-Sea Program, Great Barrier Sea, December 2020. The Soul Expanding Ocean #1: Taloi Havini is commissioned by TBA—Academy and co-produced with Schmidt Ocean Institute, co-founded by Wendy Schmidt. Photo shown courtesy of Schmidt Ocean Institute.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627238658368-QK4OR0XBVJ6PN4SSXK5K/7BA871E0-A18E-40AF-8DDF-AEB26BF5B0D7.jpeg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI</image:title>
      <image:caption>Seabed sampling on the R/V Falkor during her residency at Artist-At-Sea Program, Great Barrier Sea, December 2020. The Soul Expanding Ocean #1: Taloi Havini is commissioned by TBA—Academy and co-produced with Schmidt Ocean Institute, co-founded by Wendy Schmidt. Photo shown courtesy of Schmidt Ocean Institute.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627238742964-ZEER28146IQBG87MTDT4/20A2AC9B-3BBB-48D3-A1FB-D64DDAB7700C.jpeg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI</image:title>
      <image:caption>Seabed sampling on the R/V Falkor during her residency at Artist-At-Sea Program, Great Barrier Sea, December 2020. The Soul Expanding Ocean #1: Taloi Havini is commissioned by TBA—Academy and co-produced with Schmidt Ocean Institute, co-founded by Wendy Schmidt. Photo shown courtesy of Schmidt Ocean Institute.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627238840243-QDI95U9P2QG1H8AWCLMU/EA8B8BDC-D7E2-4387-9AC9-CA35CEE4421A.jpeg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI</image:title>
      <image:caption>Multi-beam mapping uses sound to create an image and map of the seafloor. These images were created during Taloi Havini’s residency at Artist-At-Sea Program, Great Barrier Sea, December 2020. The Soul Expanding Ocean #1: Taloi Havini is commissioned by TBA—Academy and co-produced with Schmidt Ocean Institute, co-founded by Wendy Schmidt. Photo shown courtesy of Schmidt Ocean Institute.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627236449681-EQJHYL9X716933PFT37H/9B977324-1249-48DE-80CE-D0054577FF94.jpeg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI - Make it stand out</image:title>
      <image:caption>Portrait of Chus Martínez. Image credit: Nici Jost</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627232996086-KYJ17QMHPOCQ4W8V6IC8/0A641637-9012-4FB2-AF1F-C27B14443C65.jpeg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI</image:title>
      <image:caption>Answer to the Call (2021), Exhibition view at The Soul Expanding Ocean #1: Taloi Havini, Ocean Space, Venice. Commissioned by TBA21—Academy and co-produced with Schmidt Ocean Institute, co-founded by Wendy Schmidt. Image credit: gerdastudio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1627233056732-SP2BQX28UEG7WVE5HC4M/99825710-8AA2-4A48-B66F-E6C760AA8670.jpeg</image:loc>
      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI</image:title>
      <image:caption>Answer to the Call (2021), Exhibition view at The Soul Expanding Ocean #1: Taloi Havini, Ocean Space, Venice. Commissioned by TBA21—Academy and co-produced with Schmidt Ocean Institute, co-founded by Wendy Schmidt. Image credit: gerdastudio</image:caption>
    </image:image>
    <image:image>
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      <image:title>TBA21–Academy - 03 TBA21–ACADEMY: TALOI HAVINI - Make it stand out</image:title>
      <image:caption>Reclamation (2020), Artspace, Sydney. Image credit: Zan Wimberley</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/tba21-academy/dark-morph</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1618941184593-ZIJOKCA1FGMLGIJXDS2Z/B3AB14BC-3DCE-488E-8256-9133332FBD0A.jpeg</image:loc>
      <image:title>TBA21–Academy - 02 TBA21–ACADEMY: DARK MORPH</image:title>
      <image:caption>Dark Morph is a collaborative project by Jón Thór ‘Jónsi’ Birgisson and Carl Michael von Hausswolff commissioned by TBA21–Academy. Album Release, Ocean Space, Chiesa di San Lorenzo, Venice, May 2019 Image credit: Enrico Fiorese</image:caption>
    </image:image>
    <image:image>
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      <image:title>TBA21–Academy - 02 TBA21–ACADEMY: DARK MORPH</image:title>
      <image:caption>Jónsi Birgisson and Carl Michael von Hausswolff. Image credit: Jónsi Birgisson and Carl Michael von Hausswolff.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1618936296447-END0WHLJUEZN2NBEKB4V/1A976857-6C3A-484B-94A1-94070B042319.jpeg</image:loc>
      <image:title>TBA21–Academy - 02 TBA21–ACADEMY: DARK MORPH</image:title>
      <image:caption>Audience listening to Dark Morph: The So(ng)qe/Tovuto Kyrrahafið Sound Field, 8.2-channel sound installation. Ocean Space, Chiesa di San Lorenzo, Venice, May 2019. Image credit: Enrico Fiorese</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1618940329907-HPJZ2STJVCU01MW97BVJ/BD07C398-0559-4C5C-82CA-41726F517EEA.jpeg</image:loc>
      <image:title>TBA21–Academy - 02 TBA21–ACADEMY: DARK MORPH</image:title>
      <image:caption>Behind the scenes of T he So(ng)qe/Tovuto Kyrrahafið Sound Field for TBA21–Academy. Image credit: Carl Michael von Hausswolff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1618940558082-EA5XLMTMWWRT1GP9FF76/FE1F9B7D-CA1A-42A1-966B-138F77BAB486.jpeg</image:loc>
      <image:title>TBA21–Academy - 02 TBA21–ACADEMY: DARK MORPH</image:title>
      <image:caption>Recording in Fiji with TBA21–Academy. Image credit: Carl Michael von Hausswolff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1618940149472-EW7KAPJVXXTF5OZ5SKZD/E7569078-D67C-4335-A513-530E65484782.png</image:loc>
      <image:title>TBA21–Academy - 02 TBA21–ACADEMY: DARK MORPH</image:title>
      <image:caption>Dark Morph (Carl Michael von Hausswolff &amp; Jónsi), LP. Label:The Vinyl Factory. Commissioned by: TBA21–Academy. Design: David Rudnick.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1618940751279-5JVC693CTTJTZR8QPTUI/97EE8F7E-A614-4C58-ACF6-CD11E9CF9858.jpeg</image:loc>
      <image:title>TBA21–Academy - 02 TBA21–ACADEMY: DARK MORPH</image:title>
      <image:caption>Sunset on Fiji, one of the recording locations for T he So(ng)qe/Tovuto Kyrrahafið Sound Field , commissioned by TBA21–Academy. Image credit: Carl Michael von Hausswolff</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/tba21-academy/01-the-aquatic-observatory-sense-to-act</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-10</lastmod>
    <image:image>
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      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Inhabitants, What is Deep Sea Mining? Episode 2: Deep Frontiers, 2018. Written by Stefan Helmreich. With Margarida Mendes. Commissioned by TBA21– Academy. Video still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615378621166-YQCDP2JPEWG891A0XLM4/A3A4580F-1A28-48FA-89AE-9CC1C9A0FFF6.png</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Inhabitants, What is Deep Sea Mining? Episode 2: Deep Frontiers, 2018. Written by Stefan Helmreich. With Margarida Mendes. Commissioned by TBA21–Academy. Video still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615377536975-LR4P3UREJCZCBPGEFEW7/89095EEC-4991-4090-AD35-C299F56199E6.jpeg</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Inhabitants, What is Deep Sea Mining? Episode 1: Tools for Ocean Literacy, 2018. With Margarida Mendes. Commissioned by TBA21–Academy. Video still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615377594287-XFAK3K54ATECJS60ZY2K/787E4B4B-4DBB-4A64-8338-F75A07A235A0.png</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Inhabitants, What is Deep Sea Mining? Episode 2: Deep Frontiers, 2018. Written by Stefan Helmreich. With Margarida Mendes. Commissioned by TBA21–Academy. Video still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615378709096-RVEXIVW1H559YQET7PDG/A2519539-A3C2-4AF7-9A03-7612D2F8B955.png</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Inhabitants, What is Deep Sea Mining? Episode 2: Deep Frontiers, 2018. Written by Stefan Helmreich. With Margarida Mendes. Commissioned by TBA21–Academy. Video still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615378582106-MSP7F3IY5G5LTWIOCZMM/AA0EF500-5664-4B50-8B5D-3C402C11F612.png</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Inhabitants, What is Deep Sea Mining? Episode 1: Tools for Ocean Literacy, 2018. With Margarida Mendes. Commissioned by TBA21–Academy. Video still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615377565368-TV7224RZTB6IPBNDIT1R/195EE124-7A90-4AD3-B101-4B76257559FC.jpeg</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Inhabitants, What is Deep Sea Mining? Episode 3: The Azores Case, 2019. With Margarida Mendes. Commissioned by TBA21–Academy. Video still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615377443920-FAZWOG54RS5CDGUWVIW4/3F04152F-2095-4D88-A70A-EF72C663015E.jpeg</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Ingo Niermann: Sea Lovers, 2020, video still. Ingo Niermann with Ana Maria Millán, Roman Bayarri, Ville Haimala, Franziska Aigner + Dan Bodan. Commissioned by TBA21–Academy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615377504163-UEVG5CV288YBZCDHKWA5/6A90D2C1-5BAD-4DF3-AB39-80D47E879893.jpeg</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Ingo Niermann: Sea Lovers, 2020, video still. Ingo Niermann with Ana Maria Millán, Roman Bayarri, Ville Haimala, Franziska Aigner + Dan Bodan. Commissioned by TBA21–Academy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615377415624-MXPVHYYXCY9MEP9OCFYA/7D1812C2-62AF-41D4-8BB2-69931185CCF8.jpeg</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Inhabitants, What is Deep Sea Mining? Episode 2: Deep Frontiers, 2018. Written by Stefan Helmreich. With Margarida Mendes. Commissioned by TBA21–Academy. Video still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615377363605-CKDK9R5QIN07XH7ASCF9/36F247E2-AD0C-44A7-B9D3-BB0916F35B11.png</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Inhabitants, What is Deep Sea Mining? Episode 1: Tools for Ocean Literacy, 2018. With Margarida Mendes. Commissioned by TBA21–Academy. Video still</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1615378661931-7IXCVI86WYUZVIZNIMGR/43A1A731-F13D-49BF-A531-196A4212482A.png</image:loc>
      <image:title>TBA21–Academy - 01 TBA21–ACADEMY: THE AQUATIC OBSERVATORY</image:title>
      <image:caption>Inhabitants, What is Deep Sea Mining? Episode 2: Deep Frontiers, 2018. Written by Stefan Helmreich. With Margarida Mendes. Commissioned by TBA21–Academy. Video still</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/01-studio-lab-neuroscience</loc>
    <changefreq>daily</changefreq>
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    <loc>https://seismamag.com/studio-lab-winter-2022</loc>
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    <lastmod>2023-02-21</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>StudioLab Showcase - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>StudioLab Showcase - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>StudioLab Showcase - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>StudioLab Showcase - Make it stand out</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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    <loc>https://seismamag.com/studiolab-rebecca-pyle</loc>
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  <url>
    <loc>https://seismamag.com/studiolab-angela-eames</loc>
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    <lastmod>2022-07-30</lastmod>
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    <image:image>
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  <url>
    <loc>https://seismamag.com/studiolab-lauren-endicott</loc>
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    <lastmod>2022-07-30</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-claire-jussel</loc>
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      <image:caption>Image credit: Paul Paladin</image:caption>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://seismamag.com/studiolab-summer-2022</loc>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1659154385986-FN17H10D7WE2EA9RJSA1/6809BF82-7418-4A85-87B7-876A151C5160.jpeg</image:loc>
      <image:title>StudioLab Summer 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>StudioLab Summer 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1659154231417-HCZH8QWCO0CA5HJPNK0Q/5B31F471-0839-4D1C-9314-5DBDC1A68076.jpeg</image:loc>
      <image:title>StudioLab Summer 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>StudioLab Summer 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-autumn-2022</loc>
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    <lastmod>2024-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/05df2fa0-ad9f-42db-b785-a09dc2f11310/CADEF644-7E26-402F-A86B-47D0D74E9844.jpeg</image:loc>
      <image:title>StudioLab Autumn 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680558232273-T0OZDAWW8LF1X86Y1JO6/5F9433B3-37DC-4E00-A140-820669FD9D86.jpeg</image:loc>
      <image:title>StudioLab Autumn 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680556181455-TUW8CYUKGV5A9N0CX7ZL/09F95BDB-66C0-4EAA-B870-E8065616F0D7.jpeg</image:loc>
      <image:title>StudioLab Autumn 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/studio-lab-nikita-ephanov</loc>
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    <priority>0.75</priority>
    <lastmod>2023-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680554531367-5N55D2QPLKENVZE1LPBQ/5253ED5D-8993-423A-A101-559BBA0C3C8D.jpeg</image:loc>
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      <image:caption>An Autoportrait of Sensory Experience Deconstructed in Virtual Space – The Eye</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680554598568-8AIYB6HBSBGMI7G2VR9G/5CD23ACE-DAF7-4E3C-A272-6A4F305EDFB7.jpeg</image:loc>
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      <image:caption>An Autoportrait of Sensory Experience Deconstructed in Virtual Space – The Ear</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680554630363-JOE9W7W9D7Y27UIBF1BA/B0BCAA05-C2F0-4416-A003-6D13AEBEFCEC.jpeg</image:loc>
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      <image:caption>An Autoportrait of Sensory Experience Deconstructed in Virtual Space – The Lip</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-sarah-watkinson-</loc>
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    <lastmod>2023-05-03</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-sarah-campbell</loc>
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    <lastmod>2023-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680565612285-0G9N21MD72Y8C3T3J7LJ/Mathwhilebiking+5.png</image:loc>
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  <url>
    <loc>https://seismamag.com/studiolab-winter-2022</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680566510098-RXPBPIHVB95H868JFQQC/Mathwhilebiking+5.png</image:loc>
      <image:title>StudioLab Winter 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e27331e5-6e7e-4906-ac5a-53d9d20829af/60AE823D-3BE7-4364-AEA0-496791D6192E.jpeg</image:loc>
      <image:title>StudioLab Winter 2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-sarah-westcott</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-02</lastmod>
    <image:image>
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      <image:title>StudioLab Sarah Westcott - Make it stand out</image:title>
      <image:caption>Photo by Annie Spratt on Unsplash</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1680558037500-VQ5M3DANLFZX2NS358H6/2DEFFD9E-B709-489E-9CC8-C1BB3130AF60.jpeg</image:loc>
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      <image:caption>Photo by Ignacio Correia  on Unsplash</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/studiolab-zeynep-bilge-tuylu</loc>
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    <priority>0.75</priority>
    <lastmod>2023-05-05</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/studiolab-maria-linares</loc>
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    <priority>0.75</priority>
    <lastmod>2023-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/30e06af9-8435-4f2f-b9cb-c3c5ebf96401/Timeless_Union_of_the_Atoms._122x92cm_+2.jpg</image:loc>
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      <image:caption>The Timeless Union of the Atoms, 2022, Acrylic on canvas. 122 x 91 cm.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/453511a5-a66c-4f76-97e9-93b9becea3df/52BBC89E-8C65-40D6-B729-2E07B7CA8877.jpeg</image:loc>
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      <image:caption>Cogs of Time, 2020. Acrylic on canvas. 61 x 51 cm.</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/studiolab-spring-2023</loc>
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    <lastmod>2024-06-02</lastmod>
    <image:image>
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      <image:title>StudioLab Spring 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>StudioLab Spring 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>StudioLab Spring 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/643489e1-1f6a-4e91-8853-fb2c58da94b6/6EE18114-1A7E-4B63-918F-34B6D819492D.jpeg</image:loc>
      <image:title>StudioLab Spring 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-diane-burko</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-05-05</lastmod>
    <image:image>
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      <image:title>StudioLab Diane Burko - Make it stand out</image:title>
      <image:caption>Grinnell Mt. Gould #1, #2, #3, #4, 2009, Oil on Canvas, 88"x200" overall</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/864be877-9ca4-4f84-b134-cec0a7c33c91/3CDD4145-91DD-481A-87B9-00CB52EAC9B1.jpeg</image:loc>
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      <image:caption>Summer Heat 1 &amp; 2, 2020, Mixed Media on Canvas, 84” x 162” overall</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2a7625ac-0aa0-4398-baf4-406301f4c2da/C19C4DEE-093F-499B-9531-68A85F6A1A6E.jpeg</image:loc>
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  <url>
    <loc>https://seismamag.com/studiolab-sunayana-bhargava</loc>
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    <priority>0.75</priority>
    <lastmod>2023-08-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/545f1a73-036a-42e0-8311-801b6bca7011/1.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-reina-suyeon-mun</loc>
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    <priority>0.75</priority>
    <lastmod>2023-08-18</lastmod>
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  <url>
    <loc>https://seismamag.com/studiolab-bompas-parr</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6ab78be7-aff0-4e9b-8c0f-b76e2dc4ab99/DF879D92-32C1-4C17-A5C9-112CBC4EC016.jpeg</image:loc>
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      <image:caption>Nike Celestial Lunch by Bompas &amp; Parr. Photo credit: Chris Lee</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-alexandra-knie</loc>
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    <priority>0.75</priority>
    <lastmod>2023-08-18</lastmod>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6b0cb95f-9842-4498-a411-04a7ce5b4107/EFD4BCC1-488F-4568-90B2-60AF3510C1A6.jpeg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/seismic-art-meets-science</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/03-edition-entomology</loc>
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    <priority>0.75</priority>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ba58782d-2b7f-470b-8d5e-5c1b9ce46e32/seisma_-03-entomology-qr-code+%281%29.png</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/studiolab-summer-2023</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/72ad67d7-93b6-4fb1-921a-da4a7db6e96a/227BE8AF-3E9B-4D69-8A21-6AD379575066.png</image:loc>
      <image:title>StudioLab Summer 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c9d57871-447b-465a-86e3-bd7c041a791e/AdobeStock_717146987.jpeg</image:loc>
      <image:title>StudioLab Summer 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2d944b65-cde1-40e2-b7b4-78bdf42a0421/DC45F676-64CA-4DE8-A6FB-EB9FFCB31ABD.jpeg</image:loc>
      <image:title>StudioLab Summer 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://seismamag.com/studiolab-eric-fong</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-03-12</lastmod>
    <image:image>
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      <image:title>StudioLab Eric Fong - Make it stand out</image:title>
      <image:caption>Thanatos exhibited in a display case</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5dc24852-53c6-4e0a-95fa-31198bf8444b/DSC08105-hi_res_greyscale.jpg</image:loc>
      <image:title>StudioLab Eric Fong - Make it stand out</image:title>
      <image:caption>The scent experienced through interaction with an autopsy table</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e982043c-49d1-41be-9f0e-4ad0d94d44a1/DSC08104_greyscale_adj.jpg</image:loc>
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      <image:caption>The Search, a suspenseful short film of a search for a cadaver in a forest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/806cfb1a-ebed-406d-b2de-91f556f8c67f/CS-4159.jpg</image:loc>
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      <image:caption>Crime Scene House, Forensic Anthropology Department, Teesside University</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/d21baf41-2bcb-4a59-ae6a-720e45b3cac0/Thanatos_high_res.jpg</image:loc>
      <image:title>StudioLab Eric Fong - Make it stand out</image:title>
      <image:caption>Thanatos exhibited in a display case</image:caption>
    </image:image>
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  <url>
    <loc>https://seismamag.com/studiolab-brook-blaylock</loc>
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    <priority>0.75</priority>
    <lastmod>2024-03-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/41e60b2e-c095-4e8c-a56a-bf446da0d5d2/AdobeStock_717146987.jpeg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/studiolab-autumn-2023</loc>
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    <lastmod>2024-06-02</lastmod>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/394584e0-0316-4759-b658-dcb27b5afd64/88F5A280-261C-48FE-8720-244ECF5328A4.jpeg</image:loc>
      <image:title>StudioLab Autumn 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/bf645a06-2788-4558-adf0-1394bcb92792/D11958DF-5C43-42BE-9EB2-A8C7979F5003.jpeg</image:loc>
      <image:title>StudioLab Autumn 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-jasmine-pradissitto</loc>
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    <lastmod>2024-04-22</lastmod>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/b70dce95-690c-47d1-8469-d92c39460015/rewilding.jpg</image:loc>
      <image:title>StudioLab Jasmine Pradissitto - Make it stand out</image:title>
      <image:caption>Rewilding (2021) Pollution Absorbing ceramic NOXORB, wood found in a forest fire, soot, wild grasses, resin.</image:caption>
    </image:image>
    <image:image>
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      <image:title>StudioLab Jasmine Pradissitto - Make it stand out</image:title>
      <image:caption>Breathe (2020) Pollution absorbing ceramic NOXORB and metal.</image:caption>
    </image:image>
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  <url>
    <loc>https://seismamag.com/studiolab-alicia-sometimes</loc>
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    <priority>0.75</priority>
    <lastmod>2024-04-20</lastmod>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-winter-2023</loc>
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    <lastmod>2024-06-02</lastmod>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>StudioLab Winter 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>StudioLab Winter 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>StudioLab Winter 2023 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-rebecca-pyle-ii</loc>
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    <priority>0.75</priority>
    <lastmod>2024-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/bd98b50c-a35f-4d8d-8e53-4370bebb4a46/AdobeStock_491500879.jpeg</image:loc>
      <image:title>StudioLab Rebecca Pyle II - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/studiolab-nicolette-costanzo</loc>
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    <priority>0.75</priority>
    <lastmod>2024-05-30</lastmod>
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    <image:image>
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      <image:title>StudioLab Nicolette Costanzo - IMG_3435.jpeg</image:title>
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  </url>
  <url>
    <loc>https://seismamag.com/studiolab-robbie-telfer-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-30</lastmod>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-jennifer-wong</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-08</lastmod>
    <image:image>
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      <image:title>StudioLab Jennifer Wong - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-kx2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/a801ca41-6c2c-4221-9f99-cb4d88bdbb32/KX2_Obstruction_Immersion_installation.jpg</image:loc>
      <image:title>StudioLab KX2 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/b43476cb-065a-401a-9b36-5b355f9ff5dc/42F10834-DFA0-430B-ABEF-6880357FFB4B.jpeg</image:loc>
      <image:title>StudioLab KX2 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/72007baf-f454-413a-9ce5-2081deaed230/DSC_7572.jpg</image:loc>
      <image:title>StudioLab KX2 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5d6126d9-653f-4537-b84a-dc0e8ed917fa/DSC_7605.jpg</image:loc>
      <image:title>StudioLab KX2 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/a8f0773f-539c-46cc-b2ec-d92fca22bc1f/Tidemarkersfreestanding.jpg</image:loc>
      <image:title>StudioLab KX2 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://seismamag.com/studiolab-denise-zubizarreta</loc>
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    <priority>0.75</priority>
    <lastmod>2024-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e4a1b957-38fe-461f-b06b-58c57d59fe4d/IMG_7165.jpeg</image:loc>
      <image:title>StudioLab Denise Zubizarreta - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/8383e99d-a615-4e5d-ac35-8d0c00f8bdfc/IMG_7164.jpeg</image:loc>
      <image:title>StudioLab Denise Zubizarreta - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://seismamag.com/studiolab-margo</loc>
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    <priority>0.75</priority>
    <lastmod>2024-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/467a2b97-795e-47b1-9207-9398fb165b4e/Delicate_White+2.jpg</image:loc>
      <image:title>StudioLab Margo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/8db47e01-4bfa-4dd4-8cbe-a34148942d56/Golden_Circles+2.jpg</image:loc>
      <image:title>StudioLab Margo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-anja-rausch</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-30</lastmod>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-spring-2024</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9db1acc6-1458-45aa-b740-6a31da20bd3d/B2484AA3-8FAD-4102-B0CA-5FC81A395953.jpeg</image:loc>
      <image:title>StudioLab Spring 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/78a132bc-e81f-40f5-8b8c-6a8520f0497b/29E7E066-8A8C-4736-9F19-3FA43EE2388B.jpeg</image:loc>
      <image:title>StudioLab Spring 2024 - Make it stand out</image:title>
      <image:caption>MARGO</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/17f96dc8-670e-4fac-8b77-35a7685b8aef/0E710B48-93CF-4350-BA1B-E9E688774A0A.jpeg</image:loc>
      <image:title>StudioLab Spring 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e62bdb64-45bc-4050-a649-ad830cff1af7/6EAB9EA4-B212-436F-9DE0-2CB7D89C170F.jpeg</image:loc>
      <image:title>StudioLab Spring 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/b1e09893-d2f5-4bd3-bc09-58f0f1f5ca68/AdobeStock_758007958.jpeg</image:loc>
      <image:title>StudioLab Spring 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-dalena-storm</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e57cd6d3-a6be-4bf6-9d96-11bdaa74dfe6/AdobeStock_486972750.jpeg</image:loc>
      <image:title>StudioLab Dalena Storm - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-maura-high</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/221d9438-df2a-4759-bf67-7ee810dd8ad9/AdobeStock_213653232.jpeg</image:loc>
      <image:title>StudioLab Maura High - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-jeffrey-fouquet</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7305e51f-c0f6-4439-96cf-67220c8e380d/AdobeStock_15193642.jpeg</image:loc>
      <image:title>StudioLab Jeffrey Fouquet - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-alexandria-searls</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/21627ada-1399-4d59-ba53-eb4b7d63e964/AdobeStock_304424335.jpeg</image:loc>
      <image:title>StudioLab Alexandria Searls - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-thalia-patrinos</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-06-16</lastmod>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-lucas-rossi</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/378c7042-eb52-436e-aced-30648769a635/AdobeStock_171511020.jpeg</image:loc>
      <image:title>StudioLab Lucas Rossi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c041bee7-6ebc-4eb4-9c10-28be9982c10e/AdobeStock_809272314.jpeg</image:loc>
      <image:title>StudioLab Lucas Rossi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/3bca6c46-d4ec-4efe-8b9a-ae5aa6adcab5/AdobeStock_700365686.jpeg</image:loc>
      <image:title>StudioLab Lucas Rossi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-shin-watanabe</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7477e312-f93d-4400-a886-11de43d3f69f/AdobeStock_820692175.jpeg</image:loc>
      <image:title>StudioLab Shin Watanabe - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-amanda-boyanowski-morin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0b335501-2f11-4b0a-837f-a4df05708b3e/AdobeStock_859799452.jpeg</image:loc>
      <image:title>StudioLab Amanda Boyanowski-Morin - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-cami-dumay</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5d372d18-59e3-4d78-89aa-2a65fcf59776/AdobeStock_539893840.jpeg</image:loc>
      <image:title>StudioLab Cami DuMay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/bd4fdea2-a8be-4fac-b5c8-e4885b9b1ca5/A002562F-23B3-4CE4-8E8A-518E07CEC9B5.jpeg</image:loc>
      <image:title>StudioLab Cami DuMay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/6f6ddae0-8414-492c-8468-8c075aab6565/AdobeStock_534549528.jpeg</image:loc>
      <image:title>StudioLab Cami DuMay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1787493a-5e71-4729-974f-a0cc531a8e96/D65C1240-2FD9-4D96-B5DC-871E3ED02D46.jpeg</image:loc>
      <image:title>StudioLab Cami DuMay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7ab8abb2-bbd5-400f-b699-334c245093a9/AdobeStock_722378922.jpeg</image:loc>
      <image:title>StudioLab Cami DuMay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/36036270-3284-4a53-8222-339bed20b549/76B184FF-169E-439E-87B7-663223815A3F.jpeg</image:loc>
      <image:title>StudioLab Cami DuMay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/094a391e-9c7e-46fd-a4cd-babdb1cc1915/F38129D7-685B-40C4-A33C-A9407F84997E.jpeg</image:loc>
      <image:title>StudioLab Cami DuMay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5166c62a-8131-484d-b011-624de61a6d2f/7476DFC7-3B46-49DC-8232-7A2BF77C86A0.jpeg</image:loc>
      <image:title>StudioLab Cami DuMay - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-krista-leigh-steinke</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/9ae6d07a-f23b-4033-989e-dc4f660e0e0c/01_insects.jpg</image:loc>
      <image:title>StudioLab Krista Leigh Steinke - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/394868f4-5c0e-4318-af3f-7ef93f0c35bf/03_bees.jpg</image:loc>
      <image:title>StudioLab Krista Leigh Steinke - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-susan-richman</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/c83a6d1d-9a5d-4d52-aa43-6a549a384ec9/5AC3F5C3-000F-4D9C-80FB-D5B9FB9FCF59.jpeg</image:loc>
      <image:title>StudioLab Susan Richman - Make it stand out</image:title>
      <image:caption>Cicadian Rhythm by Susan Richman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/68a3cb2f-796d-47e2-8b7b-ab516899ce36/213B2850-61A0-4105-97CB-EBE3DF56C417.jpeg</image:loc>
      <image:title>StudioLab Susan Richman - Make it stand out</image:title>
      <image:caption>Bug Off by Susan Richman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-alexandra-bergmann</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/970ca37f-2e2c-4e04-8d97-130af7f59396/AdobeStock_799074744.jpeg</image:loc>
      <image:title>StudioLab Alexandra Bergmann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/86932d69-5dc0-4146-9041-eafcee670c54/6CD931AF-9DFB-492B-8483-AF5605109F0F.jpeg</image:loc>
      <image:title>StudioLab Alexandra Bergmann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/3fb89978-3f27-49c8-a275-b01d45b78840/AdobeStock_121714286.jpeg</image:loc>
      <image:title>StudioLab Alexandra Bergmann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f6f14bc6-3e32-44d9-a702-e42028e63ce7/43821384-5D06-4D4F-A327-1205EA3A9F92.jpeg</image:loc>
      <image:title>StudioLab Alexandra Bergmann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/caefb7f5-3a87-4e34-8272-d3485b70837e/AdobeStock_231553245.jpeg</image:loc>
      <image:title>StudioLab Alexandra Bergmann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/b5ac9110-7086-4b90-a922-e1adaf0d042b/2A980D87-20B6-43DC-84A3-9B86839EF736.jpeg</image:loc>
      <image:title>StudioLab Alexandra Bergmann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/07d1026f-9e10-49aa-860a-cafa9150f91f/AdobeStock_97197909.jpeg</image:loc>
      <image:title>StudioLab Alexandra Bergmann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1a9aa054-2d22-484e-9531-1d9b328ad694/EF870C1B-48BD-4118-8721-37D3707EB737.jpeg</image:loc>
      <image:title>StudioLab Alexandra Bergmann - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-shawn-smith</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/a0e59b4d-ca6c-440a-9680-180458113454/Cathedral_1+2.jpg</image:loc>
      <image:title>StudioLab Shawn Smith - Make it stand out</image:title>
      <image:caption>Cathedral (2023), Stained glass, LEDs, 32 x 32 x 58 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-daisy-bassen</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/db0d0761-ce6d-41c0-b731-3ea5118f973c/AdobeStock_823893420.jpeg</image:loc>
      <image:title>StudioLab Daisy Bassen - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-jeffrey-turboff</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-22</lastmod>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-er-lutken</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1fc7e7eb-de26-4b91-8d74-5874a1d69111/BE03E5E9-B074-40FC-9DB3-DC5E377BB08B.jpeg</image:loc>
      <image:title>StudioLab ER Lutken - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/34ff7c9c-ade3-4acc-a437-272a6ed93dfe/AdobeStock_463333077.jpeg</image:loc>
      <image:title>StudioLab ER Lutken - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://seismamag.com/studiolab-paul-brooke</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-hector-gonzalez</loc>
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    <lastmod>2024-07-04</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-sara-dudo</loc>
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      <image:title>StudioLab Sara Dudo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>StudioLab Sara Dudo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>StudioLab Sara Dudo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-jake-eshelman</loc>
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    <lastmod>2024-07-19</lastmod>
    <image:image>
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      <image:title>StudioLab Jake Eshelman - Make it stand out</image:title>
      <image:caption>An Offering by Jake Eshelman</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-vincent-casaregola</loc>
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    <lastmod>2024-07-04</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-allison-camp</loc>
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    <lastmod>2024-07-18</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1c3da461-0670-49ee-9839-c36e7416ded2/AdobeStock_740503174.jpeg</image:loc>
      <image:title>StudioLab Allison Camp - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-shir-lovett-graff</loc>
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    <priority>0.75</priority>
    <lastmod>2024-07-17</lastmod>
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      <image:title>StudioLab Shir Lovett-Graff - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://seismamag.com/studiolab-entomology</loc>
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    <priority>0.75</priority>
    <lastmod>2024-07-27</lastmod>
    <image:image>
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      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/2a5bb755-b354-4392-86e9-f906619c558b/C9E4BCA6-B9E0-44B5-B4F0-1ED7E652CDB6.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>SHIN WATANABE</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/a3f4d142-923d-4c07-afc1-1213f1774021/ED3D5F89-EE8D-45FD-9BA3-F7D314623363.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>JAKE ESHELMAN</image:caption>
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    <image:image>
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      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>SHIR LOVETT-GRAFF</image:caption>
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    <image:image>
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      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>KRISTA LEIGH STEINKE</image:caption>
    </image:image>
    <image:image>
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      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>DALENA STORM</image:caption>
    </image:image>
    <image:image>
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      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>AMANDA BOYANOWSKI-MORIN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/e227bcdd-066d-47c9-ae49-d0291a2c342e/9030992B-AD6A-4B40-9CA5-C8677B4EF336.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/02963490-26b0-4514-b837-881928eef7e3/DC346003-D272-4B7B-8391-4C70951DFB93.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>ALEXANDRIA SEARLS</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7cbbd278-ad10-4b85-b156-3dffaa85d939/1E784AB7-9392-4D93-BFE0-387EE2AFE13E.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>LUCAS ROSSI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/4b18e5a1-9f3b-4067-8ff3-3476d12ecea1/372A7489-714A-4E7A-9E2F-29292D94915A.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>E R LUTKEN</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/91f2ac5e-c113-4a39-a2da-57cd9ef9916a/17EA3EFD-4DAB-4BE1-9A54-F51D9A325EA8.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>J M FOUQUET</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/ebb4de41-965d-42ec-ab4d-76a9a6a91ef8/A735473B-C1E3-4E59-BD9C-BE5CEB171AC3.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>VINCENT CASAREGOLA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/1f7a5797-0137-410d-804e-f87362ebf7e3/457F8AC3-9243-474B-A35E-47A6CDF51D20.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>CAMI ROTHMULLER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/0750faf5-befb-4d4d-8eae-cadf2f63c20e/00269B37-B32C-4A68-A7E0-D906EA5E2637.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/3e1e7670-185b-4baa-9af4-f898c3e64644/A46E26F5-97BD-42D2-A0BC-81365B7797BC.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>HECTOR GONZALEZ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/78fdabb1-fae7-4f2b-a708-2a89dc8c16e8/30FF39AC-E854-4334-BB8F-1D65F9EA95ED.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>SHAWN SMITH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5eb47f17-025e-4dae-8f85-e962d908cd3c/71A937C5-2F96-44EB-9C5C-912CCA344D22.jpeg</image:loc>
      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>SARA DUDO</image:caption>
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    <image:image>
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      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>SUSAN RICHMAN</image:caption>
    </image:image>
    <image:image>
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      <image:caption>DAISY BASSEN</image:caption>
    </image:image>
    <image:image>
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      <image:caption>PAUL BROOKE</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/3c451762-8af4-44d1-aa10-aa53b4fbafc8/E80D5337-903E-4C94-BADE-B75E9F92A42C.jpeg</image:loc>
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      <image:caption>ANNA SZALC</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/46f0f311-ac01-4504-80d2-cbaafdbdef0b/AdobeStock_740503174.jpeg</image:loc>
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      <image:caption>ALLISON CAMP</image:caption>
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    <image:image>
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      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>StudioLab Entomology - Make it stand out</image:title>
      <image:caption>MAURA HIGH</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-anna-szalc</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-18</lastmod>
    <image:image>
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      <image:title>StudioLab Anna Szalc - Make it stand out</image:title>
      <image:caption>Purple Poplar Polypore by Anna Szalc</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-cynthia-yatchman</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-22</lastmod>
    <image:image>
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      <image:title>StudioLab Cynthia Yatchman - Make it stand out</image:title>
      <image:caption>The Fly by Cynthia Yatchman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/47eef562-99b8-4e9e-8861-aa734640e722/Yatchman_Cynthai_InsectMonoprint+2.jpg</image:loc>
      <image:title>StudioLab Cynthia Yatchman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-summer-2024</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-17</lastmod>
  </url>
  <url>
    <loc>https://seismamag.com/studiolab-elizabeth-osmond</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-12</lastmod>
    <image:image>
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      <image:title>StudioLab Elizabeth Osmond - Make it stand out</image:title>
      <image:caption>Starling murmurations. A large flock of starlings fly at sunset in the Netherlands. Hundreds of thousands starlings come together making big clouds to protect against birds of prey. Photographer henk bogaard</image:caption>
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      <image:title>StudioLab Elizabeth Osmond - Make it stand out</image:title>
      <image:caption>Photographer cosmicvue</image:caption>
    </image:image>
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  <url>
    <loc>https://seismamag.com/studiolab-emily-somoskey</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-17</lastmod>
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  <url>
    <loc>https://seismamag.com/kafka</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-08</lastmod>
    <image:image>
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      <image:caption>KAFKA, INSECTS, AND DISGUST</image:caption>
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      <image:caption>KAFKA, EATING, AND HEALTH</image:caption>
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  <url>
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    <lastmod>2026-02-15</lastmod>
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      <image:title>StudioLab Winter 2026 - STUDIOLAB WINTER 2026</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/86b41400-0f5d-48cf-8e06-ad21269f85e8/the-starry-night-1889%281%29+%281%29.jpg</image:loc>
      <image:title>StudioLab Winter 2026 - Make it stand out</image:title>
      <image:caption>LOUHI POHJOLA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/64331d47-70c9-4c73-a9f0-c1cf4caf3f29/AdobeStock_522837224.jpeg</image:loc>
      <image:title>StudioLab Winter 2026 - Make it stand out</image:title>
      <image:caption>ELIZABETH OSMOND</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/447d610d-356a-498f-b7fb-686cf337a8e5/9504792_DavidEllingsen-WeatherPatterns-2014-May-Hottest-on-Record-Globally.jpg</image:loc>
      <image:title>StudioLab Winter 2026 - Make it stand out</image:title>
      <image:caption>DAVID ELLINGSEN</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-louhi-poujola</loc>
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    <priority>0.75</priority>
    <lastmod>2026-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/f34ac13c-4ae5-4409-8012-b031717cbf95/the-starry-night-1889%281%29.jpg</image:loc>
      <image:title>StudioLab Louhi Poujola - Make it stand out</image:title>
      <image:caption>The Starry Night (1889) by Vincent Van Gogh.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/5ab12e5c-40d3-47dd-9aa3-2386d7b8c711/Screenshot_11-2-2026_15619_uploads2.wikiart.org.jpeg</image:loc>
      <image:title>StudioLab Louhi Poujola - Make it stand out</image:title>
      <image:caption>Section of The Starry Night (1889) by Vincent Van Gogh.</image:caption>
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  <url>
    <loc>https://seismamag.com/studiolab-david-ellingsen</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7cf3d50f-ba78-4494-a346-cf5726ae6e6b/9347162_DavidEllingsen-WeatherPatterns-2017DissipatingHeatSummerEvenings.jpg</image:loc>
      <image:title>StudioLab David Ellingsen - Make it stand out</image:title>
      <image:caption>2017, Dissipating Heat, Summer Evenings (Study) (2017). Pigment ink on cotton rag paper, 40 x 60 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/cae32be4-8230-4bea-be62-cb64cc1c0954/9347123_DavidEllingsen-WeatherPatterns-2016-March24thLowestSeaIceInHistory.jpg</image:loc>
      <image:title>StudioLab David Ellingsen - Make it stand out</image:title>
      <image:caption>2016 March 24, The Lowest Winter Arctic Sea Ice Extent in Recorded History, Pigment ink on cotton rag paper, 20 x 30 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/7dd961b4-0973-4094-9b1a-f50902f832b4/9504768_DavidEllingsen-WeatherPatterns-2016-March24-LowestSeaIceInHistory.jpg</image:loc>
      <image:title>StudioLab David Ellingsen - Make it stand out</image:title>
      <image:caption>2016 March 24, The Day Marking the Lowest Winter Arctic Sea Ice Extent in Recorded History (global). Pigment ink on cotton rag paper, 40 x 40 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e73752437acaf41d36d9f2b/141f50bb-ded3-4096-b243-1aaef55525ff/9504792_DavidEllingsen-WeatherPatterns-2014-May-Hottest-on-Record-Globally.jpg</image:loc>
      <image:title>StudioLab David Ellingsen - Make it stand out</image:title>
      <image:caption>2014 May, The Hottest Month of May in Recorded History (global). Pigment ink on cotton rag paper, 27.5 x 57.5 inches.</image:caption>
    </image:image>
  </url>
</urlset>

